March 2024 – Home of The Creative Nonfiction Podcast

Episode 405: Hallie Lieberman and the Drawer of Dead Pitches

Hallie Lieberman (@hallielieberman) has now written for The Atavist Magazine twice, her latest chronicling the crimes of “The Handcuff Man” in her “The Devil Went Down to Georgia.”

Hallie writes a lot about the sex industry and LBGTQ+ issues. She’s also the author of Buzz: A Stimulating History of the Sex Toy.

This conversation was a trip. Hallie is a force of nature, candid, and joy to speak with and, I hope, a joy for you to listen to.

In this episode we talk about the draw of dead pitches, rejection, perseverance, and how to find wills.

Episode 404: Hanif Abdurraqib’s Nod to Witnessing in ‘There’s Always This Year’

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By Brendan O’Meara

Kinda crazy, right? That someone like Hanif Abdurraqib (@nifmuhammad) would agree to be on this little podcast, which just turned eleven on March 20.

Hanif needs next-to-no introduction, but here’s a little bit about him. His book A Little Devil in America: Notes in Praise of Black Performance was a finalist for the National Book Award. He’s the author of the essay collection They Can’t Kill Us Until They Kill Us and the poetry collections A Fortune for Your Disaster and The Crown Ain’t Worth Much. His latest book is There’s Always This Year: On Basketball and Ascension (Random House).

It’s a masterpiece; Hanif is a masterpiece.

In this conversation, we talk about productivity, envy, specificity, intentionality, and a nod to witnessing. It’s great stuff, great talk.

Episode 403: Elizabeth Rush Moves Toward Exactitude

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By Brendan O’Meara

Elizabeth Rush returns, friend. This is her third trip to the show, this time to celebrate The Quickening: Creation and Community at the Ends of the Earth (Milkweed).

Liz also is the author of the Pulitzer Prize finalist Rising: Dispatches from the New American Shore (Milkweed). Both are wonderful books.

The Quickening deals with climate change and motherhood and shines light on the lesser celebrated laborers that make treks to the Antarctic possible. Oh, yes, she was the writer in residence aboard a giant boat that went to the Thwaites Glacier.

Episode 402: The Stentorian-Voiced Dudely Bro-ness of Rob Harvilla

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For a couple weeks, visit combeyond.bu.edu, use the promo code NARRATIVE25 at checkout and get 25% your tuition for the two-day Power of Narrative Conference. And, no, I don’t get any dough.

By Brendan O’Meara

Rob Harvilla (@robharvilla) returns to talk about the end of his world famous podcast 60 Songs that Explain the 90s and the book based on the same name.

In this conversation we talk about several of his episodes that made an impression on me, namely the “Sabotage,” “It’s Good to be King,” “Smells Like Teen Spirit,” and “Enter Sandman.” We talk about a lot of things that his podcast has meant to him since he conceived of it in 2020, that year we still haven’t seemed to leave yet.

Episode 401: Jessica Camille Aguirre on Racking Up Rejections, Online Nothing Burgers, and The Atavist’s “Watch It Burn”

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For a couple weeks, visit combeyond.bu.edu, use the promo code NARRATIVE25 at checkout and get 25% your tuition for the two-day Power of Narrative Conference. And, no, I don’t get any dough.

By Brendan O’Meara

Jessica Camille Aguirre (@jessicacaquirre) is a freelance journalist based out of Berlin, Germany, and she’s got a ripping piece for this month’s Atavist, “Watch It Burn.” Two scammers, a web of betrayal, and Europe’s fraud of the century.

It deals with carbon credits and the scammers were quick to pounce on this upstart industry.