“My system is, it’s okay not to have a system.” —Evan Ratliff (@ev_rat)
“I’m the opposite of the 500-words-a-day person. Sometimes I’ll be like, ‘I’m not gonna get anything done today.’ … Whatever …I’m a freelancer!”—Evan Ratliff
This week I spoke to Evan Ratliff, who puts the bad in badass. Yes, that means I put the ass in badass. Neither here nor there.
Evan came on the show to talk about his career as a freelance journalist and, most recently, his epic new book titled The Mastermind: Drugs, Empire, Murder, Betrayal. It’s a book that combines all the tools of the trade a master reporter needs to tell the globetrotting story
That’s right, this is The Creative Nonfiction Podcast, the show were I talk to badass writers, filmmakers, and producers about the art and craft of telling true stories. I try and unpack their origins and how they go about the work so you can apply those tools of mastery to your own work.
So before we get to Evan, you’ll want to find a way to subscribe to this show. I make it easy, man. Apple Podcasts, Google Podcasts, Spotify, Stitcher. I think that’s enough. If you find the show entertaining or informative, share it across your platform with your pals. You are the social network. Rage against the algorithm, rrrrage. If you’re feeling generous of course you can leave a review on iTunes, but I’m just as happy with you sharing it or even emailing the show creative nonfiction podcast at gmail dot com.
Okay, so Evan Ratliff, @ev_rat on Twitter, came by the show. His latest book The Mastermind is a masterpiece of true crime writing. Evan is also the founder of The Atavist Magazine, a co-host of the Longform Podcast, and a long-time freelance writer. This was fun. He came to play ball, which not every guest does so I’m thrilled that he took the time to jam with me.
Keep the conversation going on Twitter by pinging me @BrendanOMeara and @CNFPod. Wanna barf? The show has an Instagram page now: @cnfpod. And, as always, you can like the show on Facebook. You have no excuse for not seeing the show out there in the world.
