Bronwynn Dean stopped by the podcast to talk about the power of performance and her work-in-progress about the world of marijuana. It’s titled Potted.
Her work has appeared in Pitkin Review and Soundings Review. She cites Hunter S. Thompson and Tom Wolfe as major influences and I think you’ll dig how she was able to be the only one of about forty writers to land an agent. What went right? What was wrong about the other 39? Good stuff.
Okay, friends, you know the drill: Please leave a nice review over at iTunes and sign up for my monthly newsletter where I give out my book recommendations. It’s short, to the point, no spam.
Share this with a friend and sit back and enjoy Bronwynn Dean.
“What can I do with the tools I was given as opposed to the tools I was expecting?”
“If a story is just exactly what I expected it would be, I don’t think of that as all that interesting.”
“Entrepreneur, I had the instincts of an entrepreneur.”
“OK, this is how you do it…you make a connection, you think of stories that would work for a bigger audience.”
“In very practical terms, if you’re gonna be a person doing longform journalism, you will be running a small business.”
“Look at it as a business you’re running, but you also happen to be the raw material the business is producing.”
“Each story starts from zero. It never stops being exciting.”
Hello, CNF-buddies, it’s The Creative Nonfiction Podcast, the show where I speak with the world’s best artists about creating works of nonfiction—journalists, essayists, memoirists, radio producers, and documentary film makers—and how you can use their tools of mastery and apply it to your own work.
That’s right, you are in for a treat. Well, let’s face it, you’ve always been in for a treat, but this week you’re in for an Easter basket and Halloween sack all rolled into one verifiably true candy locker.
What are some takeaways? Susan talks about always having an audience in mind, having supreme focus, and needing to see yourself as a business person if you plan on doing this type of work and that it’s actually freeing, not stifling, in order to do the kind of work that excites you and feeds your ambitions.
Before we get to that, I ask that you please subscribe to the podcast, share it with a friend, and leave a rating or, ideally, a nice review on iTunes, like this one from Meredith May. She said, “Real conversations among professional writers about the essence of craft. A behind the scenes look at the way stories come together, from inception to publication, that doesn’t shy away from the truth about the difficulties and triumphs of making a living from words. One of the hardest concepts for my podcasting students to grasp is how differentiate between a story and a topic—this podcast helps them find that X-factor that makes a story sing.”
Wow. Shoutout to that five-star review. If you leave one, I might just read it on the air! It’s time for the show, episode 61 with Susan Orlean!
Hello, friends, fellow CNFers, it’s The Creative Nonfiction Podcast, the show where I speak with the world’s best artists about creating works of nonfiction and the actionable insights they share to help you with your work.
For this episode, Jess reads the essay in its entirety and she gives a knockout performance. I noodled around with music for a bit, but I couldn’t find the perfect tracks for it, so I just let it stand: Jess simply reading her wonderful essay.
Before we get to her reading I want to ask you something: What are you struggling with? Is there something in your work that’s giving you trouble or are you hitting road blocks? I want to know. Ping me on Twitter or email me. Maybe I can help.
Also, be sure to share this with a friend, leave a review on iTunes if you got any value out of this, and let me know if you dig these author readings.
“I don’t spend a lot of time lingering over breakfast,” he says on The Creative Nonfiction Podcast. [Subscribe on the Apple Podcast app or Google Play Music! And leave a review in iTunes. One generous soul has left a 5-star review! Join him/her!]
Check this: When dealing with early drafts (and Dinty writes as many as 40), he says, “I don’t think, ‘Oh, God, I hate myself. I’m a horrible person.’ I think, ‘You know what? I can actually fix this.'”
Great advice for patience and kindness to you and your work.
Please leave a review on iTunes, subscribe to the podcast, and share with a friend.
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“You’ve got to be daring. You’ve got to have that unshakable belief that ‘You know what? Somebody’s gonna publish a book someday. It might as well be me.'” —Philip Gerard
“I don’t really have hobbies. I have passions.”—Philip Gerard
“If I do this enough days in a row, probably I’m gonna get there.” —Philip Gerard
“I found that if I hang with them long enough, they would often tell me something interesting.” —Philip Gerard
“I began realizing there was a significant amount of work that wasn’t on the page, but if you did it, it would be on the page.” —Philip Gerard
“My problem is I’m interested in everything.” —Philip Gerard
“At a certain point the journey is over and you know it.” —Philip Gerard
That enough tweetable quotes for you?
Philip Gerard, writer and teacher, joined me for 90 minutes of energizing talk about the craft. I had so much fun and left this conversation fired up to pursue a bunch of stories I’ve got stuffed in the drawer.
“I just went after it, man, what’s the worst thing that can happen? I strike out? I don’t get a hit?” —Kevin Wilson
“You can’t compare yourself to anyone else.” —Kevin Wilson
“I’m big on teaching the person first and the player second.” —Kevin Wilson
Kevin Wilson (@KWBaseball), president of Kevin Wilson Baseball, LLC and a former switch-hitting professional baseball player, wrote The #Goodbatting Book, a slim volume that is about way more than hitting.
That’s why he’s on the show. Plus, during my playing days, hitting was everything. I mean, everything. Don’t worry, we don’t nerd out on hitting, but rather the principles behind what makes his approach to teaching and coaching so effective.
“When it gets too easy, I need to challenge myself and make it harder again.” —Jen Miller
What’s this? Three weeks in a row? It’s happening, folks, and thanks for hanging in while I get my feet back under me after the big, cross-country move.
What better way to follow up that sentence than by talking about Jen Miller (@ByJenAMiller), a runner who wrote the engaging, funny, and raw memoir Running: A Love Story(Seal Press, 2016). It’s about running, love, and control and we talk about that and much more.
We also chat about freelancing and some of the more granular details of the business that I think will benefit any freelancer, novice or expert.
Paul talked a lot about his own process and how that has changed over the years. He also talked about some of the best advice he can give an aspiring writer: cultivating fandom.
Why don’t you just listen to him?
Go ahead and subscribe to the podcast on iTunes. If you think you know someone who would benefit from this interview, share it with them. Also, subscribe to my monthly newsletter. You can preview it here to see what it’s about. Dig it? Then put in your info along the right sidebar.