Episode 27—Paul Lisicky on Writing in Unlikely Places, Simultaneous Projects, and Preserving Play

Photo by Star Black
Photo by Star Black

Written by Brendan O’Meara

“If you put too much focus on one thing you can kill it.”Paul Lisicky.

“What would it be like to be an amateur again?” —Paul Lisicky

When I get away from doing the podcast I forget how fun and uplifting the experience can be. Here, for Episode 27 (!), we have Paul Lisicky (@Paul_Lisicky), author of The Narrow Door (Graywolf Press, 2016).

Paul talked a lot about his own process and how that has changed over the years. He also talked about some of the best advice he can give an aspiring writer: cultivating fandom.

Why don’t you just listen to him?

Go ahead and subscribe to the podcast on iTunes. If you think you know someone who would benefit from this interview, share it with them. Also, subscribe to my monthly newsletter. You can preview it here to see what it’s about. Dig it? Then put in your info along the right sidebar.

Thanks!

People Mentioned

Greg Hanlon
Bronwen Dickey
Maggie Messitt
Thomas Pynchon
Jane Bowles
John Hawkes
Flannery O’Connor
Joy Williams
Elizabeth Bishop

Other Books by Paul Lisicky

Unbuilt Projects
The Burning House
Famous Builder
Lawnboy

Episode 22—Jeff Krulik on “Heavy Metal Parking Lot,” “Led Zeppelin Played Here,” and His Kinship with Oddities

Written by Brendan O’Meara

This is a special episode of #CNF, the podcast where I speak with writers, authors, reporters and now filmmakers, in the genre of creative nonfiction.

Yes, Episode 22 features Jeff Krulik, a documentary filmmaker [link for those who can’t see the embed player below] who has the parking-lot genre nailed. He made Heavy Metal Parking Lot (see above) among other wonderful documentaries.

I worked with Jeff on an exciting project called Kentucky Confidential, headed up by John Scheinman (Episode 9 of the #CNF Podcast, go listen). You’ll find Jeff’s videos as well as my Bourbon Underworld stories.

In this episode, Jeff talks about the origins of HMPL as well as his latest movie Led Zeppelin Played here. We talk about freelancing and the financial realities of the biz, as well as his kinship with Maryland and oddities, those people on the fringe.

Here are some selected links from the episode to further educate yourself on all things Krulik. Follow him on Twitter @jeffkrulik and visit his website jeffkrulik.com.

Here’s the Deadspin article that has become the definitive history of HMPL.

One last call to action: Please subscribe to my newsletter. I try and send out a monthly dispatch of five cool things I’ve read, heard, or consumed.

And subscribe to the podcast. It’s a wing of my “brand,” and getting people on board will only help me churn out bigger and better work.

Thanks!

Love,

Brendan

Episode 21—Bronwen Dickey on the Tao of Henry Rollins, Binaural Beats, and Her Three Rules for Any Writer

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By Brendan O’Meara

“There are all kinds of people who can easily out-write me, but there are very few who can outwork me.”—Bronwen Dickey.

“Henry Rollins said ‘Music is made by the people music saved,’ and I think stories are written by the people stories saved in the same way. And stories saved me from loneliness and boredom.”—Bronwen Dickey

It’s been a long time between episodes, but here’s a good one with author/journalist Bronwen Dickey.

We talk about her new book Pit Bull: The Battle Over an American Icon, which will hit book shelves on May 8. The book isn’t what you think it’s about, and we dive into that and many, many other things.

Enjoy!

Books Mentioned

The Brothers Karamazov
Riverside Shakespeare
Slouching Toward Bethlehem
The Collected Essays of Annie Dillard
Dispatches
Breath
The Fire Next Time
The Undertaking

Episode 20—Glenn Stout on his new book “The Selling of the Babe,” Dealing with Dead People, and the Transcendent Nature of Hitting Home Runs

Glenn Stout is the author of several books and the series editor for Best American Sports Writing.


“You have to be out in the world and engaged in the world.”
—Glenn Stout

“The truth always tells a better story.”—Glenn Stout

By Brendan O’Meara

First off, I’m like WAY behind in blog posts. I have to draw up one for Mary Pilon and Brian Mockenhaupt, but I’ll start with the latest episode and work backwards.

Enter Glenn Stout. [Hear our first interview…here]

His latest book The Selling of the Babe: The Deal That Changed Baseball and Created a Legend (St. Martin’s Press) comes out this week.

I speak to Glenn about dealing with dead people and how he approached a topic that, on its surface, felt saturated.

“You look at what seem to be time-worn topics and almost without fail you find something and you tell a better story, a newer story, a truer story,” says Glenn.

The first 30-35 minutes of the episode deal with the Babe, but the latter part riffs on random stuff.

Writers and Books Mentioned

Jack Kerouac, On the Road
Antonin Artaud, No More Masterpieces
Rainer Maria Rilke
James Wright
The Poetics of the New American Poetry
Langston Hughes
Michale Graff
Jeremy Collins
Eva Holland

A final call to action!

Please subscribe to the monthly newsletter if you like to have articles, quotes, and podcasts shipped to your email, curated by yours truly. Also subscribe to the podcast and share it with friends. Thanks!

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#CNF Episode No. 17—Brin-Jonathan Butler on Bullfighting, How Surprise is His Biggest Weapon, and Access as a Drug

Brin-Jonathan Butler, Brendan O'Meara

Written by Brendan O’Meara

“Surprise is one of the biggest weapons you have as a journalist to affect people emotionally.” — Brin-Jonathan Butler

“The juice for me with journalism is not money or recognition. My ego is tied into access.” — Brin-Jonathan Butler

Butler is one of the smartest people I’ve ever spoken with. There’s a level of thinking and depth you don’t often hear from someone who’s in their mid-30s. You expect it from, say, George Saunders, but listening to Butler speak was a treasure for me and I hope so for you.

Like Holland, Glenn Stout, and Charles Bethea, Butler never studied journalism, yet he’s one of the best at his craft. I sense a theme that some of the best at this craft aren’t journalists by trade, but people who have a keen sense for language, are widely read, and think long and hard about the work. They aim for impact, not a sound bite.

You should also listen to him on the Longform Podcast from back in 2014. Pairing that interview with mine will give you tremendous insight into Butler’s mind.

Here’s a bunch of links to Butler’s work:

Buffalo and Wide Right, Broken Hearts and No Illusions
Myths Made Flesh: Last Breaths in a Spanish Bullring
The Poison Oasis
The Kindle Singles Interview with Mike Tyson
Errol Morris: The Kindle Singles Interview
The Domino Diaries

Please subscribe to my email list. You get access to these exclusive interviews and other cool stuff ONLY when I publish something and ONLY once a week. Small cost for big info.

Episode No. 16: Charles Bethea on Late-Night Pitching, the Anxiety of Reporting, and the Magnitude of Breakfast

Charles Bethea
Charles Bethea, world traveler, great writer.

Written by Brendan O’Meara

“I was a poetry major in college which was of course of great concern to my parents.” —Charles Bethea

Here we are with the first episode of 2016, No. 16, sweet sixteen, Charles Bethea. This was a fun episode as we talk about Charle’s start in freelancing, his love of breakfast, and one of his favorite quotes of all time.

Like Eva Holland, Charles’ writing takes you places. He’s funny and his writing has a smooth feel to it. Suddenly you’re done with the piece and it felt like nothing, like gravity did all the work for you.

Aside from having his work published in The New Yorker (where he has a regular sports column on its website), the now-defunct Grantland, and Outside Magazine, he was also a producer on the short documentary Fair Chase, about persistence hunting. If you read Born to Run by Christopher McDougall, you know that this is a theory about man’s early hunting by wearing down and overheating four-legged prey.

Anyway, point being Charles is a busy man with serious chops.

Here’s the link to the episode since folks with mobile devices still can’t stream it from the blog post (Podomatic is NOT on its game with this bout of customer service). Here’s the embed anyway.

Also here are links to a sampling of Charles’ work. You can find more at his website charlesbethea.com.

Selected Work

Fair Chase from Outside
Obama’s In-Box from The New Yorker
The Many Lives of Aubrey Lee Price from Atlanta Magazine
Star-Maker from The New Yorker
Will Shortz and the Ping-Pong Prodigy from The New Yorker

Books Mentioned

All the King’s Men by Robert Penn Warren
East of Eden by John Steinbeck
Pilgrim at Tinker Creek by Annie Dillard
The Great Gatsby by F. Scott Fitzgerald
Proud Highway by Hunter S. Thompson
No Man Knows My History by Fawn Brodie
Snowblind: A Brief Career in the Cocaine Trade by Robert Sabbag
Up in the Old Hotel by Joseph Mitchell

Episode No. 15: Eva Holland on the Nature of her Hustle, Being Super Analog, and liking Faramir

Eva Holland
Eva Holland (Photo credit: GBP Creative)

Written by Brendan O’Meara

“It’s been a long process at feeling at all stable.” —Eva Holland

“I don’t know how you keep going if you don’t think your work is good. you have to believe that you’re good.” —Eva Holland

Here were, yet again, with another episode of #CNF, this time with Eva Holland. Eva is a rising star and if you have a chance to buy stock in Holland, now’s the time.

Why read more of my guff when you can read hers? Here’s a list of some her work:

Unclimbable
Hellbent, But Not Broken
Why We Play
No Sleep Till Fairbanks

There’s a good primer.

Writers mentioned

Matt Power
Ian Frazier
David Grann

Books Mentioned

The Lord of the Rings by J.R.R. Tolkien
The Chronicles of Narnia by CS Lewis
The Devil and Sherlock Holmes by David Grann
The Lost City of Z by David Grann
Gone to New York by Ian Frazier
The Big Year by Mark Obmascik
Between the World and Me by Ta-Nehisi Coates

Thanks for listening. If you get a chance, please subscribe to the podcast and subscribe to my website. No spam, just good, good stuff.

#CNF: Take Us to the Bridge!

Transcribe Face.

A photo posted by Brendan O’Meara (@brendanomeara) on

Written by Brendan O’Meara

Soooo…Here’s the latest quasi-episode of the #CNF Podcast. Drop the embed…

Okay, now that I’ve done that, be sure stay tuned, subscribe to the podcast, subscribe to the email newsletter so you can see super awesome Transcribe Face (see above) pics.

Listen to the little mini-sode, stay tuned for more, but also, go listen to Glenn Stout, Carrie Hagen, Maggie Messitt, and many, many (sort of) more.

As always…you da bomb. As always Part II, thanks for listening

 

Episode No. 14—Glenn Stout on Combining the Things You Love, Effort, and the Poem That ‘Knocked Him on his Ass’

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Written by Brendan O’Meara

“Nothing about doing this makes any logical sense. It doesn’t. It didn’t then. It doesn’t now.”—Glenn Stout

“You can only control one thing: And that’s your effort. There’s one thing you can control. You can’t control anything else…anything else.”—Glenn Stout

Glenn Stout is sort of a demi-god among writers because of his ability to coach the best of them. He’s also a GREAT writer and we delve into how he got his start, reading poetry in a baseball uniform outside Fenway Park while taking swigs from a bottle of bloody Marys.

As always, thanks for listening.

#CNF Episode 13—Greg Hanlon on the Audacity of Voice and the Value of Struggle

Written by Brendan O’Meara

“Putting in the work is confidence building.” —Greg Hanlon

“You struggle and struggle until the end product comes close to your original expectation. It’s all about the struggle.” —Greg Hanlon

Greg Hanlon is a crime editor at People Magazine and also a freelance sports writer. His piece “Sins of the Preacher” was anthologized in the Best American Sports Writing 2015 edition. His “The Many Crimes of Mel Hall” was a notable selection.

Continue reading “#CNF Episode 13—Greg Hanlon on the Audacity of Voice and the Value of Struggle”