Episode 375: Hattie Fletcher and Stephen Knezovich

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You don’t have a lot of room to fart around and throw in stuff that doesn’t matter, you have to focus on what you’re doing and get it done, and then get out.

Hattie Fletcher, Ep. 375
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By Brendan O’Meara

Got a two-for-one deal here, CNFers. It’s Hattie Fletcher and Stephen Knezovich, two of the brilliant minds behind Short Reads, a weekly email missive of flash nonfiction.

They are formerly of Creative Nonfiction Magazine until a failure in leadership forced Hattie, Stephen, and a handful of others to leave the magazine. What came of that experience is Short Reads.

So in this episode we talk about email marketing, building an email list, writing short nonfiction vs. long nonfiction. It’s a concentrated dose of goodness.

Stephen also is an accomplished collage artists, so be sure to check out his website to get a sense of what his work is about. Collage is the bomb.

Continue reading “Episode 375: Hattie Fletcher and Stephen Knezovich”

Episode 72—Creative Nonfiction’s Hattie Fletcher Kickstarts Year 2 of ‘True Story’

By Brendan O’Meara

“[True Story] is a snack between the main meal.” —Hattie Fletcher

It’s The Creative Nonfiction Podcast, the show where I speak with the world’s best artists about creating works of nonfiction, leaders in the world of narrative journalism, documentary film, essay, memoir and radio and try to deconstruct how these masters go about the work so that you can improve your own.

This week I welcome back Hattie Fletcher, who is the managing editor for Creative Nonfiction Magazine. What prompted a second trip? Hattie, along with Lee Gutkind and the team over at Creative Nonfiction, started a $27,000 Kickstarter campaign to support the second year of True Story, their monthly offshoot to the quarterly magazine.

True Story is a 5,000-10,000-word stand-alone piece in chapbook or digital form. It’s pretty rad.

In this episode we talk about:

  • What makes the green-lit pieces pop
  • What the rejected pieces have in common
  • And also some of the goodies you can expect with a pledge.

I hope after listening to this you’ll head over to the Kickstarter campaign and pledge some hard-earned dough so they can keep doing the work they’re doing on True Story.

Full disclosure, I don’t get any kickbacks of any kind.

What a guy.

It would be nice if you shared the episode and even left a nice review over on iTunes to help validate the podcast so I can keep doing this thing. I’d hate for the business office to come down and slam the door shut on this enterprise. Keep the reviews coming so I can keep the doors open at CNFHQ.

Episode 46—Editor Hattie Fletcher on Seeing Rhythms and the Power of Reading Slush

Hattie Fletcher
Hattie Fletcher, editor selfie

By Brendan O’Meara

Hattie Fletcher Tweetables:

“I spent a lot of time getting at what writers were trying to do with their stories and trying to make stories be the best form of that.”

“If you want to make a print object there’s an obligation to make a nice print object.”

“Editors, I guess, wield power. I don’t know anyone who loves saying ‘no.’ It’s not a personal thing.”

“The best part of my job—and it comes four times a year—is saying ‘yes’ to people.”

“Reading slush is such a great exercise for a writer.”

“I don’t think art that is deliberately mapped out is any less artful.”

Here we are for Episode 46 (!) of The #CNF Podcast with Creative Nonfiction’s managing editor Hattie Fletcher.

If you want to improve your writing and possibly improve your chances of being published in Creative Nonfictionthen this is your episode.

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