Written by Brendan O’Meara
Soooo…Here’s the latest quasi-episode of the #CNF Podcast. Drop the embed…
Okay, now that I’ve done that, be sure stay tuned, subscribe to the podcast, subscribe to the email newsletter so you can see super awesome Transcribe Face (see above) pics.
Listen to the little mini-sode, stay tuned for more, but also, go listen to Glenn Stout, Carrie Hagen, Maggie Messitt, and many, many (sort of) more.
As always…you da bomb. As always Part II, thanks for listening
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Written by Brendan O’Meara
“Nothing about doing this makes any logical sense. It doesn’t. It didn’t then. It doesn’t now.”—Glenn Stout
“You can only control one thing: And that’s your effort. There’s one thing you can control. You can’t control anything else…anything else.”—Glenn Stout
Glenn Stout is sort of a demi-god among writers because of his ability to coach the best of them. He’s also a GREAT writer and we delve into how he got his start, reading poetry in a baseball uniform outside Fenway Park while taking swigs from a bottle of bloody Marys.
As always, thanks for listening.
Written by Brendan O’Meara
“Putting in the work is confidence building.” —Greg Hanlon
“You struggle and struggle until the end product comes close to your original expectation. It’s all about the struggle.” —Greg Hanlon
Greg Hanlon is a crime editor at People Magazine and also a freelance sports writer. His piece “Sins of the Preacher” was anthologized in the Best American Sports Writing 2015 edition. His “The Many Crimes of Mel Hall” was a notable selection.
Continue reading “#CNF Episode 13—Greg Hanlon on the Audacity of Voice and the Value of Struggle”
Written by Brendan O’Meara
The subject at hand is Carrie Hagen, author of We is Got Him. She and I met at grad school where she began fleshing out the story for We is Got Him. It’s her first book, but you’d think it was her third or fourth. I’ll let her do the talking.
As always I’d love for you to sign up for email updates (they arrive on Tuesdays if they arrive at all). Also be sure to subscribe to the podcast that way you’ll get the latest episodes of The Creative Nonfiction Podcast beamed straight to your favorite audio device.
Thanks!
Written by Brendan O’Meara
“There’s no downplaying that moment for me. There’s no humble bragging that. It’s a straight-up brag, a measure of pride for me.”—Joe DePaulo
“I can’t abandon it. For me, I don’t know what else I’d do.” —Joe DePaulo
Maybe my favorite part of my conversation with Joe happens toward the end where we briefly touch upon drafting one particular writer in a Fantasy League for Narrative Nonfiction. I should’ve expanded on this, but I figure it’s going to be a much longer segment in the future.
This was a fun one. We talked about writers who inspired Joe and the harsh financial realties of the freelance game. (You can hear Episode 9 guest John Scheinman shed insights into this as well.)
I’ve shortened by Bookshelf for the Apocalypse segment to five books. Good stuff here.
Joe’s BftA
The Complete Works of Shakespeare
Character Studies by Mark Singer
Angela’s Ashes by Frank McCourt
The Best American Sports Writing of the Century
Joe DiMaggio: The Hero’s Life by Richard Ben Cramer
Billy Bathgate by E.L. Doctorow
Ricky Jay’s Magical Secrets by Mark Singer is a New Yorker profile Joe re-reads over and over again.
The Man Who Knew Too Much by Marie Brenner
Here’s Joe’s SB Nation Longform archive, which includes his profile on Mike Francesa, a story that earned Joe a notable selection in the 2014 volume of Best American Sports Writing.
So let’s get to it. Enjoy!
Hey, if you get a chance subscribe to the podcast on iTunes and throw down your email here at the website. I know that’s asking a lot, but it would mean a lot to me.
Written by Brendan O’Meara
“You know what? It’s like when you ask a girl on a date. How scary it can be. It’s terrifying sometimes.”—John Scheinman
“I was always a conversation person. I would literally say this, ‘I’m going to earn your trust and you will never be misquoted.’ They loved it!”—John Scheinman
This week I interview my friend and colleague John Scheinman, who won the Eclipse Award for feature writing for his piece about legendary Maryland horse trainer Dickie Small. The piece, titled Memories of a Master, is a long, sweeping profile that took John about three months to craft. Give it a read.
We get into the use of voice recorders versus notebooks, something I find fascinating as different reporters use different methods for gathering information. We also talk about the anxiety that comes from having to interview people and I think that may be particularly helpful to others who feel the same way.
And, of course, there’s John’s Bookshelf for the Apocalypse, the books he’d keep in his survival pack that he could never part with should the world melt down around us. He is the second person to say this is a stupid question in two weeks. Does that mean I should give it up? Not yet. If next week’s guest says it’s stupid maybe I’ll consider.
The Book of Nightmares by Galway Kinnell
Low Life: Lures and Snares of Old New York by Luc Sante
Up in the Old Hotel by Joseph Mitchell
The Honest Rainmaker: The Life and Times of Colonel John R. Stingo by A.J. Liebling
Life by Keith Richards
The Great Deep: The Sea and Its Thresholds by James Hamilton-Patterson
Blues People: Negro Music in White America by Leroi Jones
Hellfire: The Jerry Lee Lewis Story by Nick Tosche
Thanks again for listening. Be sure to subscribe to the podcast and sign up for my email newsletter that brings you my book recommendations for the month and anything you may have missed from the podcast.
Written by Brendan O’Meara
Tweetables by Maggie Messitt (@maggiemessitt):
“I really embrace the shitty first draft.”
“I was always into true stories, almost at an obsessive level.”
Maggie Messitt wrote a gem of a book in The Rainy Season: Three Lives in the New South Africa.
We talk about a lot of stuff, certainly about process and the challenge of writing book-length narrative. Maggie is a writer, author, teacher, hiker, dog owner, reporter, super kayaker, all-round liver-of-life.
Also I introduce a new segment called the Bookshelf for the Apocalypse. What’s this? Should the world be ravaged by global pandemic, zombies, meteor strike or nuclear winter, and you were allowed ten books to keep in your survival pack, what would they be?
Hmm….
Below you’ll find a list of books Maggie mentioned that you may want to check out. Thanks for listening and I ask that you please subscribe to the podcast and sign up for the email newsletter.
Thanks so much!
The House on Mango Street by Sandra Cisneros
The Spirit Catches You and You Fall Down by Anne Fadimann
Pilgrim at Tinker Creek, An American Childhood, A Writing Life, all by Annie Dillard
Notes from No Man’s Land by Eula Biss
The Faraway Nearby by Rebecca Solnit
Open City by Teju Cole
Portrait with Keys by Ivan Vladislavic
What is Justice? by Robert C. Solomon and Mark C. Murphy
Written by Brendan O’Meara
Richard Gilbert is the author of Shepherd, a memoir about his days on an Ohio farm fulfilling a lifelong dream to become a farmer. He raised flocks of sheep, got hurt, dealt with ragweed allergies, the list goes on and on. It’s a wonderful book and I think after listening to Richard you’ll want to devour it and also follow his great blog, Draft No. 4, and follow him on Twitter @richardsgilbert.
The audio to the podcast kinda sucks. For that I’m sorry. There are some points where my Skype connection got real choppy. Other times the audio gets uneven. I’m sorry, but brighter days are coming. Subscribe to Hashtag #CNF on iTunes and sign up for the weekly emailer that updates you on the week’s posts. That’s it! Enjoy!
Written by Brendan O’Meara
This was a great listen, so much so that I’ve listened to it twice.
Brian Koppelman, screenwriter/director to several movies including Rounders and The Illusionist, spoke with Tim Ferriss, author of the 4-Hour Work Week and 4-Hour Body, on the Tim Ferriss Show.
Koppelman talks about rejection and powering through it all. Before he reached the level he’s at now he spent two hours every morning working on a screenplay with his writing partner. That screenplay was Rounders. He made the time. This speaks to many of creatives that may have a day job for the steady income while working on our passion projects.
And in this crazy modern world we live in, I tweeted out to Koppelman just to say how much I appreciated his insights. He replied and retweeted. Pretty cool for a guy in the big time.
@BrendanOMeara @tferriss thanks, man! Glad you dug it. I had a blast talking to Tim.
— Brian Koppelman (@briankoppelman) June 4, 2014
Click here to listen to the interview.
He’s back for more. Brian Mockenhaupt wrote the compelling Byliner Original Three Days in Gettysburg about the war front hitting home.
I wrote this on Amazon about the piece:
Brian Mockenhaupt, an intrepid and elite reporter of the living, turns his eye to those long gone. And as we near the 150th anniversary of that bloodiest battle at Gettysburg, Mockenhaupt, through his deft skill as an information gatherer, writes a compelling story about friendship, love, and loss in the most famous battle of the Civil War and its putrid wake for those left behind.
It culminates with President Lincoln presiding over a newly created memorial to the felled Union soldiers, a speech where he turns the volume down so we may hear the ghosts of Gettysburg.
And in this latest episode of Hashtag #CNF, Mockenhaupt talks about the challenges of writing historical narrative with nothing to consult but the archives.
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