Episode 68—Peter Brown Hoffmeister on Failure as Fuel, Staying Hungry, and Wolf Naps

Peter Brown Hoffmeister
Peter Brown Hoffmeister, author of the memoir The End of Boys, joins us for Episode 68 of The Creative Nonfiction Podcast.

By Brendan O’Meara

Tweetables by Peter Brown Hoffmeister (@pbhoffmeister on Twitter):

“After you’re in it for a while and you actually become better, you realize how bad you are.”

“I think that’s how a writing career starts: You’re just a pathetic little freshman.”

“Being a career writer is all about staying hungry.”

“I guess there are people who write strong first drafts, but that’s not me.”

“If you’re competitive with other writers, it’s not going to be healthy.”

“I don’t feel great at the end of the day if I haven’t written or haven’t read.”

What’s up CNFers, hope you’re having a CNFin’ good week. Continue reading “Episode 68—Peter Brown Hoffmeister on Failure as Fuel, Staying Hungry, and Wolf Naps”

Episode 67—Carol Marine on Daily Painting, Flow States and Overcoming Burnout

Carol Marine, author Daily Painting, visited CNF HQ

By Brendan O’Meara

Tweetables by Carol Marine (@CarolMarineArt and carolmarine):

“It’s not about using the right hashtag on Instagram. That’s not the key! You’ve got to have work that people want to buy!”

 “One big part I’ve realized is simply letting my creative barrel refill and that’s a critical part of any creative life.”

It’s The Creative Nonfiction Podcast, the show where I speak with the world’s best artists about creative works of nonfiction: leaders in the world of narrative journalism, memoir, documentary film, essay, and radio, and tease out their stories and habits so that you can provide their skills to your own work. Thanks for listening, CNFers. Continue reading “Episode 67—Carol Marine on Daily Painting, Flow States and Overcoming Burnout”

Episode 66—Brin-Jonathan Butler on the Risk of Chess, Obsession with Obsessives, and the Blessing of Struggle

Brin-Jonathan Butler, Brendan O'Meara
Brin-Jonathan Butler sporting Cuban refugee Yasiel Puig’s No. 66.

By Brendan O’Meara

Tweetables from Brin-Jonathan Butler (@brinicio):

“It was completely surreal, like being in the games room of the Titanic after it struck the iceberg. Nobody gave a shit.”

“Obsession has always fascinated me, whether it’s more a dance with your virtues or your demons.”

“Maybe you have to con your ways into finishing a lot of things in life.”

“My worst ideas happen when I’m sitting at the computer. I need to go for a walk, have a cigarette, or play with my cat.”

Hey, hey, it’s The Creative Nonfiction Podcast, the show where I speak with the world’s best artists—leaders in narrative journalism, essay, memoir, radio, and documentary film—and tease our their stories, tips, and tricks and how you can apply those tools to your own work. I’m your host @BrendanOMeara, Brendan O’Meara in real life. Continue reading “Episode 66—Brin-Jonathan Butler on the Risk of Chess, Obsession with Obsessives, and the Blessing of Struggle”

Episode 64—Matt Tullis on “Running with Ghosts,” Aging Out of Jealousy, and Bringing a Reporter’s Mind to Memoir

matt tullis, brendan o'meara
Matt Tullis’ new book is “Running with Ghosts: A Memoir of Surviving Childhood Cancer.”

By Brendan O’Meara (@BrendanOMeara)

Tweetables by Matt Tullis (@matttullis):

“To be a great writer, you just have LOVE writing. You have to be passionate about it, so you’re going to do it a lot.”

“When I write a story, I want it to get as big an audience as possible.”

“I don’t have any problem whatsoever with being a shameless self promoter. I know a lot of writers who don’t like to do that.”

“I think some people who are super competitive can also get jealous of people who are more successful.”

“I love it when people who I like and respect and like to read, I love it when their stuff gets big.”

“If you hang around long enough, you’re gonna understand what the story is.”

“I feel good justifying my own survival by telling the stories of those who didn’t survive.”

It’s The Creative Nonfiction Podcast, the show where I speak with the world’s best artists—journalists, documentary filmmakers, essayists, memoirists, and radio producers—about creating works of nonfiction.

Have we got a good one for you today. Episode 64 with journalist Matt Tullis (@matttullis) on Twitter. His first book, Running With Ghosts: A Memoir of Surviving Childhood Cancer published by The Sager Group, tells the story of how Matt got slammed with a form of leukemia at age fifteen, and subsequently what he did what that survival as many of his friends, who had previously been in remission, started passing away as the cancer came back. A couple of Matt’s caretakers, people who spent hours, and weeks, and months ensuring his survival, also died of cancer leaving Matt to wonder why he was spared.

There were several times in this book that burned your host’s eyes, not gonna lie, but Matt honors his life and his friends by turning his reporter’s eye inward, and outward, telling the story of his life and his friends.

Matt is a professor at Fairfield Univeristy and host of Gangrey the Podcast. His work has appeared in SB Nation Longform among many other places.

You’re gonna dig this episode as we talk about what it takes to be a great writer, letting events unfold in the face of preconceived expectations, competition, jealousy, and self promotion.

Stories by Matt

The Ghosts I Run With

Feet of Clay, Heart of Iron

Books Mentioned

Fractals
The Things They Carried
Pulphead

 

Writers Mentioned

Tom Junod
Chris Jones
Kelley Benham French
Wright Thompson
John Jeremiah Sullivan
Paul Auster
William Bradley
Glenn Stout
Tim O’Brien

Episode 63—Bronwynn Dean Talks Marijuana, Gonzo Journalism, and the Power of Performance

Bronwynn Dean’s work-in-progress is titled “Potted,” and she explores the world of marijuana.

By Brendan O’Meara

Tweetables by Bronwynn Dean (@bronwynnhdean):

“Pretty much anyone I interact with is fair game for ending up in a story.”

“Okay, here’s how to get in the facts, but also make it really funny.”

“Having that permission for adventure, I never lost that.”

“You have to see the value in the end product enough to make yourself suffer.”

This episode is brought to you by Hippocamp 2017, a conference for creative nonfiction writers. It takes place in lovely Lancaster, PA, and runs from September 8 through September 10. Spots are still available for the third annual conference, so if you want to check out speakers like Tobias Wolfe and Dinty W. Moore, you better sign up! Hippocamp: Create. Share. Live.

Bronwynn Dean stopped by the podcast to talk about the power of performance and her work-in-progress about the world of marijuana. It’s titled Potted

Her work has appeared in Pitkin Review and Soundings Review. She cites Hunter S. Thompson and Tom Wolfe as major influences and I think you’ll dig how she was able to be the only one of about forty writers to land an agent. What went right? What was wrong about the other 39? Good stuff.

Okay, friends, you know the drill: Please leave a nice review over at iTunes and sign up for my monthly newsletter where I give out my book recommendations. It’s short, to the point, no spam. 

Share this with a friend and sit back and enjoy Bronwynn Dean. 

Episode 61—Susan Orlean on Writing for an Audience and the Entrepreneurial Nature of a Writing Career

Susan Orlean for Grub Street / New York Magazine

By Brendan O’Meara

Tweetables by Susan Orlean (@susanorlean)

“What can I do with the tools I was given as opposed to the tools I was expecting?”

“If a story is just exactly what I expected it would be, I don’t think of that as all that interesting.”

“Entrepreneur, I had the instincts of an entrepreneur.”

“OK, this is how you do it…you make a connection, you think of stories that would work for a bigger audience.”

“In very practical terms, if you’re gonna be a person doing longform journalism, you will be running a small business.”

“Look at it as a business you’re running, but you also happen to be the raw material the business is producing.”

“Each story starts from zero. It never stops being exciting.”

Hello, CNF-buddies, it’s The Creative Nonfiction Podcast, the show where I speak with the world’s best artists about creating works of nonfiction—journalists, essayists, memoirists, radio producers, and documentary film makers—and how you can use their tools of mastery and apply it to your own work.

That’s right, you are in for a treat. Well, let’s face it, you’ve always been in for a treat, but this week you’re in for an Easter basket and Halloween sack all rolled into one verifiably true candy locker.

New York Times bestselling author of Rin Tin Tin, The Orchid Thief, (which was made into the movie Adaptation), Saturday Night, My Kind of Place, The Bullfighter Checks Her Makeup, and the children’s book Lazy Little Loafers. She’s a staff writer for The New Yorker (full archive here) and she came by the podcast to share her wisdom and experiences from a career writing deeply reported features. You can find Susan online @susanorlean on Twitter and visit her website Susan Orlean dot com.

What are some takeaways? Susan talks about always having an audience in mind, having supreme focus, and needing to see yourself as a business person if you plan on doing this type of work and that it’s actually freeing, not stifling, in order to do the kind of work that excites you and feeds your ambitions.

Before we get to that, I ask that you please subscribe to the podcast, share it with a friend, and leave a rating or, ideally, a nice review on iTunes, like this one from Meredith May. She said, “Real conversations among professional writers about the essence of craft. A behind the scenes look at the way stories come together, from inception to publication, that doesn’t shy away from the truth about the difficulties and triumphs of making a living from words. One of the hardest concepts for my podcasting students to grasp is how differentiate between a story and a topic—this podcast helps them find that X-factor that makes a story sing.”

Wow. Shoutout to that five-star review. If you leave one, I might just read it on the air! It’s time for the show, episode 61 with Susan Orlean!

Episode 60—The Godfather of Creative Nonfiction: Lee Gutkind

Lee Gutkind, Brendan O'Meara
Lee Gutkind, founder of the journal Creative Nonfiction and author/editor of nearly 50 books, stopped by the podcast.

By Brendan O’Meara

Tweetables by Lee Gutkind (@LeeGutkind):

“I love the work. It’s my passion. Aside from raising my son, it’s the most satisfying thing I do.

“In many ways the biggest challenge to figure out if you’re gonna be a writer of nonfiction is to figure out what stories you can tell that no one else has told before.”

“You have to select people who want to be written about.”

“The change is everything. The change is the story.”

“The test of any great writer is keeping going and not letting however you see failure as a way of stopping you.”

“We are not writing for ourselves. We’re writing for the bigger world.”

Hey, hey, it’s The Creative Nonfiction Podcast! This is the show where I interview the world’s best artists about creating works of nonfiction: documentary film, personal essay, memoir, narrative journalism, killer profiles, and reportage and dive into the origin story, what makes them great, and how you can apply their strategies of mastery to your own work.

Today’s guest for Episode 60 (!) of The Creative Nonfiction Podcast is none other than the Godfather, Lee Gutkind.

His tagline on his website is Writer. Speaker. Innovator. He’s written or edited 49 books like Almost Human, The Best Seat in the House But You Have to Stand: The Game as Umpires See It, Truckin’ With Sam.

He also founded the lit journal/now magazine Creative Nonfiction, which is an incredible well of great writing. 

What are you gonna learn from this episode? Lee tells you that you need to figure out what stories and YOU can tell that no one else has done before. How to find the people who want their stories told, and how to perservere in the face of untold failure.

That’s a some good, good stuff.

Before we dive into the interview, I ask that you leave a review on iTunes or even just a rating. Reviews are icing on the cake, but the more ratings, the more cred, the more people we can reach. Also, I have an email newsletter that I send out once a month. It’ gives my reading list for the month and what you may have missed from the podcast.

Share this with a friend because I know you’re gonna dig it!

Episode 59—Jessica Lahey Reads “I’ve Taught Monsters”

Jessica Lahey returns to the podcast to read her essay.

By Brendan O’Meara

Hello, friends, fellow CNFers, it’s The Creative Nonfiction Podcast, the show where I speak with the world’s best artists about creating works of nonfiction and the actionable insights they share to help you with your work.

Today I welcome back Jessica Lahey (@jesslaheyof Episode 51 fame, author of the NYT bestseller The Gift of Failure and, most recently, the author of the essay “I’ve Taught Monsters,” which appeared in Issue 63 of the literary magazine Creative Nonfiction.

For this episode, Jess reads the essay in its entirety and she gives a knockout performance. I noodled around with music for a bit, but I couldn’t find the perfect tracks for it, so I just let it stand: Jess simply reading her wonderful essay.

Before we get to her reading I want to ask you something: What are you struggling with? Is there something in your work that’s giving you trouble or are you hitting road blocks? I want to know. Ping me on Twitter or email me. Maybe I can help.

Also, be sure to share this with a friend, leave a review on iTunes if you got any value out of this, and let me know if you dig these author readings.

Also, it’s Saratoga horse racing season and some of you might not even know that I write words too. My first book, Six Weeks in Saratoga: How Three-Year-Old Filly Rachel Alexandra Beat the Boys and Became Horse of the Year came out in 2011 courtesty of SUNY Press. It’s a timeless story about the track and the 2009 season. Want to support me and the podcast? Buy a book! It’s in paperback.

That’s it, here’s Episode 59 as Jessica Lahey returns to read from her essay “I’ve Taught Monsters.”

Episode 56—Sonja Livingston Serves Up ‘Ghostbread’

Sonja Livingston, author of the memoir “Ghostbread,” stopped by the podcast to read from her book and to talk about her work.

By Brendan O’Meara

Tweetables by Sonja: 

“If I had tried to line together four or five of these [short chapters], it might feel cumulatively too dense or heavy.”

“That’s such a nice thing about writing, isn’t it? It’s exciting for me because I don’t know where the piece is going to go and beyond that I don’t know who it’s going to connect with if it will at all. Sometimes it doesn’t. But when it does, it’s sort of amazing.”

“I don’t really have a plan. I follow the leads of memory and curiosity and go with it.”

“They haven’t tried to kill me, but they haven’t thrown me a party either.”

“The thing that makes an essay work and seem like a miracle is the thing that makes it seem so painful as well.”

Sonja Livingston stopped by The Creative Nonfiction Podcast to talk about her award-winning memoir “Ghostbread.” She was also gracious enough to read from three short chapters. It’s about family and growing up in poverty.

“[My family] hasn’t tried to kill me, but they haven’t thrown me a party either,” Sonja says.

This episode is layered and a bit experimental. I hope it adds a little extra somethin’-somethin’ to the usual interview. If you dig it, let me know on Twitter @BrendanOMeara and I’ll invite others to try something similar.

Sonja talks a lot about her routine and how getting outside helps her write. Also she adds that writing personal essay can feel like a miracle, but can also be very painful. Maybe it’s that in order to write great art, there must be a little bit of blood on the page.

I’d love for you to leave a review of the podcast and to share with folks you think will enjoy it. That’s all I can ask for. Thanks for listening!

People Mentioned

Judith Kitchen
Enda O’Brien
Harriet Scott Chessman
Jerre Mangione
James Joyce
Flanner O’Connor
William Faulkner
Dinty W. Moore