What a great interview to re-up. Tremendous insights into the craft of biography and the perfect way to lobby subjects about what it’s important for a credible journalist to tell their stories: Everybody gets forgotten. They might not thinks so, but it’s true. And Howard made that case to Rickey Henderson for Rickey: The Life and Legend of an American Original.
Usually after you have a discussion with your book editor, you have a clearer sense of what you’re doing. Energy. Gusto. I spoke with my editor on June 28. As you can tell, I haven’t written a word since. In fact, I’ve been sad. Like, I-can’t-face-the-day sad.
POV. POV. POV. POV. POV.
What’s my point of view in this biography? My whole concept — my instinct —was to just tell a good story with newer details from a longer lens. That’s not enough. Biographers must imbue the story with something that makes it wholly unique, looking askance at the central figure, even casting judgement. “As the biographer, you have your finger on the scale,” my very astute and downright brilliant editor told me.
I never knew creative block until this moment. I cannot crack this code of how to frame the book in a way that feels fresh and relevant. My interviews are falling flat because I’m running out of things to talk about. I don’t know how to bring fresh juice to these conversations. I thought building up certain “tent pole” moments would be exciting and great but … I don’t think so anymore.
I had a set of instincts going into this project and they’ve been cut off at the knees. And, at this writing, I have 8.5 to complete the reporting, the research, and the writing. As I wrote that sentence, my stomach dropped into my shoes.
Why am I writing this? What value-add is this for you? I can’t say there is any except a great lyric from Metallica’s “King Nothing”:
Careful what you wish, You might regret it Careful what you wish, You just might get it
I have a pal who has told me just to explain it now and write it later. My interpretation is to merely get things down on paper and worry about the sheen later, worry about the connective tissue later. Don’t worry so much about meaning but write the islands. Write out of chronological order.
Ultimately, this the Pressfieldian “Resistance” surfacing from the subterranean bowels of the lizard brain.
A mantra of sorts has helped me: Slow and steady. Deliberate focus.
This was a wonderful conversation from a brilliant writer and reporter, and a great advocate for the writing community at large. He’s the host of Two Writers Slinging Yang.
David Maraniss is the author of several biographies, including his latest, Path Lit by Lightning: The Life of Jim Thorpe (Simon & Schuster). This book will make a great addition to your sports biographies. But like great stories involving sport, it’s about so much more.
In this conversation we talk about David’s “four legs of the table” for writing biography, navigating around people who won’t talk, world building in biography, and a whole lot more.
It’s a tremendous books, one that delves into the life of the great lead-off hitter Rickey Henderson and puts his life into context, builds a world around Rickey.
She’s an incredible writer and reporter. She’s a senior staff writer for The Ringer. On top of that, she’s generous and insightful, and she brought all of that and more to this episode of the podcast.
We talk about failure and persistence and writing and ledes. This is a dream conversation if you’re into the nuts and bolts of writing and reporting long features and books.
In this conversation we talk about the challenge of finding a voice, how even after 30 years, Alexander is still trying to find it.
And, you know, the Dalai Lama.
We talk about how his time as an army officer influenced his writing, how to surrender to the story, and how he came to know the Dalai Lama.
I hope you’ll subscribe to the show if you already don’t. I do my best to make the best show for you. If you dig the show, consider leaving a kind review on Apple Podcasts. I’ll read it on the air as a way of saying thank you.
You can follow the show’s various social media channels. @CNFPod on IG, Twitter, and Facebook. Always nice to connect.
That reminds me. We all need editors. We all need editing. We all need accountability. If you’ve got an essay or a book that needs coaching I’d be honored and thrilled to serve you and your work. Email me brendan @ brendanomeara.com and let’s start a conversation because the world needs your work. We need you to show up and I want to help.
“This is not something that comes overnight. It’s a long, arduous road,” says Mark Kram Jr.
Mark Kram Jr., author of Smokin’ Joe: The Life of Joe Frazier, joined me for a great conversation about his early career and the struggles he overcame.
He learned on the job, more or less. He said he was a late bloomer (Something I can attest to. Still waitin’ on my bloom.)
Mark has won the PEN/ESPN Award for Literary Sports Writing and has been anthologized The Best American Sports Writing six times.
As always, if you dig the show, please share this across your social networks. Tag the show @CNFPod on Twitter and I’ll jump in the fire with you. You can subscribe to the show wherever you get your podcasts.
“The great thing is if you find the right story it often is more interesting than fiction because it’s weird and quirky.” —Matthew Polly (@MatthewEPolly)
This is The Creative Nonfiction Podcast, the show where I speak to the best in narrative journalism, doc film, radio, podcasting, essay, and memoir about the art and craft of telling true stories.
Today’s guest is Matthew Polly. He’s the author of three books of nonfiction, most recently Bruce Lee: A Life. He’s a graduate of Princeton and a Rhodes Scholar, so you can say my 1050 SAT score didn’t exactly level me up any in this conversation.
“There is some advantage to saying nothing and letting people go on forever.”
“It’s usually when you stop trying so hard that you something happens.”
“You have to go away for a few days and then come back and look at it fresh and see what’s magical about the information.”
Hey, there CNF-buddys, I’m comin’ at you live from my shiny new digs. New house up in Eugene and I’ve got a nice little office I can call my own. There’s no foam on the walls yet, so please pardon the audio, but we’re making strides to be the best.
Part of that is me shutting the front door and getting the hell out of the way. I still haven’t quite figured out a way to completely edit myself out of these interviews. But I’m working on it.
Don’t worry…
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Rachel Corbett joins me this week for Episode 88 of The Creative Nonfiction Podcast, the show where I speak with the best artists about creating works of nonfiction, leaders in the world of narrative journalism (like Bronwen Dickey here and here), essay, memoir, radio, and documentary film where I try and tease out origins, habits, routines, mentors, key influences, so you can apply some of their tools of mastery to your own work.
Rachel is a freelance journalist whose work appears in a few rags you might have heard of: The New Yorker, the New York Times, etc. She’s also the author of You Must Change Your Life, The Story of Rainer Maria Rilke and Auguste Rodin.
Rachel hits on some key points about:
Carving out your own niche
How things come easier when you stop trying so hard
Listening vs. talking
Getting away from the work so you can come back refreshed
And the power of being dumb and defeated (some of us were born this way)
So…you dig the show? I ask that you leave an honest rating (10 seconds) or a review (<60 seconds).
A review = an editorial consult/coach sesh of up to 2,000 words