Episode 387: Tom Donaghy

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By Brendan O’Meara

Who Killed the Fudge King?

Tom Donaghy, a playwright and screenwriter, needed to find out.

Harry Anglemeyer was a fixture of Ocean City with a fudge empire on the Jersey Shore, The Copper Kettle. He wanted to lift up and move forward the ocean-side city. He was openly queer in a time that wasn’t as accepting. In 1964, he was murdered and the case was never solved.

Enter Tom.

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Episode 368: Tyler Hooper

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My first rough draft is my outline. That’s what I’m learning about myself. My first drafts are very rough. It’s literally a dump from my head of what I want to say how I want to say it, how I think it should be structured.

Tyler Hooper, Ep. 368

By Brendan O’Meara

Hi there, CNFers, we’ve got Tyler Hooper (@thooper8) in the house to talk about his piece “The Titanic of the Pacific” for The Atavist Magazine.

Tyler cites the great Erik Larson as an influence and you can feel the pulse of that throughout this nautical-disaster piece about the sinking and tragedy surrounding The Valencia. Tyler writes a bit of the backstory at his Medium page here.

Tyler is a writer, podcaster, and storyteller living on Vancouver Island in British Columbia, Canada. He has a master’s degree in history and has worked as a journalist.

In this episode we talk about :

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Episode 336: Cassidy Randall

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By Brendan O’Meara

Cassidy Randall is a freelance writer based out of Montana, and her piece for The Atavist Magazine, “Alone at the Edge of the World,” just dropped.

It’s a harrowing piece and one that really flexes the muscles of what a reporter/writer can do to re-create scenes when they weren’t present for the “main action.”

We talk about how reading fiction helps her with her nonfiction, dealing with rejection, attention to rhythm in sentences, pacing, and a whole lot more.

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Episode 318: Greg Donahue

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By Brendan O’Meara

Greg Donahue (@GregJDonahue) is a freelance journalist, and he returns to The Atavist Magazine for “The Fugitive Next Door.”

It’s a riveting story, but what else would you expect from the Atavist or Greg?

Greg talks about some of his writerly insecurities, the power of endings, and a dynamite recommendation dealing with sentences.

We start off this episode speaking with Jonah Ogles, the lead editor of this piece.

More show notes TK. I promise!

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Episode 294: ‘We Wish to be Able to Sing’, Mike Damiano Talks About His Atavist Story

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By Brendan O’Meara

Mike Damiano brings 2021 to a close with his piece for the Atavist Magazine about an unlikely revolutionary who helped the people of Easter Island earn rights they deserved from an oppressive Chilean naval regime. It’s the story of Alfonso Rapu a school teacher turned revolutionary via nonviolence. It’s called “We Wish to Be Able to Sing.”

Mike is a staff writer for Boston Magazine, but like many people writing stories for the Atavist, he’d been working on this Easter Island story for years. Atavist  becomes like this benevolent foster home for stories that are too long for traditional magazines and too short to be books. And Seyward and Jonah say, come here little story, we’re gonna make you a STAR!

The show has a new Instagram handle, @creativenonfictionpodcast, and you can always keep the conversation going on Twitter @CNFPod.

And you know I’d rather you sign up for my Up-to-11 Newsletter. Signup form is below you and to your right. Book recs, book raffles, cool stuff curated by me for you, CNFin’ happy hour or writing group, writing prompts, fun and entertaining. First of the month. No spam. Can’t beat it.

Consider supporting the show via Patreon patreon.com/cnfpod. Shop around if you want to support the community. I just paid out the writers from the last audio magazine. You make that possible. The show is free but it ain’t cheap.

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Subscribe and download and share across your socials. And don’t forget to consider leaving a kind review on Apple Podcasts. Those go a LONG way.

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Episode 270: How did Daniel Kolitz Pull Off His Atavist Story?

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By Brendan O’Meara

Daniel Kolitz wrote about Enthusiastic Sobriety for The Atavist Magazine, so we talk about how he went about reporting and writing the piece.

I also speak with lead editor Jonah Ogles about what made this story so special.

Brendan’s Monthly Newsletter: First of the month! No spam! Can’t beat it!

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Episode 260: Jordan Michael Smith Spins a True-Crime Yarn for The Atavist

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By Brendan O’Meara

Jordan Michael Smith (@WriterJMS) stops by for this month’s extra podcast to celebrate his piece for The Atavist Magazine.

It’s called “The Snitch,” and details the story around the serial killer Scott Kimball, but, more specifically, the mistakes made by the FBI, thus turning this true-crime yarn on its head.

Jordan talks about:

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Episode 255: Maddy Crowell and the ‘Invisible Kid,’ Plus The Atavist Gets a New Look

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By Brendan O’Meara

Maddy Crowell comes by the show to talk about her new piece for The Atavist Magazine titled “Invisible Kid.”

I also speak with Jonah Ogles, the lead editor of this piece, and Ed Johnson, the designer who led the way in the redesign.

This episode is packed with goodness, much like its Atavistian predecessors in Scott Eden, Phil Hoad, and Lindsay Jones.

Consider subscribing to The Atavist and its once-a-month blockbuster piece of narrative nonfiction. Once a month, can’t beat it … sounds like my newsletter!

Anyway …

We dig into a lot of might juice, and I hope it brightens up your day and wherever you are on your writer journey.

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Episode 245: Phil Hoad and his Atavist Story ‘Cat and Mouse’

Phil Hoad
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By Brendan O’Meara

Phil Hoad (@phload) is a journalist based in the south of France and his latest piece is featured in The Atavist. It’s titled “Cat and Mouse.”

It tells the story of two animal rights activists and their drive to find who they think is a serial killer of cats, rabbits, and foxes, but mainly cats.

In this bonus episode, I speak with lead editor Jonah Ogles (@jonahogles) about Phil’s pitch, what makes certain pitches have legs while others don’t, and the importance of figuring out how to end things. It’s much like when I spoke with Atavist editor-in-chief Seyward Darby.

Then Phil unpacks the story from there.

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