Episode 76—Erica Berry on Binge Writing, Writing as Learning, and Werewolves

Erica Berry wrote “Beasts Among Us” for the 13th issue of True Story

By Brendan O’Meara

Tweetables by Erica Berry (@ericajberry on Twitter):

“Joan Didion said ‘Writers are always selling people out’ and I have chafed against that because I don’t feel like I want to be.”

“I’m a pretty binge-y writer.”

“The essay lets you learn as you’re writing.”

In a week where Creative Nonfiction reached its Kickstarter goal to support its monthly offshoot True Story, what better than to have the latest True Story author on the show? Continue reading “Episode 76—Erica Berry on Binge Writing, Writing as Learning, and Werewolves”

Episode 75—Chris Arvidson on “The Love of Baseball,” Deadlines, Pacing, and Curiosity

Chris Arvidson, co-editor of “The Love of Baseball,” joins me on the podcast this week.

By Brendan O’Meara

Tweetables by Chris Arvidson (www.chrisarvidson.com):

“I don’t need to hear another story about how you went to the baseball game with your dad.”

“We wanted to have that feeling of experience of how people experience baseball over a lifetime.”

“How do you set up your story and how do you make it move?”

“There’s so much great real stuff happening that it seemed dumb to make up anything.”

“You have to write every day and you have to ask every day.”

This week I welcome Chris Arvidson for Episode 75 of The Creative Nonfiction Podcast, the show where I speak with the world’s best artists about creating works of nonfiction, leaders in narrative journalism, radio, essay, memoir, and documentary film and try to tease out their stories, habits and routines so you can improve your own creative practice.

Chris co-edited along with Diana Nelson Jones The Love of Baseball: Essays by Lifelong Fans published by McFarland. It’s a beautiful book and we talk about its genesis, what makes for good baseball writing vs. horrible baseball writing, what’s the most important thing for Chris when developing a story, the organic nature of building a network, favorite books on writing, and much more.

Chris also edited the anthologies Reflections on the New River and Mountain Memoirs. You can find more about her and her work at chrisarvidson.com.

Books Mentioned

I, Who Did Not Die by Meredith May and others
Bird by Bird by Anne Lamott
Writing Creative Nonfiction by Philip Gerard [podcast here]
Draft No. 4 by John McPhee
Writing Tools by Roy Peter Clark [podcast here]

Episode 74—Madeleine Blais says Reality is Compelling Enough

Pulitzer Prize winner Madeleine Blais joined me on the podcast. Maddy is a dear friend and treasured mentor and it was so great to speak to her about her work and her new book “To the New Owners.”

By Brendan O’Meara

Tweetables by Madeleine Blais

“I always say mixed feelings equal material.”

“You’re only as great as your next story.”

“If you’re a feature writer or a person who does longform, you start to suspect a lot of depth in a lot of people.”

“I try to tell myself that nothing is ever wasted.”

“Reality was compelling enough.”

“I like the stories that make me feel like I’m going in the opposite direction of other people.”

Welcome back to another episode of The Creative Nonfiction Podcast, the show where I speak with the world’s best artists about creating works of nonfiction to try and tease out the origins, habits, and routines so that you can apply their skills of mastery to your own work: narrative journalists, New York Times bestselling authors, award-winning filmmakers and, yes, even a Pulitzer Prize winner. Continue reading “Episode 74—Madeleine Blais says Reality is Compelling Enough”

Episode 72—Creative Nonfiction’s Hattie Fletcher Kickstarts Year 2 of ‘True Story’

By Brendan O’Meara

“[True Story] is a snack between the main meal.” —Hattie Fletcher

It’s The Creative Nonfiction Podcast, the show where I speak with the world’s best artists about creating works of nonfiction, leaders in the world of narrative journalism, documentary film, essay, memoir and radio and try to deconstruct how these masters go about the work so that you can improve your own.

This week I welcome back Hattie Fletcher, who is the managing editor for Creative Nonfiction Magazine. What prompted a second trip? Hattie, along with Lee Gutkind and the team over at Creative Nonfiction, started a $27,000 Kickstarter campaign to support the second year of True Story, their monthly offshoot to the quarterly magazine.

True Story is a 5,000-10,000-word stand-alone piece in chapbook or digital form. It’s pretty rad.

In this episode we talk about:

  • What makes the green-lit pieces pop
  • What the rejected pieces have in common
  • And also some of the goodies you can expect with a pledge.

I hope after listening to this you’ll head over to the Kickstarter campaign and pledge some hard-earned dough so they can keep doing the work they’re doing on True Story.

Full disclosure, I don’t get any kickbacks of any kind.

What a guy.

It would be nice if you shared the episode and even left a nice review over on iTunes to help validate the podcast so I can keep doing this thing. I’d hate for the business office to come down and slam the door shut on this enterprise. Keep the reviews coming so I can keep the doors open at CNFHQ.

Episode 71—Working Backward with Elizabeth Rush

Elizabeth Rush, Brendan O'Meara
Elizabeth Rush, whose essay “Something Like Vertigo” appeared in Creative Nonfiction Issue 64, joins me on the podcast this week.

By Brendan O’Meara

Tweetables by Elizabeth Rush (@elizabetharush on Twitter):

“I’m just a mule. I just show up every day and climb very, very slowly up that mountain.”

“I know writing is about your writing, but it’s also about your networking.”

“My first draft is the Ugly Middle.”

“I feel like I turn to writers to help me solve problems that I’m having.”

Continue reading “Episode 71—Working Backward with Elizabeth Rush”

Episode 69—Matthew Mercier: From Edgar Allan Poe’s Basement to The Moth Stage

matthew mercier
Matt Mercier talks about high-intensity practice and the power of the spoken word.

By Brendan O’Meara

Tweetables by Matthew Mercier (www.matthewwmercier.com):

“You have to live a life in order to tell stories.”

“I’ve always been selfish about the writing.”

“Where can I fit in the writing time? That’s always the first question, and then I work in everything around that.”

“The object of a Moth story is you take out.”

“The Moth saved me from my isolation as a writer.”

“What works on the stage doesn’t necessarily work on the page and vice versa.” Continue reading “Episode 69—Matthew Mercier: From Edgar Allan Poe’s Basement to The Moth Stage”

Episode 68—Peter Brown Hoffmeister on Failure as Fuel, Staying Hungry, and Wolf Naps

Peter Brown Hoffmeister
Peter Brown Hoffmeister, author of the memoir The End of Boys, joins us for Episode 68 of The Creative Nonfiction Podcast.

By Brendan O’Meara

Tweetables by Peter Brown Hoffmeister (@pbhoffmeister on Twitter):

“After you’re in it for a while and you actually become better, you realize how bad you are.”

“I think that’s how a writing career starts: You’re just a pathetic little freshman.”

“Being a career writer is all about staying hungry.”

“I guess there are people who write strong first drafts, but that’s not me.”

“If you’re competitive with other writers, it’s not going to be healthy.”

“I don’t feel great at the end of the day if I haven’t written or haven’t read.”

What’s up CNFers, hope you’re having a CNFin’ good week. Continue reading “Episode 68—Peter Brown Hoffmeister on Failure as Fuel, Staying Hungry, and Wolf Naps”

Episode 67—Carol Marine on Daily Painting, Flow States and Overcoming Burnout

Carol Marine, author Daily Painting, visited CNF HQ

By Brendan O’Meara

Tweetables by Carol Marine (@CarolMarineArt and carolmarine):

“It’s not about using the right hashtag on Instagram. That’s not the key! You’ve got to have work that people want to buy!”

 “One big part I’ve realized is simply letting my creative barrel refill and that’s a critical part of any creative life.”

It’s The Creative Nonfiction Podcast, the show where I speak with the world’s best artists about creative works of nonfiction: leaders in the world of narrative journalism, memoir, documentary film, essay, and radio, and tease out their stories and habits so that you can provide their skills to your own work. Thanks for listening, CNFers. Continue reading “Episode 67—Carol Marine on Daily Painting, Flow States and Overcoming Burnout”

Episode 66—Brin-Jonathan Butler on the Risk of Chess, Obsession with Obsessives, and the Blessing of Struggle

Brin-Jonathan Butler, Brendan O'Meara
Brin-Jonathan Butler sporting Cuban refugee Yasiel Puig’s No. 66.

By Brendan O’Meara

Tweetables from Brin-Jonathan Butler (@brinicio):

“It was completely surreal, like being in the games room of the Titanic after it struck the iceberg. Nobody gave a shit.”

“Obsession has always fascinated me, whether it’s more a dance with your virtues or your demons.”

“Maybe you have to con your ways into finishing a lot of things in life.”

“My worst ideas happen when I’m sitting at the computer. I need to go for a walk, have a cigarette, or play with my cat.”

Hey, hey, it’s The Creative Nonfiction Podcast, the show where I speak with the world’s best artists—leaders in narrative journalism, essay, memoir, radio, and documentary film—and tease our their stories, tips, and tricks and how you can apply those tools to your own work. I’m your host @BrendanOMeara, Brendan O’Meara in real life. Continue reading “Episode 66—Brin-Jonathan Butler on the Risk of Chess, Obsession with Obsessives, and the Blessing of Struggle”

Episode 65—How to Start Your Own Conference with Hippocamp Founder Donna Talarico

Donna Talarico
Donna Talarico, founder of Hippocampus Magazine and Hippocamp, a conference for creative nonfiction writers, hopped on the pod. Photo credit to Michelle Johnsen.

By Brendan O’Meara

Tweetables from Donna Talarico (@DonnaTalarico):

“I think what gets to the heart of the story is the ‘why?'”

“You have to treat your freelance business like a business.”

“I would encourage anybody that calls themselves a freelancer to try calling themselves an independent writer.”

“It’s about being organized and creating a solid foundation.”

“It was important for every-day writers to show their stuff.”

“You don’t change things just to change things.”

What’s this? Two episodes in one week? F–k, yeah!

Support for this podcast is brought to you by Hippocamp 2017, a conference for creative nonfiction writers. It’s this weekend, as in September 8th through the 10th.

Hippocamp enters its third year with its main keynote speaker being, ahem, Tobias Wolfe. Hippocamp debuted with Lee Gutkind, then had Mary Karr as an encore. Now Wolfe? Srsly?

So here’s the deal, good ol’ Hippocamp sponsored the Creative Nonfiction Podcast again, but I didn’t run that snazzy new ad because this week’s bonus episode is with Hippocampus Magazine and Hippocamp founder, Donna Talarico, @DonnaTalarico on Twitter, give her a follow… now…

Maybe I should mention that this is the podcast where I speak with the world’s best artists about creating works of nonfiction, leaders from the world of journalism, essay, memoir, radio, and documentary film, and try to tease out their stories and tricks of the trade, so that you can apply those skills to your own work.

Donna brings such a great entrepreneurial sensibility to this episode so if you want to organize your independent nonfiction career, or start a magazine, or start a CONFERENCE, this is your episode, your time to let your freak flag fly.

I’m on my second cup of cold brew and I’m pretty fired up, so I’m just going to come out and ask that you kindly leave a review on iTunes, like this nice five-star gainer from HannahinLA, “Great interviews that provide useful nuggets and inspiration for writers and other creatives.”

If you leave one, maybe you, too, will get a similar shout out. The biggest endorsement the show can get is these reviews, but also sharing it amongst your friends who like to dabble in this kind of work.