“I can’t think about writing a big project. It’s too overwhelming for me but I can think about a thousand words a day and then this magical thing happens which is you end up with 90,000 words.”
“I think you have to have the basics down as a writer before you can even think about playing with how to tell it. I would say I spend 80 percent of my time on this one reporting and another the other 20 writing.”
“I have to remind myself that I have to be a little nuts to do this. I think all writers have to be a little crazy.”
“Really what I’m always looking to go back to when I read is a book that is very sure of its own voice.”
“I have rarely began with structure.”
Yo. Wanna help the podcast? Leave an honest review on the iTunes, send me proof, and I’ll coach up a piece of your writing of up to 2,000 words OR give you a fancy transcript of any single episode of the podcast you like. That was easy. Let’s go.
It’s that time again, what’s up CNFers, my CNF-buddies, this is The Creative Nonfiction Podcast and I am your radio-handsome host Brendan O’Meara. This is the show where I bring you talented creators of nonfiction—leaders in narrative journalism, essay, memoir, radio, and documentary film—and tease out origins, habits, routines, influences, books, mentors—so that you can pick some of their tools of mastery, add it to your cart, and checkout free of charge.
That sounds fun, right?
This week I bring you Episode 89 with Sarah Minor, @sarahceniaminor on Twitter and @sarahcenia on Instagram). She is a professor and a writer and her essay “Threaded Forms: Decentered Approaches to Nonfiction,” looks to knitters, stitchers, and quilting bees to discover new and subversive models for writing memoir.
In this episode we talk about:
How boredom dictates her direction
Losing voice and finding it
And the ever-present battle of dealing with social media
Let’s do this.
Okay, if you stay here you’ll be able to sign up for my monthly reading list newsletter that has book recommendations and what you might have missed from the world of the podcast. Once a month. No spam. Can’t beat it.
“Going toward solitude and away from excuses has really helped me.” —Victoria Stopp
Hey there, CNFers, my CNF buddies, hope you’re having a CNFin’ great start to the new year. Jan 1 is just a day like any other, but we as a culture have assigned supreme import to that day.
If you’re coming here for the first time because your resolution is to listen more podcasts or you want to kickstart projects in the genre of creative nonfiction, then let me tell you the deal: This is The Creative Nonfiction Podcast—hello—the show where I speak with the world’s best artists about creating works of nonfiction: leaders in the worlds of narrative journalism, documentary film, radio, essay, and memoir and try to tease out habits, routines, and origins so that you can use their tools of mastery in your own work. Continue reading “Episode 83—Victoria Stopp on Battling Chronic Pain, Being Disorganized, and Writing in a Camper”
“It’s kind of like the Internet is everybody’s dad.”
“I think of research as this open-ended, beautiful thing.”
“Research is this vehicle that allows you to follow your interests however long you want to follow it.”
“If you can’t love the grind, you’re doomed.”
For Episode 80 of The Creative Nonfiction Podcast, the show where I speak with the world’s best artists about creating works of nonfiction, I spoke with Rachel Wilkinson, a writer and research based out of Pittsburgh, PA.
Her essay, “Search History,” won Best Essay for Creative Nonfiction Magazine’s Science and Religion contest for Issue 65. It’s Google as religious experience, how the very act of asking questions is very faith-based, and, if we’re getting grim and dystopian, how this technology, which is getting increasingly sentient, might supplant us some day. #spitoutthebone (Metallica reference for all y’all.)
In our conversation we talk a lot how she crafted this essay and how it hangs on a big idea rather than sheer character drive, David Foster Wallace, The War of Art, the fun of research, embracing failure, and trusting—yes, trusting—self-doubt.
Self-doubt is my spirit animal.
Hey, are you digging the show? I’d love it if you subscribed to the show, shared it with a fellow CNFer. Leave an honest review on iTunes and I’ll give you an editorial consult on the house. Just send me a screenshot of your review and I’ll reach out.
It’s The Creative Nonfiction Podcast, the show where I speak with the world’s best artists about creating works of nonfiction, leaders in the world of narrative journalism, documentary film, essay, memoir and radio and try to deconstruct how these masters go about the work so that you can improve your own.
True Story is a 5,000-10,000-word stand-alone piece in chapbook or digital form. It’s pretty rad.
In this episode we talk about:
What makes the green-lit pieces pop
What the rejected pieces have in common
And also some of the goodies you can expect with a pledge.
I hope after listening to this you’ll head over to the Kickstarter campaign and pledge some hard-earned dough so they can keep doing the work they’re doing on True Story.
Full disclosure, I don’t get any kickbacks of any kind.
What a guy.
It would be nice if you shared the episode and even left a nice review over on iTunes to help validate the podcast so I can keep doing this thing. I’d hate for the business office to come down and slam the door shut on this enterprise. Keep the reviews coming so I can keep the doors open at CNFHQ.