Episode 122—Tracy Kidder on Writing Badly and Looking for People Over Subjects

By Brendan O’Meara

“The possibilities of doing something similar [to fiction] in nonfiction really did appeal to me.” —Tracy Kidder

“I don’t look for subjects. I look for people.” —Tracy Kidder

Are you riffin’ kiddin’ me!?

By virtue of today’s guest I’m assuming there might be a new CNFer or two to our little marauding gang of turbulent souls in this corner of the Internet.

Welcome. We play heavy metal music, we kick maximum ass, and we will, we will rock you. This is The Creative Nonfiction Podcast (subscribe!), the show where I speak to bad ass tellers of true stories about where they came from, what and who inspires them, and how they approach the work, so that you can apply those tools of mastery to your own work. I’m your mutha-riffin’ host Brendan O’Meara, hey, hey.

Today’s guest is none other than Pulitzer Prize—winning author Tracy Kidder, author of Soul of a New Machine, Among Schoolchildren, Old Friends, Home Town, My Detachment, Good Prose, Mountains Beyond Mountains, Strength in What Remains, A Truck Full of Money, and House.

That, CNFers, is a body of work.

Who tells them better than Tracy Kidder, friends? He’s been a literary hero of mine ever since I got into this mess. If you’re as big a head case as I am, I’d go ahead and read Good Prose, the book he wrote with his long time editor and former mentor of mine Dick Todd. It lets you know that you’re not alone and in these increasingly digital times, it’s easier and easier to feel, what’s the word??? Shitty…

Tracy’s an apex CNFer in a long line of them that have appeared on this show. Please enjoy this conversation with the one, the only, Tracy Kidder.

Thanks very much to this show’s sponsors Goucher College’s MFA program in nonfiction and Creative Nonfiction Magazine.

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