“That sense of discovery when you come across a story you had no idea existed.”
“The book project was my last hope for getting to do the type of writing I wanted to do.”
“I’ve kind of learned to live with the self-loathing I think.”
“I try to picture myself telling the story to someone at the bus stop.”
It’s the Creative Nonfiction Podcast where I speak to the world’s best artists about creating works of nonfiction. Leaders in the world of narrative journalism, memoir, essay, radio, and documentary film share their tools and tricks with you so you can improve your own work.
“To be a great writer, you just have LOVE writing. You have to be passionate about it, so you’re going to do it a lot.”
“When I write a story, I want it to get as big an audience as possible.”
“I don’t have any problem whatsoever with being a shameless self promoter. I know a lot of writers who don’t like to do that.”
“I think some people who are super competitive can also get jealous of people who are more successful.”
“I love it when people who I like and respect and like to read, I love it when their stuff gets big.”
“If you hang around long enough, you’re gonna understand what the story is.”
“I feel good justifying my own survival by telling the stories of those who didn’t survive.”
It’s The Creative Nonfiction Podcast, the show where I speak with the world’s best artists—journalists, documentary filmmakers, essayists, memoirists, and radio producers—about creating works of nonfiction.
Have we got a good one for you today. Episode 64 with journalist Matt Tullis (@matttullis) on Twitter. His first book, Running With Ghosts: A Memoir of Surviving Childhood Cancer published by The Sager Group, tells the story of how Matt got slammed with a form of leukemia at age fifteen, and subsequently what he did what that survival as many of his friends, who had previously been in remission, started passing away as the cancer came back. A couple of Matt’s caretakers, people who spent hours, and weeks, and months ensuring his survival, also died of cancer leaving Matt to wonder why he was spared.
There were several times in this book that burned your host’s eyes, not gonna lie, but Matt honors his life and his friends by turning his reporter’s eye inward, and outward, telling the story of his life and his friends.
Matt is a professor at Fairfield Univeristy and host of Gangrey the Podcast. His work has appeared in SB Nation Longform among many other places.
You’re gonna dig this episode as we talk about what it takes to be a great writer, letting events unfold in the face of preconceived expectations, competition, jealousy, and self promotion.
Bronwynn Dean stopped by the podcast to talk about the power of performance and her work-in-progress about the world of marijuana. It’s titled Potted.
Her work has appeared in Pitkin Review and Soundings Review. She cites Hunter S. Thompson and Tom Wolfe as major influences and I think you’ll dig how she was able to be the only one of about forty writers to land an agent. What went right? What was wrong about the other 39? Good stuff.
Okay, friends, you know the drill: Please leave a nice review over at iTunes and sign up for my monthly newsletter where I give out my book recommendations. It’s short, to the point, no spam.
Share this with a friend and sit back and enjoy Bronwynn Dean.
“What can I do with the tools I was given as opposed to the tools I was expecting?”
“If a story is just exactly what I expected it would be, I don’t think of that as all that interesting.”
“Entrepreneur, I had the instincts of an entrepreneur.”
“OK, this is how you do it…you make a connection, you think of stories that would work for a bigger audience.”
“In very practical terms, if you’re gonna be a person doing longform journalism, you will be running a small business.”
“Look at it as a business you’re running, but you also happen to be the raw material the business is producing.”
“Each story starts from zero. It never stops being exciting.”
Hello, CNF-buddies, it’s The Creative Nonfiction Podcast, the show where I speak with the world’s best artists about creating works of nonfiction—journalists, essayists, memoirists, radio producers, and documentary film makers—and how you can use their tools of mastery and apply it to your own work.
That’s right, you are in for a treat. Well, let’s face it, you’ve always been in for a treat, but this week you’re in for an Easter basket and Halloween sack all rolled into one verifiably true candy locker.
What are some takeaways? Susan talks about always having an audience in mind, having supreme focus, and needing to see yourself as a business person if you plan on doing this type of work and that it’s actually freeing, not stifling, in order to do the kind of work that excites you and feeds your ambitions.
Before we get to that, I ask that you please subscribe to the podcast, share it with a friend, and leave a rating or, ideally, a nice review on iTunes, like this one from Meredith May. She said, “Real conversations among professional writers about the essence of craft. A behind the scenes look at the way stories come together, from inception to publication, that doesn’t shy away from the truth about the difficulties and triumphs of making a living from words. One of the hardest concepts for my podcasting students to grasp is how differentiate between a story and a topic—this podcast helps them find that X-factor that makes a story sing.”
Wow. Shoutout to that five-star review. If you leave one, I might just read it on the air! It’s time for the show, episode 61 with Susan Orlean!
Hello, friends, fellow CNFers, it’s The Creative Nonfiction Podcast, the show where I speak with the world’s best artists about creating works of nonfiction and the actionable insights they share to help you with your work.
For this episode, Jess reads the essay in its entirety and she gives a knockout performance. I noodled around with music for a bit, but I couldn’t find the perfect tracks for it, so I just let it stand: Jess simply reading her wonderful essay.
Before we get to her reading I want to ask you something: What are you struggling with? Is there something in your work that’s giving you trouble or are you hitting road blocks? I want to know. Ping me on Twitter or email me. Maybe I can help.
Also, be sure to share this with a friend, leave a review on iTunes if you got any value out of this, and let me know if you dig these author readings.
“I don’t spend a lot of time lingering over breakfast,” he says on The Creative Nonfiction Podcast. [Subscribe on the Apple Podcast app or Google Play Music! And leave a review in iTunes. One generous soul has left a 5-star review! Join him/her!]
Check this: When dealing with early drafts (and Dinty writes as many as 40), he says, “I don’t think, ‘Oh, God, I hate myself. I’m a horrible person.’ I think, ‘You know what? I can actually fix this.'”
Great advice for patience and kindness to you and your work.
Please leave a review on iTunes, subscribe to the podcast, and share with a friend.
Please subscribe to the podcast wherever you get them (iTunes and Google Play Music badges are in the right margin) and my monthly reading list newsletter. If you dig the podcast, do me that solid. Thanks!