Erica Berry wrote “Beasts Among Us” for the 13th issue of True Story
Tweetables by Erica Berry (
@ericajberry on Twitter):
“Joan Didion said ‘Writers are always selling people out’ and I have chafed against that because I don’t feel like I want to be.”
“I’m a pretty binge-y writer.”
“The essay lets you learn as you’re writing.”
In a week where
reached its Kickstarter goal to support its monthly offshoot Creative Nonfiction True Story, what better than to have the latest True Story author on the show? Continue reading “Episode 76—Erica Berry on Binge Writing, Writing as Learning, and Werewolves”
Chris Arvidson, co-editor of “The Love of Baseball,” joins me on the podcast this week.
By Brendan O’Meara
Tweetables by Chris Arvidson (
“I don’t need to hear another story about how you went to the baseball game with your dad.”
“We wanted to have that feeling of experience of how people experience baseball over a lifetime.”
“How do you set up your story and how do you make it move?”
“There’s so much great real stuff happening that it seemed dumb to make up anything.”
“You have to write every day and you have to ask every day.”
This week I welcome Chris Arvidson for Episode 75 of The Creative Nonfiction Podcast, the show where I speak with the world’s best artists about creating works of nonfiction, leaders in
narrative journalism, radio, essay, memoir, and documentary film and try to tease out their stories, habits and routines so you can improve your own creative practice.
Chris co-edited along with Diana Nelson Jones
published by McFarland. It’s a beautiful book and we talk about its genesis, what makes for good baseball writing vs. horrible baseball writing, what’s the most important thing for Chris when developing a story, the organic nature of building a network, favorite books on writing, and much more. The Love of Baseball: Essays by Lifelong Fans
Chris also edited the anthologies
Reflections on the New River and Mountain Memoirs. You can find more about her and her work at chrisarvidson.com. Books Mentioned
by Meredith May and others I, Who Did Not Die
by Anne Lamott Bird by Bird
by Philip Gerard [ Writing Creative Nonfiction podcast here]
by John McPhee Draft No. 4
by Roy Peter Clark [ Writing Tools podcast here]
Pulitzer Prize winner Madeleine Blais joined me on the podcast. Maddy is a dear friend and treasured mentor and it was so great to speak to her about her work and her new book “To the New Owners.”
Tweetables by Madeleine Blais
“I always say mixed feelings equal material.”
“You’re only as great as your next story.”
“If you’re a feature writer or a person who does longform, you start to suspect a lot of depth in a lot of people.”
“I try to tell myself that nothing is ever wasted.”
“Reality was compelling enough.”
“I like the stories that make me feel like I’m going in the opposite direction of other people.”
Welcome back to another episode of The Creative Nonfiction Podcast, the show where I speak with the world’s best artists about creating works of nonfiction to try and tease out the origins, habits, and routines so that you can apply their skills of mastery to your own work:
narrative journalists, New York Times bestselling authors, award-winning filmmakers and, yes, even a Pulitzer Prize winner. Continue reading “Episode 74—Madeleine Blais says Reality is Compelling Enough”
Patsy Sims reporting at a KKK rally for her 1978 book “The Klan.”
“The novel I always wanted to write didn’t have to be fiction.”
“What they gave women was pitiful.”
“Sure, you have everything on the tape recorder, but that’s the beauty of it and it’s up to me to be selective.”
“Transcribing is another point of getting this in your head.”
“I guess the lesson there is perseverance. Not giving up.”
Hey, CNFers, it’s The Creative Nonfiction Podcast the show where I speak with the world’s best artists about creating works of nonfiction. I try and tease out the origins and tactics from leaders in narrative journalism (like
S usan Orlean), personal essay (like Elizabeth Rush), memoir (like Andre Dubus III), radio (like Joe Donahue), and documentary film (like Penny Lane), so you can apply their tools of mastery to your own work. Continue reading “Episode 73—Patsy Sims on Book Research as Mini-education, Not Giving Up, and “The Stories We Tell””
“[ True Story ] is a snack between the main meal.” — Hattie Fletcher
It’s The Creative Nonfiction Podcast, the show where I speak with the world’s best artists about creating works of nonfiction, leaders in the world of narrative journalism, documentary film, essay, memoir and radio and try to deconstruct how these masters go about the work so that you can improve your own.
This week I welcome back Hattie Fletcher, who is the managing editor for
Creative Nonfiction Magazine. What prompted a second trip? Hattie, along with Lee Gutkind and the team over at Creative Nonfiction, started a $27,000 Kickstarter campaign to support the second year of their monthly offshoot to the quarterly magazine. True Story,
True Story is a 5,000-10,000-word stand-alone piece in chapbook or digital form. It’s pretty rad.
In this episode we talk about:
What makes the green-lit pieces pop
What the rejected pieces have in common
And also some of the goodies you can expect with a pledge.
I hope after listening to this you’ll head over to the Kickstarter campaign and pledge some hard-earned dough so they can keep doing the work they’re doing on True Story.
Full disclosure, I don’t get any kickbacks of any kind.
What a guy.
It would be nice if you shared the episode and even left a nice review over on iTunes to help validate the podcast so I can keep doing this thing. I’d hate for the business office to come down and slam the door shut on this enterprise. Keep the reviews coming so I can keep the doors open at CNFHQ.
Elizabeth Rush, whose essay “Something Like Vertigo” appeared in Creative Nonfiction Issue 64, joins me on the podcast this week.
Tweetables by Elizabeth Rush (
@elizabetharush on Twitter):
“I’m just a mule. I just show up every day and climb very, very slowly up that mountain.”
“I know writing is about your writing, but it’s also about your networking.”
“My first draft is the Ugly Middle.”
“I feel like I turn to writers to help me solve problems that I’m having.”
Continue reading “Episode 71—Working Backward with Elizabeth Rush”
Matt Mercier talks about high-intensity practice and the power of the spoken word.
Tweetables by Matthew Mercier (
“You have to live a life in order to tell stories.”
“I’ve always been selfish about the writing.”
“Where can I fit in the writing time? That’s always the first question, and then I work in everything around that.”
“The object of a Moth story is you take out.”
“The Moth saved me from my isolation as a writer.”
“What works on the stage doesn’t necessarily work on the page and vice versa.” Continue reading “Episode 69—Matthew Mercier: From Edgar Allan Poe’s Basement to The Moth Stage”
Peter Brown Hoffmeister, author of the memoir The End of Boys, joins us for Episode 68 of The Creative Nonfiction Podcast.
Tweetables by Peter Brown Hoffmeister (
@pbhoffmeister on Twitter):
“After you’re in it for a while and you actually become better, you realize how bad you are.”
“I think that’s how a writing career starts: You’re just a pathetic little freshman.”
“Being a career writer is all about staying hungry.”
“I guess there are people who write strong first drafts, but that’s not me.”
“If you’re competitive with other writers, it’s not going to be healthy.”
“I don’t feel great at the end of the day if I haven’t written or haven’t read.”
What’s up CNFers, hope you’re having a CNFin’ good week.
Continue reading “Episode 68—Peter Brown Hoffmeister on Failure as Fuel, Staying Hungry, and Wolf Naps”
Carol Marine, author Daily Painting, visited CNF HQ
Tweetables by Carol Marine (
@CarolMarineArt and carolmarine):
“It’s not about using the right hashtag on Instagram. That’s not the key! You’ve got to have work that people want to buy!”
“One big part I’ve realized is simply letting my creative barrel refill and that’s a critical part of any creative life.”
It’s The Creative Nonfiction Podcast, the show where I speak with the world’s best artists about creative works of nonfiction: leaders in the world of
narrative journalism, memoir, documentary film, essay, and radio, and tease out their stories and habits so that you can provide their skills to your own work. Thanks for listening, CNFers. Continue reading “Episode 67—Carol Marine on Daily Painting, Flow States and Overcoming Burnout”
Brin-Jonathan Butler sporting Cuban refugee Yasiel Puig’s No. 66.
Tweetables from Brin-Jonathan Butler (
“It was completely surreal, like being in the games room of the Titanic after it struck the iceberg. Nobody gave a shit.”
“Obsession has always fascinated me, whether it’s more a dance with your virtues or your demons.”
“Maybe you have to con your ways into finishing a lot of things in life.”
“My worst ideas happen when I’m sitting at the computer. I need to go for a walk, have a cigarette, or play with my cat.”
Hey, hey, it’s The Creative Nonfiction Podcast, the show where I speak with the world’s best artists—leaders in
narrative journalism, essay, memoir, radio, and documentary film—and tease our their stories, tips, and tricks and how you can apply those tools to your own work. I’m your host @BrendanOMeara, Brendan O’Meara in real life. Continue reading “Episode 66—Brin-Jonathan Butler on the Risk of Chess, Obsession with Obsessives, and the Blessing of Struggle”