Episode 41—Jennifer Niesslein, the Full Grown Person behind Full Grown People

Jennifer Niesslein
Jennifer Niesslein talks about what it means to be an editor.

By Brendan O’Meara

Tweetables:

“I only write when I have something that I really need to figure out.”

“My job is to get the essay to its platonic ideal.”

“I took a personal crisis and made a publication out of it.”

“I wanted to make the magic happen.”

“So much of writing is rhythm.”

Jennifer Niesslein, formerly a co-editor and co-founder of Brain, Child, and currently editor and founder of Full Grown People, joined me on Episode 41 to talk about the art of editing.

Her essays have appeared in Creative Nonfiction, the Brevity blog, Virginia Quarterly, and The Nervous Breakdown.

She’s also the author of Practically Perfect in Every Way.

Why wait any longer? Here’s Jennifer Niesslein.

Episode 36—The Joyful Kim Kankiewicz Writes with Her Ears!

Kim Kankiewicz won best essay for Creative Nonfiction’s Issue 32 contest.

By Brendan O’Meara

“You write in isolation and a rejection doesn’t give you a lot of feedback.” —Kim Kankiewicz (@kimprobable)

“What I have to process is my own thoughts and experiences; does that matter to anybody else? The reason I write is to make connections with other people.” —Kim Kankiewicz

Here we are again, picking them off one by one. 

Kim Kankiewicz’ essay “Rumors of Lost Stars” won Creative Nonfiction’s best essay contest for Issue 32’s theme of “Joy”. It’s an essay about communal acceptance, overreaching, and then personal acceptance and redemption. She threads this around the mythology of three stars. The parallels between the myths and her story make this essay sing.

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Thanks for listening!

Links

Kim’s McSweeney’s Internet Tendency story.

People Mentioned

Brian Doyle
Rebecca Solnit
Sonya Livingston

Episode 35—Sybil Baker on Discovery and the Art of Being Different

Sybil Baker, author of “Immigration Essays”.

By Brendan O’Meara

“Different writers are different things to us at different times.” —Sybil Baker (@SybilBaker).

“I think most writers would agree that writing is an act of discovery. We’re asking questions and trying to discover something.”Sybil Baker

Sybil Baker, author of Immigration Essays (C&R Press, 2017) came by #CNF HQ to talk about her new book of essays dealing travel and displacement. And like Paul Lisicky (from Episode 27), she preaches the importance of preserving play in a piece of writing.

We recorded this back in October, so if you expect riffs on immigration courtesy of the Establishment, you’ll find this episode conveniently devoid of such banter. 

Sybil talks a lot about travel and how you don’t have to log miles to see things in different ways. 

Subscribe to the podcast on iTunes or Google Play Music (badges are in the margins or below the post) and share it with a friend or two who may enjoy the conversation.

Thanks for listening!

Episode 30—I read my Pushcart Prize-Nominated Essay “That Pickoff Play”

This great issue of Chautauqua Americana published a ton of great essays.
This great issue of Chautauqua Americana published a ton of great essays.

By Brendan O’Meara

We made it to Episode 30 of the #CNF Podcast! It’s been hit and miss since I started it over three years ago, but the aim is to be more consistent as that’s the only way for it to reach more readers and writers. So go subscribe, if you haven’t already.

I heard somewhere that a podcast has an average run of about seven episodes, yet here we are at Episode 30 of the #CNF Podcast.

That’s on account of the people I hear from who derive some value and entertainment from the interviews. For that I say, Thank you so much. And let’s keep this thing going, let’s try and reach more writers and more readers.

So Episode 30 is a little different than the typical interview format. For this milestone episode—if you’ll indulge me—I chose to read an essay I had published this year in Chautauqua Americana, a literary journal run by Philip and Jill Gerard.

They were gracious enough to nominate this essay for a Pushcart Prize, so without further ado, here’s me reading my essay “That Pickoff Play”.