“I think what gets to the heart of the story is the ‘why?'”
“You have to treat your freelance business like a business.”
“I would encourage anybody that calls themselves a freelancer to try calling themselves an independent writer.”
“It’s about being organized and creating a solid foundation.”
“It was important for every-day writers to show their stuff.”
“You don’t change things just to change things.”
What’s this? Two episodes in one week? F–k, yeah!
Support for this podcast is brought to you by Hippocamp 2017, a conference for creative nonfiction writers. It’s this weekend, as in September 8th through the 10th.
Hippocamp enters its third year with its main keynote speaker being, ahem, Tobias Wolfe. Hippocamp debuted with Lee Gutkind, then had Mary Karr as an encore. Now Wolfe? Srsly?
So here’s the deal, good ol’ Hippocamp sponsored the Creative Nonfiction Podcast again, but I didn’t run that snazzy new ad because this week’s bonus episode is with Hippocampus Magazine and Hippocamp founder, Donna Talarico, @DonnaTalarico on Twitter, give her a follow… now…
Maybe I should mention that this is the podcast where I speak with the world’s best artists about creating works of nonfiction, leaders from the world of journalism, essay, memoir, radio, and documentary film, and try to tease out their stories and tricks of the trade, so that you can apply those skills to your own work.
Donna brings such a great entrepreneurial sensibility to this episode so if you want to organize your independent nonfiction career, or start a magazine, or start a CONFERENCE, this is your episode, your time to let your freak flag fly.
I’m on my second cup of cold brew and I’m pretty fired up, so I’m just going to come out and ask that you kindly leave a review on iTunes, like this nice five-star gainer from HannahinLA, “Great interviews that provide useful nuggets and inspiration for writers and other creatives.”
If you leave one, maybe you, too, will get a similar shout out. The biggest endorsement the show can get is these reviews, but also sharing it amongst your friends who like to dabble in this kind of work.
“The punk scene became a pre-Internet web of people for me to connect with.”
“Like any reader, I liked that [words] could take me away.”
“I’m much better on the page than I am verbally.”
“I always wanted to be Hunter S. Thompson without the drugs.”
“It’s not like I pitch an outlet and sit there waiting hopefully.”
“There’s no one right way to do your art.”
Shawna Kenney, author, writer, teacher, coach, editor, joins me on The Creative Nonfiction Podcast to talk about her origin story as a teenage fanzine founder, punk rock, and her delightful short essay “Never Call Yourself a Writer, and Other Rules for Writing,” a brilliant piece of satire.
She grew up in a conservative family in small-town Maryland, so the nearby punk scene in Washington D.C. held tremendous appeal. “I always wanted to be Hunter S. Thompson without the drugs,” Shawna tells me.
Her work has such an edge that I was surprised that she didn’t have that edge in conversation. “I’m much better on the page than I am verbally,” she says, which isn’t true at all. She’s great on the page, and she’s a great conversationalist.
Her work has appeared in Creative Nonfiction, the New York Times, Vice, and Playboy, just to name a few. Be sure to follow Shawna on Twitter @ShawnaJKenney and go to her website to read more about her and her work.
“There are all kinds of people who can easily out-write me, but there are very few who can outwork me.”—Bronwen Dickey.
“Henry Rollins said ‘Music is made by the people music saved,’ and I think stories are written by the people stories saved in the same way. And stories saved me from loneliness and boredom.”—Bronwen Dickey
It’s been a long time between episodes, but here’s a good one with author/journalist Bronwen Dickey.
We talk about her new book Pit Bull: The Battle Over an American Icon, which will hit book shelves on May 8. The book isn’t what you think it’s about, and we dive into that and many, many other things.
Enjoy!
Books Mentioned
The Brothers Karamazov
Riverside Shakespeare
Slouching Toward Bethlehem
The Collected Essays of Annie Dillard
Dispatches
Breath
The Fire Next Time
The Undertaking
First off, I’m like WAY behind in blog posts. I have to draw up one for Mary Pilon and Brian Mockenhaupt, but I’ll start with the latest episode and work backwards.
I speak to Glenn about dealing with dead people and how he approached a topic that, on its surface, felt saturated.
“You look at what seem to be time-worn topics and almost without fail you find something and you tell a better story, a newer story, a truer story,” says Glenn.
The first 30-35 minutes of the episode deal with the Babe, but the latter part riffs on random stuff.
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“Surprise is one of the biggest weapons you have as a journalist to affect people emotionally.” — Brin-Jonathan Butler
“The juice for me with journalism is not money or recognition. My ego is tied into access.” — Brin-Jonathan Butler
Butler is one of the smartest people I’ve ever spoken with. There’s a level of thinking and depth you don’t often hear from someone who’s in their mid-30s. You expect it from, say, George Saunders, but listening to Butler speak was a treasure for me and I hope so for you.
Like Holland, Glenn Stout, and Charles Bethea, Butler never studied journalism, yet he’s one of the best at his craft. I sense a theme that some of the best at this craft aren’t journalists by trade, but people who have a keen sense for language, are widely read, and think long and hard about the work. They aim for impact, not a sound bite.
You should also listen to him on the Longform Podcast from back in 2014. Pairing that interview with mine will give you tremendous insight into Butler’s mind.
Please subscribe to my email list. You get access to these exclusive interviews and other cool stuff ONLY when I publish something and ONLY once a week. Small cost for big info.
“I was a poetry major in college which was of course of great concern to my parents.” —Charles Bethea
Here we are with the first episode of 2016, No. 16, sweet sixteen, Charles Bethea. This was a fun episode as we talk about Charle’s start in freelancing, his love of breakfast, and one of his favorite quotes of all time.
Like Eva Holland, Charles’ writing takes you places. He’s funny and his writing has a smooth feel to it. Suddenly you’re done with the piece and it felt like nothing, like gravity did all the work for you.
Aside from having his work published in The New Yorker (where he has a regular sports column on its website), the now-defunct Grantland, and Outside Magazine, he was also a producer on the short documentaryFair Chase, about persistence hunting. If you read Born to Runby Christopher McDougall, you know that this is a theory about man’s early hunting by wearing down and overheating four-legged prey.
Anyway, point being Charles is a busy man with serious chops.
Here’s the link to the episode since folks with mobile devices still can’t stream it from the blog post (Podomatic is NOT on its game with this bout of customer service). Here’s the embed anyway.
Also here are links to a sampling of Charles’ work. You can find more at his website charlesbethea.com.
“It’s been a long process at feeling at all stable.” —Eva Holland
“I don’t know how you keep going if you don’t think your work is good. you have to believe that you’re good.” —Eva Holland
Here were, yet again, with another episode of #CNF, this time with Eva Holland. Eva is a rising star and if you have a chance to buy stock in Holland, now’s the time.
Why read more of my guff when you can read hers? Here’s a list of some her work:
Soooo…Here’s the latest quasi-episode of the #CNF Podcast. Drop the embed…
Okay, now that I’ve done that, be sure stay tuned, subscribe to the podcast, subscribe to the email newsletter so you can see super awesome Transcribe Face (see above) pics.
Listen to the little mini-sode, stay tuned for more, but also, go listen to Glenn Stout, Carrie Hagen, Maggie Messitt, and many, many (sort of) more.
As always…you da bomb. As always Part II, thanks for listening