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Episode 162: Seyward Darby — Editing as Collaboration at The Atavist

“Let me be your sounding board for how the piece should come together.” — Seyward Darby (@seywarddarby)

“Writing reminds you what it’s like to stare at a blank page and how hard it is to create a first draft,” Seyward Darby said on Episode 162 of the podcast.

She’s the executive editor of The Atavist Magazine, an online jam that produces one longform feature a month. It’s awesome. It’s on my bucket list as a place to have work published.

So many great nuggets in this episode specifically about pitching/querying. It’s another master class in what she finds strong. See episodes with Evan Ratliff and Ian Frisch. You gotta have a good fastball, baby.

Subscribe to the show wherever you get your pods. Spot. App. Goog. Stitch. We like one syllable.

Keep the conversation going on Twitter @CNFPod. Instagram is @cnfpod and Facebook is @CNFPodcast or The Creative Nonfiction Podcast. Go jump in. It’s fun. The water’s refreshing.

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Enjoy the show!

Episode 125—Brin-Jonathan Butler Talks “The Grandmaster,” Obsession, Madness, and the Power of Being an Outsider

Brin-Jonathan Butler, Brendan O'Meara — Brin-Jonathan Butler sporting Cuban refugee Yasiel Puig’s No. 66.

By Brendan O’Meara

Brin-Jonathan Butler has the world record for appearances on The Creative Nonfiction Podcast at four times. In honor of that, here’s a riff in 4/4 time.

You an check out his past few trips when he talked about what his ego is tied to, all things Cuba, and the blessings of struggle.

His new book The Grandmaster: Magnus Carlsen and the Match that Made Chess Great Again is a masterpiece.

Episode 123—Elena Passarello on Listening to the Book, Polaroids, and Self-Doubt

Elena Passarello, author of “Animals Strike Curious Poses,” stopped by (literally) CNFPod HQ for Episode 123.

By Brendan O’Meara

Tweetables by Elena Passarello (@elenavox on Twitter):

“I loved going to the library and getting lost.”

“I wanted to dig deeper into the essay collection as the essay.”

Welcome wayward CNFers, it’s the Creative Nonfiction Podcast, the show where I speak to bad ass writers, filmmakers, movers and shakers about the art and craft of telling true stories. Here you’ll learn the story, tips, and tactics that will inspire you to greater heights in your own own work. I’m your host Brendan O’Meara, hey, hey.

Episode 51—Jessica Lahey on Hidden Monsters, The Gift of Failure, and Keeping Your Butt in the Chair

By Brendan O’Meara

Tweetables by Jessica Lahey (@JessLahey on Twitter):

“Give me everything that was wrong with it and have me learn.”

“I’ve realized that long walks and gardening are a part of my process.”

“Almost always the editor is right.”

“Our tagline is, ‘Keep your butt in the chair and your head in the game.'”

“The work of being a writer means you get words on the page.”

Jessica Lahey, author of the essay “I’ve Taught Monsters,” which recently appeared in Issue 63 of Creative Nonfiction and the NYT best seller The Gift of Failure, came by the show to talk about teaching and getting the work done.

“The work of being a writer means you get words on the page,” Lahey says. “It’s as simple as that. I means you read, you write, and get words on the page.”

We talk about her approach to teaching and language, and also how Stephen King’s On Writing influenced her style. We also talk about what it means to work hard as a writer, a very nebulous term. What does hard work look like?

Dig the show? Give the podcast a nice review. You won’t be alone. Several people have done it, so join them!

Thanks for listening!

Episode 49—Dinty W. Moore on the Gift of Feedback, Reading Like a Mechanic, and Patience

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By Brendan O’Meara

Dinty W. Moore (@brevitymag) runs the creative writing program at Ohio University. He founded Brevity Magazine, an online magazine dedicated to short (<750 words) nonfiction. He’s written a dozen books.

Dinty’s book, The Story Cure: A Book Doctor’s Pain-Free Guide to Finishing Your Novel or Memoir (Ten Speed Press), will help diagnose—and cure!—common ailments in your project, whether you’re far along in a book (as I am) or you’re just getting starting.

Episode 48—Roy Peter Clark Redux

By Brendan O’Meara

This week on The Creative Nonfiction Podcast decided to revisit my episode with Roy Peter Clark (@RoyPeterClark on Twitter), this time condensing that two-hour interview and pulling out the best moments.

In it we hear Roy talk about how he learned to swim in the language, the moment he learned the true meaning of literacy, and when research can become crippling.

I’m experimenting with the form and making it more like a mini one-source profile. Let me know what you think. I think it makes for a better overall listen. Ping me on Twitter @BrendanOMeara with thoughts, or to say hi.

Be sure to subscribe to the podcast on the Apple podcast app and on Google Play Music. Leave a rating if you’re feeling extra kind. Those help.

Thanks for listening!

Episode 47—Shawna Kenney on ‘Zines, Advice, and Finding Your Tribe

By Brendan O’Meara

Tweetables by Shawna Kenney:

“The punk scene became a pre-Internet web of people for me to connect with.”

“Like any reader, I liked that [words] could take me away.”

“I’m much better on the page than I am verbally.”

“I always wanted to be Hunter S. Thompson without the drugs.”

“It’s not like I pitch an outlet and sit there waiting hopefully.”

“There’s no one right way to do your art.”

Shawna Kenney, author, writer, teacher, coach, editor, joins me on The Creative Nonfiction Podcast to talk about her origin story as a teenage fanzine founder, punk rock, and her delightful short essay “Never Call Yourself a Writer, and Other Rules for Writing,” a brilliant piece of satire.

She grew up in a conservative family in small-town Maryland, so the nearby punk scene in Washington D.C. held tremendous appeal. “I always wanted to be Hunter S. Thompson without the drugs,” Shawna tells me.

Her work has such an edge that I was surprised that she didn’t have that edge in conversation. “I’m much better on the page than I am verbally,” she says, which isn’t true at all. She’s great on the page, and she’s a great conversationalist.

Her work has appeared in Creative Nonfiction, the New York Times, Vice, and Playboy, just to name a few. Be sure to follow Shawna on Twitter @ShawnaJKenney and go to her website to read more about her and her work.

Thanks for listening!

Episode 46—Editor Hattie Fletcher on Seeing Rhythms and the Power of Reading Slush

By Brendan O’Meara

Hattie Fletcher Tweetables:

“I spent a lot of time getting at what writers were trying to do with their stories and trying to make stories be the best form of that.”

“If you want to make a print object there’s an obligation to make a nice print object.”

“Editors, I guess, wield power. I don’t know anyone who loves saying ‘no.’ It’s not a personal thing.”

“The best part of my job—and it comes four times a year—is saying ‘yes’ to people.”

“Reading slush is such a great exercise for a writer.”

“I don’t think art that is deliberately mapped out is any less artful.”

Here we are for Episode 46 (!) of The #CNF Podcast with Creative Nonfiction’s managing editor Hattie Fletcher.

If you want to improve your writing and possibly improve your chances of being published in Creative Nonfiction, then this is your episode.

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Thanks for listening!

Episode 41—Jennifer Niesslein, the Full Grown Person behind Full Grown People

By Brendan O’Meara

Tweetables:

“I only write when I have something that I really need to figure out.”

“My job is to get the essay to its platonic ideal.”

“I took a personal crisis and made a publication out of it.”

“I wanted to make the magic happen.”

“So much of writing is rhythm.”

Jennifer Niesslein, formerly a co-editor and co-founder of Brain, Child, and currently editor and founder of Full Grown People, joined me on Episode 41 to talk about the art of editing.

Her essays have appeared in Creative Nonfiction, the Brevity blog, Virginia Quarterly, and The Nervous Breakdown.

She’s also the author of Practically Perfect in Every Way.

Why wait any longer? Here’s Jennifer Niesslein.

Episode 37—Angela Palm is a Cartographer? Well, sort of

Angela Palm signs copies of her kick-ass memoir “Riverine”.

By Brendan O’Meara

“I like that [Riverine] is imperfect, because to me it shows I’m trying this style and approach as an artist.” —Angela Palm (@angpalm)

“You still have to start at Word 1, Sentence 1.” —Angela Palm

“Getting the music in your head to translate on the page was a very difficult thing for me to figure out.” —Angela Palm

Yeah, podcast!

Let’s keep racking them up, baby. Angela Palm is my guest this week. We talked about her delightful memoir Riverine: A Memoir from Anywhere But Here (Graywolf Press). We also dive into her essay “Hierarchy of Needs”, which appears in Issue 62 of Creative Nonfiction.

What else? Be sure to check out Angela’s website for the latest on her work. Also subscribe to the podcast on iTunes and Google Play Music. The badges are on the right of the page.

And from another Graywolf Press author, Paul Lisicky.

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