The Only Writing Lesson You Really Need

By Brendan O’Meara

If you read and/or listen to this little show, you’re likely a writer of some kind.

In an age of life hacks and the seduction of short cuts and quick hits, we often seek answers to questions that will take out the growing pains, smooth over the pavement when what we really need to do is drive over those potholes and feel the chassis rattle.

And I guess what I’m saying is the answers are already on your bookshelf. I’m looking over at mine right now. Who do I most want to emulate on my way to finding my voice?

Pull down the book. 

Get in there and read it with intention. Stew over it on a low heat. Stir the words around. Write in the margins. Take a big-picture view of the structure of the book then the micro-structure of each chapter.

The answers to how to do this are in the books. They aren’t how-to or prescriptive in the traditional sense. Rather, it’s a whole lot like Jeopardy

The books have already given you answer: You now have to engineer the question. And it’s along that journey that these books will teach all you ever need to know about this silly little game.

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Episode 59—Jessica Lahey Reads “I’ve Taught Monsters”

Jessica Lahey returns to the podcast to read her essay.

By Brendan O’Meara

Hello, friends, fellow CNFers, it’s The Creative Nonfiction Podcast, the show where I speak with the world’s best artists about creating works of nonfiction and the actionable insights they share to help you with your work.

Today I welcome back Jessica Lahey (@jesslaheyof Episode 51 fame, author of the NYT bestseller The Gift of Failure and, most recently, the author of the essay “I’ve Taught Monsters,” which appeared in Issue 63 of the literary magazine Creative Nonfiction.

For this episode, Jess reads the essay in its entirety and she gives a knockout performance. I noodled around with music for a bit, but I couldn’t find the perfect tracks for it, so I just let it stand: Jess simply reading her wonderful essay.

Before we get to her reading I want to ask you something: What are you struggling with? Is there something in your work that’s giving you trouble or are you hitting road blocks? I want to know. Ping me on Twitter or email me. Maybe I can help.

Also, be sure to share this with a friend, leave a review on iTunes if you got any value out of this, and let me know if you dig these author readings.

Also, it’s Saratoga horse racing season and some of you might not even know that I write words too. My first book, Six Weeks in Saratoga: How Three-Year-Old Filly Rachel Alexandra Beat the Boys and Became Horse of the Year came out in 2011 courtesty of SUNY Press. It’s a timeless story about the track and the 2009 season. Want to support me and the podcast? Buy a book! It’s in paperback.

That’s it, here’s Episode 59 as Jessica Lahey returns to read from her essay “I’ve Taught Monsters.”

Episode 39—The Gentleman’s Guide to Arousal-Free Slow Dancing

By Brendan O’Meara

I tried something a little new. Not the reading of the essay part. I’ve done that before on the podcast. I added some serious production value to the reading of The Gentleman’s Guide for Arousal-Free Slow Dancing. 

I added some music in throughout the piece. I think it helps jazz it up without distracting too much. Let me know what you think because I’ll probably invite writers to read essays and try to do something similar each time. 

This essay appeared in Creative Nonfiction No. 62, an issue themed “Joy: Unexpected Brightness in the Darkest Times.”

I also interviewed Kim Kankiewicz and Angela Palm, both represented in this issue.

Thanks for listening!

To Re-Read or Not to Re-Read, That is the Question.

Written by Brendan O’Meara (<==== Click my name to go to my lovely Facebook author page!)

A couple books I re-read a lot.
A few books I re-read a lot.

There are two camps: those who re-read books and those who don’t. I understand both sides. Take Chuck Klosterman, one of my favorite writers. He says:

I don’t often read books twice. There are too many I haven’t read once.

True. But that’s just it. There’s TOO many books out there in the first place. Even if you read 100 books a year (or more) and lived to be 80 years old, you’d still say on your death bed, “I never got around to Atlas Shrugged.

I re-read books for the same reason I re-watch movies. The first time is for the initial experience. The subsequent times are for breaking it down the way a football coach goes over the game tape. There’s so much to learn from revisiting a favorite work. Why not have more of a relationship with a book instead of one-night-standing with several more?

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Fictional Dabblings

Written by Brendan O’Meara (email sign up ============>)

hemingway, fiction, brendan o'meara

I have a ton of respect for the short story. I have a ton of respect for the (well done) long form magazine piece. Why? It’s all about word economy and pacing. The real estate to get the story told can’t be too expansive. I’ve been reading the short stories of Karen Russell, George Saunders, Ernest Hemingway. There’s something so underrated about the short story.

Unless you are Russell, Saunders or Alice Munro, short stories just don’t sell. As a collection anyway. Another drawback could be that as soon as you feel invested in a character the story is over and it’s onto the next one where the reader must start all over again and get to know new characters. It so one-night-standish, but that’s also the beauty. The reader gets to know to new characters, new flings and no walk of shame.

So, I’ve been dabbling. There’s a sports short fiction contest put on by Winning Writers. Last year’s story, Fight Night, was the annual winner. It’s a nice little story about a good doctor in debt to his patient. In 2013 I entered their essay contest and submitted an essay version of The Last Championship and lost. I felt defeated, but what are you going to do? So this year I decided to write a short story about a former Major League baseball player who moves to a small town and is courted by all the slow-pitch softball teams in the area. The story is The Ringer, and it’s an allegory for modern sports negotiations. Here’s the opening:

I was a middling baseball player. I was aware of my middlingness and thus saved my money while I was in the pros. I never made much, but it was above average and for a short time you might even say I was wealthy. I mean, I once test-drove a Maserati. My best season saw me play 93 games, bat .271 with 14 RBIs and one home run (an inside the park homerun when the center fielder, the great Ken Griffey, Jr. tried to make one of his typically outstanding plays. Show off.) After my career was effectively over I took a year or two to do nothing more than be a bullpen catcher. I made something like $40,000 a year to watch professional baseball players do their thing, warm up a relief pitcher late in the game, and otherwise reflect on how good I had it.

There came a time to give that up. I had my money, yes, but I had no education so I was basically unhireable. I wanted to do something and I didn’t really care what that something actually was. I lived an extraordinary life for a time and now it was time to blend in as best I could. I’d be the red to somebody’s blue and make purple.

I could walk into any hardware store, diner, or supermarket and not draw the slightest bit of attention. That was the hope.

I loved playing ball and there were twilight leagues I could join, but that didn’t seem fair. Plus seeing middle-aged men in baseball uniforms stretched like bat-wing membranes over their midsections was depressing or, at least, it depressed me. Strangely, what seemed more age appropriate, like mom jeans, was playing slow-pitch softball.

It was fun. I’ve got a few other short stories in the hopper and I’m going to try and land those at magazines and journals.

There’s so much allure to the NOVEL that the short story gets pushed aside. If nothing else the short story is good exercise. There are plenty of novels that are written that could have been saved had they just been a short story. Same goes for a LOT of nonfiction books. A 10,000-word magazine piece or Kindle Single would read so much better than a 70,000-word book.

What do you think?

Best in Tweet 2/27/13

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Written by Brendan O’Meara

Hot dog, we’ve got some good ones this week. Buckle up. It’s this week’s Best in Tweet.

 

 

 

 

Why we need independent bookstores

By Brendan O’Meara

As many of you know by now, Northshire Bookstore is currently raising money to open another shop in Saratoga Springs. This is wonderful news for readers and writers alike. I am both. Words from owner Chris Morrow below:

Friends – thank you so much for your support! As the owner of the bookstore I’d like to share where we are in this process. We are actively raising money to make this store a reality. We are looking at a number of spaces, including the old Borders space. But nothing is certain yet – we have a ways to go. Your support is very encouraging to me and all involved in this process. I will keep you posted as decisions get made. Thanks.

For readers, there’s no better place than an independent bookstore to hang out, browse the shelves, and buy the latest Stephen King or the debut novel that’s making all the news. The people who work at independent bookstores are voracious readers and feel an ownership of books and the written word.

The bookstore is threatened by the digital publishing—a viable option to small fries like me. But passionately ingrained independent bookstores will always carry on, something Northshire has been able to do. They will stand the test of digital time.

As a writer, a bookstore and folks like Morrow and Mary Allen host such wonderful author events. I attended the Andre Dubus III reading and signing in March of 2011 and loved it. I was lucky enough to have my own event for my book Six Weeks in Saratoga.

Bookstores foster a community of readers. We need books. We need stories. And we need people who to speak with—guardians of books.

Downtown Saratoga Springs has one of the best libraries I’ve ever seen. When my wife and I have come close to moving for jobs and the like, we always think, “Will there be a library like the one we have here?” There’s a vintage book shop in the Lyrical Ballad and with Northshire possibly opening up the doors to the old Borders building, Saratoga Springs will be the leader and champion of reading and writers in the Capital District.

What are your feelings about independent bookstores? What makes them so special?