Episode 381: Michael Finkel

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I think of my office as my big batter’s eye. In my peripheral vision, when I’m sitting at my desk, from left to right and all the way in front of me, I like blank walls. And then I’ll put all of my research behind me. It’s kind of a crazy thing. I have stacks and stacks of research that I can’t see unless I turn around and grab it. That fools me into the fact that I there’s like tabula rasa, there’s a blank slate in front of me and all my research is behind me. And that’s when I can really do my writing.

Michael Finkel, Ep. 381

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By Brendan O’Meara

Michael Finkel (@MikeFinkel) is here to talk about his new book The Art Thief: A True Story of Passion, Obsession, and a Monumental Crime Spree (Knopf). You could say this is a story of passion and obsession. It’s quite good.

Michael is an accomplished journalist and best selling author of The Stranger in the Woods and True Story.

His work has appeared in Sports Illustrated, The New York Times Magazine, and National Geographic.

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Episode 367: Reid Mitenbuler

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I’m always thinking about the pleasures of reading. It’s almost like customer service to your reader, right? I’m doing this for you to give you a place. Bring them into that world.

Reid Mitenbuler, from Ep. 367

By Brendan O’Meara

Reid Mitenbuler (@reidmitenbuler or @mitenbuler) is here to talk some shop around his book Wanderlust: An Eccentric Explorer, an Epic Journey, a Lost Age (Mariner Books). It’s a gripping read that follows Peter Freuchen through the bulk of the 20th century as he traverses the unforgiving terrain of Greenland, stands up to the Nazis, and writes screenplays and even acts during the Golden Age of Hollywood.

He’s kinda sorta like Forrest Gump.

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Episode 366: David Grann

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Each book has a different voice and almost a different style to some extent.

David Grann, from Ep. 366

By Brendan O’Meara

David Grann (@DavidGrann) returns!

His new book is The Wager: A Tale of Shipwreck, Mutiny, and Murder (Bantam Doubleday Dell). And what a tale!

Isn’t it nice to sink into a cool story in nonfiction? Not some overarching treatise on either self-improvement or how we can/should improve the country? In this case, David takes to the souther tip of South America where hell on Earth plays out.

David also is the author of Killers of the Flower Moon, The Lost City of Z, and The Devil & Sherlock Holmes. Each story he writes is a master class in writing, structure, and research. On top of that, David is just an awesome and generous person, so you’re gonna love this chat.

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Episode 348: Carl Hoffman

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By Brendan O’Meara

Carl Hoffman is here (@lunaticcarl and @carlhoffmanstories)! He’s the author of Liar’s Circus: A Strange and Terrifying Journey into the Upside-Down World of Trump’s MAGA Rallies (Custom House).

I read this quick, as most of you will, and it is a strange and terrifying dive into the virtual reality chamber of MAGA Trump supporters. Carl is a long-time travel writer, and he turns that gaze and immersion at our own country.

It called to mind a conversation I heard with Henry Rollins, who has traveled all over the world, where he said the place he feels most unsafe in the world is … America.

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Episode 305: Matt Bell

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By Brendan O’Meara

Matt Bell (@mdbell79) is here. Why? He’s got a great craft book out called Refuse to be Done: How to Write and Rewrite a Novel in Three Drafts.

What a great handbook to walk you through the generative pages and then the arduous task — the REAL work — of refining, rewriting, and revising.

This book will teach you patience.

This book will teach you perserverance.

This book will teach you the meaning of work.

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Episode 257: From the Backside to the Vatican with Joe Drape

Joe Drape

By Brendan O’Meara

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Joe Drape is back to talk about his latest book, The Saint Makers: Inside the Catholic Church and How a War Hero Inspired a Journey of Faith.

Joe is a sports writer for The New York Times covering college football and horse racing, among other feature assignments.

In this episode we talk about diagramming stories the way you would diagram a sentence and

Joe is the author of several books including American Pharoah, Our Boys, and Black Maestro.

I want to give a shoutout to Hippocamp 2021! It is happening! Registration opens May 15. It’s a writers’ conference for CNFers like you. Check it out.

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Best Book Marketing Tip Ever!

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You’ll pardon the click-baity feel of the title to this little post, but hear me out.

The best book marketing tip ever is this: Write a damn good book.

Write a book that you want to read. Write a book that is so charged with your passion and expertise that the energy spills out from between the covers. 

And write a book people will talk about. Write a book that people will buy five copies of so they can talk about it with their friends.

You can have the biggest audience on social media. You can have an email list of 20,000 people and maybe that buys you 10,000 books sold. Not too shabby, but you won’t get on any best-seller lists. Not that you should want that to be your goal anyway.

Point being, the way to sell a lot of books won’t have anything to do with social media reach. It’ll be because you wrote something so good, so important, that good old fashioned word of mouth moved mountains for you.

Tweet that!

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The Narrator in Memoir

By Brendan O’Meara

After reading “The Body” by Stephen King, a fictional memoir of four pre-teens tromping off into the woods to find the dead body of a boy their age hit by a train, I was struck by how the narrator comes into the picture.

Gordie Lachance is grown up, professional writer looking back at this experience. On the one hand, he stays in the moment of his childhood, but then, at times, he swoops in and offers introspection, rumination, meaning from maturity and the distance between the current day and what he’s reflecting on.

It’s much like Ralphie in A Christmas Story or Nick Caraway in Gatsby. 

The story element is very tight, very focused: Labor Day weekend for The Body, the Christmas season for Ralphie, and one summer for Caraway, and so when the narrator from the future pops in, he pops in to reflect on a very tight window.

I think of this a lot. How much should we stay in the moment and how much should we offer the reflection of the guy who made it out alive to tell the story. It’s a fine balance, but all three have this in common: the narrator from the future has a very light hand. He and it is a he in these three cases, largely stays in the timeline of the story, probably 75% of the time.

That’s a good number to aim for.

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Episode 233: Lee Gutkind on Magical Moments, the Rope Test, and ‘My Last Eight Thousand Days’

Lee Gutkind, Brendan O'Meara
Lee Gutkind
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By Brendan O’Meara

Lee Gutkind (@LeeGutkind) has returned to the show after a long, long time, this time to talk about his wonderful new book My Last Eight Thousand Days: An American Male in His Seventies (University of Georgia Press).

We talk about a lot of stuff, like voice. Lee says:

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Episode 231: Pete Croatto on Listening, Showing His Work, ‘From Hang Time to Prime Time,’ and Adding that Ding

Pete Croatto reading the paper.
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By Brendan O’Meara

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Pete Croatto (@petecroatto on Twitter) is here to talk about freelancing, writing, and his new book From Hang Time to Prime Time: Business, Entertainment, and the Birth of the Modern-Day NBA (Atria Books, 2020).

Where’s the juice? Where’s the juice in the enterprise?

The juice is in coming up with an idea and convincing an editor that the idea is worth pursuing, convincing a person, selling a person on that idea. When I get an idea for a story, it’s almost a giddy feeling. It’s a feeling that that you have a secret that no one else knows about, so you want to just tell as many people as you can about that. It’s like gossip, it’s a big piece of juicy gossip, and you want to share it and get it in the right hand.

Pete Croatto from Episode 231 of The Creative Nonfiction Podcast
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