Episode 187: Ander Monson — It’s Electric

Ander Monson

By Brendan O’Meara

Ander Monson wrote a killer essay for True Story titled “My Monument.” He also edits DIAGRAM and runs a series of essay contests and competitions. He’s what you’d call a great literary citizen.

We talk his essay and a lot of other cool junk.

I love it when I have nearly instant chemistry with someone, and that was certainly the case with Ander. I only wish we had more time!

I love when previous guests pop up in a show, like Elisa Gabbert and Elena Passarello.

If you have any questions or concerns (you might after listening to my intro. Don’t worry. Things are cool. #riesling email the show creativenonfictionpodcast at gmail dot com. You may also find the show on Twitter, IG and Facebook, all @CNFPod.

If this show matters to you, please share with your CNFin’ friends and consider leaving a kind review on Apple Podcasts.

Books by Ander

I Will Take the Answer
Gnome Stories

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Episode 183: Sonia Hamer — Crock-Pot Prose

By Brendan O’Meara

Sonia Hamer is here to talk about her essay “Pig: An Essay,” an installment of Creative Nonfiction’s True Story.

This is a nice tight 30, which I’m starting to like more and more.

She talks about how writing essays is a lot like putting ingredients into a Crock-Pot, or making a soup. Reminds me of Adam Valen Levinson when he came by.

I hope you enjoy this final episode of 2019.

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Episode 179: John O’Connor — Finding Your Donkey

John O’Connor with horse.

By Brendan O’Meara

John O’Connor is here to talk about his essay “Everything Gets Worse,” Issue 32 of Creative Nonfiction’s True Story.

In this episode we talk about the genesis of this essay, what it says about him and finding a donkey for your story.

Towards the end, he also brings up Jenny Odell and wanting to read her book How to Do Nothing. You can listen to my conversation with Jenny if you’d like. No presh. You might also like Eric Ducker, who wrote a great profile on Jenny for The Ringer.

Support the show by linking up to it on your social platforms, engaging with the show on Twitter, IG or Facebook, and consider leaving a review or rating on Apple Podcasts. We’re real close to 100. Let’s get there and see what happens.

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Episode 166: Kate Hopper—Slap the Bass

“Every piece of writing is going to be hard in some way, and you just have to know that, and sit with it and keep going forward, and you will have a breakthrough at some point if you don’t give up.” —Kate Hopper

By Brendan O’Meara

Hey, there, CNFers, Kate Hopper (@MNKateHopper) joins me to talk about her True Story essay “Stumbling into Joy.” In case you couldn’t tell from the title of this episode, she learns to play the bass guitar in her forties. It’s pretty rad.

Please subscribe to the show wherever you get your podcasts. We’re on Apple Podcasts, Google Podcasts, Spotify and Stitcher. It is always my hope that I’ve made something worth sharing, so if you like this, please pass it along to the people you think would benefit from it. You are the social network.

As always, keep the conversation going on Twitter @CNFPod and Instagram @cnfpod. Also Facebook, so go like the page there. I respond to everything, so please tag the show on your preferred network and we’ll connect.

Thanks to Goucher’s MFA in Nonfiction, Bay Path University’s MFA in Creative Nonfiction, and River Teeth for the support.

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Episode 165: Steven Kurutz—The Power of Libraries, Getting to New York, and ‘Fruitland’

By Brendan O’Meara

Welcome back, CNFers! The 301 Redirect is live so you should be getting that bump of CNF now in your feeds. Sorry about that missed week there. Things got broke. Acutally, things are still mildly broken with some older episodes. The podcast gremlins are on it.

Steven Kurutz is here. He’s a features writer for The New York Times, and it was his essay for Creative Nonfiction’s True Story, “Fruitland,” that made me want to reach out.

This was a fun one and I hope you dig it. If you do, please share it with your immediate network. That’s how I want this show to keep growing, not by interrupting people with Facebook ads, but by you deciding it has value and sharing it with your friends. Hand to hand. You’re the social network, man.

If you dig the show, consider leaving a review on Apple Podcasts.

Keep the conversation going on Twitter @CNFPod. Let me know your thoughts. Podcast for your thoughts.

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Episode 135—Leanna James Blackwell Talks About Fallow Periods, Running with Ideas, and 90s Grunge

Leanna James Blackwell wrote an essay. It’s good. Real good.

By Brendan O’Meara

Tweetables by Leanna James Blackwell (@baypathmfaCNF)

“Don’t worry if you go through a fallow period. It doesn’t mean there’s something wrong with you.”

“When that idea comes, don’t wait, grab it, run.”

Okay, this is The Creative Nonfiction Podcast, the show where I talk to badass writers (like Laura Hillenbrand), filmmakers (like Emer Reynolds), and producers (like Alexandra DiPalma) about the art and craft of telling true stories, how they became who they are, and the habits and routines that make them special, so maybe you can apply those tools of mastery to your own work.

We got Leanna James Blackwell for you today, for episode 135 of this racket. But we’ll get there. We’re gonna talk about a lot of things, and especially her long essay “Lethe” which appeared as Issue No. 22 of Creative Nonfiction’s True Story. I love these little things, man. You should subscribe. That’s a free shout out if I ever heard one.

Continue reading “Episode 135—Leanna James Blackwell Talks About Fallow Periods, Running with Ideas, and 90s Grunge”

Episode 76—Erica Berry on Binge Writing, Writing as Learning, and Werewolves

Erica Berry wrote “Beasts Among Us” for the 13th issue of True Story

By Brendan O’Meara

Tweetables by Erica Berry (@ericajberry on Twitter):

“Joan Didion said ‘Writers are always selling people out’ and I have chafed against that because I don’t feel like I want to be.”

“I’m a pretty binge-y writer.”

“The essay lets you learn as you’re writing.”

In a week where Creative Nonfiction reached its Kickstarter goal to support its monthly offshoot True Story, what better than to have the latest True Story author on the show?

Continue reading “Episode 76—Erica Berry on Binge Writing, Writing as Learning, and Werewolves”

Episode 72—Creative Nonfiction’s Hattie Fletcher Kickstarts Year 2 of ‘True Story’

By Brendan O’Meara

“[True Story] is a snack between the main meal.” —Hattie Fletcher

It’s The Creative Nonfiction Podcast, the show where I speak with the world’s best artists about creating works of nonfiction, leaders in the world of narrative journalism, documentary film, essay, memoir and radio and try to deconstruct how these masters go about the work so that you can improve your own.

This week I welcome back Hattie Fletcher, who is the managing editor for Creative Nonfiction Magazine. What prompted a second trip? Hattie, along with Lee Gutkind and the team over at Creative Nonfiction, started a $27,000 Kickstarter campaign to support the second year of True Story, their monthly offshoot to the quarterly magazine.

True Story is a 5,000-10,000-word stand-alone piece in chapbook or digital form. It’s pretty rad.

In this episode we talk about:

  • What makes the green-lit pieces pop
  • What the rejected pieces have in common
  • And also some of the goodies you can expect with a pledge.

I hope after listening to this you’ll head over to the Kickstarter campaign and pledge some hard-earned dough so they can keep doing the work they’re doing on True Story.

Full disclosure, I don’t get any kickbacks of any kind.

What a guy.

It would be nice if you shared the episode and even left a nice review over on iTunes to help validate the podcast so I can keep doing this thing. I’d hate for the business office to come down and slam the door shut on this enterprise. Keep the reviews coming so I can keep the doors open at CNFHQ.