Jackie MacMullan, the legendary basketball writer, is on the podcast to talk about judging what we know to be the final installment of The Best American Sports Writing.
This extra interview in your feed is part of a new partnership with The Atavist where I interview that month’s featured writer about that month’s story to provide readers and listeners some extra depth to the experience.
In this very first one with The Atavist, Scott talks about:
Developing sources as an investigative reporter
How COVID affected this story … right at the very end
Finding a new angle on something that was already covered
And that moment when a machete was brandished in Peru
I hope you dig this extra bit of goodness. If you’re new to The Creative Nonfiction Podcast, it’s the show where I speak to badass people about the art and craft of telling true stories. Subscribe wherever you podcast!
If you want to support the show, the audio magazine we produce and help keep the lights on at HQ, consider becoming a member at patreon.com/cnfpod.
We put out a great monthly newsletter with book recommendations, cool blogs and articles, podcast news, and an exclusive invite to a monthly CNFin’ Happy Hour. Once a month. No spam. Can’t beat it!
Great talk with Lamorna as we dig into how she’s dealing with the pandemic, feeling trapped at sea, drawing inspiration from other forms of art and so much more. She’s 26 years old and you can tell she’s going to be a star. Maybe she already is!
Say hi on social media @CNFPod and, if you have time, leave a kind written review on Apple Podcasts. Almost at 100. Been sitting there for a long, long time.
Being a member on Patreon is HUGE. You’ll be supporting the audio magazine, supporting writers, and making the product possible. No members means no magazine. If you liked Issue 1 of the magazine, consider supporting the next one.
For $4 a month, you’ll get access to new transcripts, the forthcoming audio magazines, and other goodies exclusive to members. Check it out.
It’s a great read about the rivalries among scientists, the purity of the mission, discovery and inquiry. Kermit does an admirable job of making this science accessible.
We talk about:
His license to be curious
Developing his chops as a reporter
Deciding what to leave in and leave out
His Bookshelf for the Apocalypse (!) and much more!
Keep the conversation going on social media @CNFPod. Consider leaving a kind a review of the show wherever you listen to podcasts. I’ll be sure to read it on the air and give you the love you deserve.
A Patreon page is coming VERY soon, so I want to prime the pump for that. I’m excited to offer some cool goodies and access and coaching for those who are willing to take the leap. It’ll help keep the lights on. This enterprise is free, but it ain’t cheap!
A special call out to journalists and nonfiction writers who could use some extra support in these unpredictable times. Writers House Pittsburgh is accepting applications for a 6 month residency starting as early as January 2021. The Writers House is a physical home and long-term residency seeking to provide housing stability, mentorship, and community when you need it most. Head over to WritersHousePittsburgh.org to learn more. Applications will close on November 30th.
Want the transcript to this episode?! PayPal brendan at brendan omeara dot com $5 and I’ll send you the PDF!
“But there was a sense that I had let down my younger self and ought to find a way to make writing at least in some way, a part of my part of my life.” — Stephanie Gorton.
In this conversation we talk about her Page Turner piece for New Yorker dot com about an H.P. Lovecraft conference in Providence, her home city. We riff on what it was like for her to go from publishing to writing. We talk about the social media and why anyone with platform would trust a journalist with their stories. It’s good, clean fun.
Keep the conversation going on social media by linking up the show and tagging it @CNFPod.
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We had a pretty rad conversation where we talk about how dance taught her the discipline it takes to be a writer and how geology is a, perhaps, the most writerly science. She’s a native Oregonian and a fellow Eugenian and, I don’t know, I had about as good a time as I’ve ever had on this show with Ruby.
Be sure you’re subscribed to the show wherever you get your pods and if you’re feeling kind, leave a nice review on Apple Podcasts. They’ve stalled and it’d be nice to crest that 100-rating threshold.
Keep the conversation going on Twitter, Instagram, and Facebook, all @CNFPod. And if you sign up for the newsletter, you’re automatically — and perpetually — entered in a raffle to win books. I give out reading recommendations and news you might have missed from the world of the podcast. It’s fun. You’ll dig it.
It was one of those stories where as soon as published it blew up. Then agents are banging on his door, he’s got a book deal, movie deal and maybe the best of it all: a berth on The Creative Nonfiction Podcast: the show where I speak to badass people about the art and craft of telling true stories.
In speaking with Walter, it reminded me of conversations I had with Mike Sager, Eli Saslow and Maggie Messitt about taking deep dives into various subcultures (and I know I’m missing dozens who have been on this show).
Compton Cowboys is a brilliant book about a subculture tucked into the heart of Compton where, to quote the subhead of Walter’s NYT story, “A group of childhood friends wants to create a safer community and challenge the notion that African-Americans can’t be cowboys.”
I’d say more, but I don’t want to spoil this great conversation with Walter (@mychivas).
Dig the show? Keep the conversation going on Twitter, Instagram, and Facebook @CNFPod.
Sign up for my monthly newsletter that goes on the first of every month. Reading recommendations and what you might have missed from the world of the podcast.
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Eva Holland returns to the show after a long, long absence.
In this episode, you’ll hear some of the advanced advice she knows and wants to know regarding freelancing, the nexus of memoir and deep reportage, participatory antics, and overcoming the imposter syndrome of stepping out of her comfort zone.
I’m hesitant to include or first interview because it is a rough production. Eva was great. Me on the other hand …
“I knew right away I would be writing about my mom’s death. I knew that immediately,” Eva told me, and that was what triggered a years’ long journey into fear and her relationship to it.
Follow the show @CNFPod on Twitter, Facebook, and Instagram. Email the show with questions or kind words creativenonfictionpodcast@gmail.com. If this show means something to you, please consider leaving a kind review on Apple Podcasts.
This was a fun book, especially if you like Malcolm Gladwell-style books that orbit one idea. This book takes you all over the place, not just basketball, so I think you’ll have a lot of fun with it. If I didn’t already put in the last newsletter, I’ll be sure to include it in the next one.
In any case, don’t forget that we’re putting out our very first audio-mag on the theme: Social Distancing, essays from/on isolation. They must be 2,000 words or fewer (that’s a 15-minute read) and be original work. Email you submission to creative nonfiction podcast at gmail dot com, ya dig?
That’s as good a time as any to say that I’m thinking of all you out there. Some have it pretty rough. I can’t complain. I have shelter, food, clothes and a job (for now) that lets me work from home. And I’ve got this podcast that I get to make for you.
This show only work if you share it hand to hand. Be an Ambassador CNFer and spread what we’re doing around. @CNFPod on all the social platforms.
“Selection is as creative as generation,” says Michael Schulman on the podcast.
Michael Schulman is a staff writer for The New Yorker and author of Her Again, a biography of the early life of Meryl Streep. Go check it out. I haven’t read it yet, as I came to Michael’s work through his profiles in The New Yorker.
As coincidence would have it, once I had lined up Michael to be on the show, he appeared on This American Life during the introduction to the Everyone’s a Critic show.
In any case, it was Michael’s profile on James Cordon that prompted me to reach out, but I also loved his work on Adam Driver and Bo Burnham as well.
In this show we talk about how his work is driven by joy, how he boils down each story down to a single, secret word, and how his background in theater led to his break at the magazine. Some great stuff here.
Follow the podcast on social media @CNFPod across all the various platforms and sign up for that newsletter.
And did you listen to the long introduction to this episode yet? I’m publishing the first CNF Pod audio magazine with the theme Social Distancing: Essays from/of Isolation. Word limit is 2,000 as we want the reading to be 15 minutes or less. Email submissions to creativenonfictionpodcast at gmail dot com. DEADLINE IS MAY 1, 2020.
In this time of social distancing and isolation, hearing essays from this challenging time can bring us together. I hope you’ll submit your best work. I’d be honored to publish it three or four of however many submissions I receive.
OK, readyyyyyy, break!
PS: I’m having technical difficulties uploading photographs, so that’s why you haven’t seen author photos for the past few episodes. Hoping the host I pay money to will figure it out.
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