It’s that time of year…it’s HippoCamp Season! Over the Aug. 12-14 weekend, Donna Talarico and her cohort of devoted volunteers will host the seventh conference devoted solely to creative nonfiction writing.
What an experience Hippocamp was this year. Donna Talarico stuck the landing in pandemic times. The degree of difficulty is Simone Biles-esque!
I don’t I’ve worked as hard on any one thing like I did on this Hippocamp talk in a long, long while. I put everything I had into it. That said, I had a very hard time gauging what the audience thought of it. It was a pretty sparse turnout, so far as Hippocamp talks go. Everyone was masked, so I couldn’t tell if people were smiling or dying inside. There were only two questions, whereas most breakout sessions of this nature have several questions.
Naturally I felt like a comic who bombed.
Still, some people came up to me and said they loved it. Not meaning to undercut their good will, I was like, “Really? Cuz it felt dead to me up there and there were no questions …”
They usually said the talk itself didn’t lend itself to questions. It leant itself to thought. In any case, I still gave it my all to the gracious folks who showed up.
I tell you, it was a privilege to put this together. I hope you enjoy it, and if you do, consider becoming a Patron at patreon.com/cnfpod, as I think I’ll start doing similar things like this (much, much shorter) as Patreon exclusives.
Tweetable by Rebecca Fish Ewan (@rfishewan on Instagram):
“I couldn’t, as an adult, get past the story of how her life ended. And I wanted to tell the story of she lived.”
It’s The Creative Nonfiction Podcast, the show where I speak to the best artists about telling true stories.
For Episode 106, I welcome Rebecca Fish Ewan, author of By the Forces of Gravity (Books by Hippocampus 2018), a love story between friends that ends in tragedy told through free-verse poetry and cartoons. It’s a great reading experience and a wonderfully told story of adolescence in the 1970s Berkley. You can buy the book by visiting books.hippocampusmagazine.com or via Amazon.
In this episode we dig into:
How Rebecca chose to write the story in the way she did
The power of community
Writing from the POV of her 12-year-old-self
And dealing with self doubt
Rebecca is @rfishewan on Instagram, her preferred social network and is @rfishewan on Facebook. Go check her out.
If you’re not subscribed, be sure to hit up Apple Podcasts, Google Play Music, and Stitcher so you get a fresh delivery every Friday. Share this with people you think will dig it. Ad let me know what you think of it, what you got out of it. I’m @BrendanOMeara and @CNFPod on Twitter and @CNFPodcast on Facebook. Pick a network, any network and let’s connect.
If you dig the show and you have a minute, please leave a review over on Apple Podcasts. If you show me evidence of your review, I will edit a piece of your writing of up to 2,000 word.
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The Creative Nonfiction Podcast is sponsored by Hippocamp 2018. Now in its fourth year, Hippocamp is a three-day Pennsylvania writing conference that features 50+ speakers, engaging sessions in four tracks, interactive all-conference panels, author and attendee readings, social activities, networking opps, and optional, intimate pre-conference workshops. The conference takes place in lovely Lancaster, from Aug. 24 through the 26th.
Past keynotes have been Lee Gutkind, Mary Karr, Dinty W. Moore, and Jane Friedman (all have been past guests on the podcast. Whaaaat?) This year Abigail Thomas will be the featured speaker.
Visit hippocampusmagazine.com and click the “Conference” tab in the toolbar and if you enter the keyword CNFPOD at checkout you will receive a $50 discount. This offer is only good until Aug. 10 or until all those tickets are sold. There are a limited number so act now! Like RIGHT NOW.
The registration is $429 ($379 with the discount) through Aug. 10 then goes up to $449 on site. If you sign up through this portal before the conference starts, you’re actually saving $70!
“I think what gets to the heart of the story is the ‘why?'”
“You have to treat your freelance business like a business.”
“I would encourage anybody that calls themselves a freelancer to try calling themselves an independent writer.”
“It’s about being organized and creating a solid foundation.”
“It was important for every-day writers to show their stuff.”
“You don’t change things just to change things.”
What’s this? Two episodes in one week? F–k, yeah!
Support for this podcast is brought to you by Hippocamp 2017, a conference for creative nonfiction writers. It’s this weekend, as in September 8th through the 10th.
Hippocamp enters its third year with its main keynote speaker being, ahem, Tobias Wolfe. Hippocamp debuted with Lee Gutkind, then had Mary Karr as an encore. Now Wolfe? Srsly?
So here’s the deal, good ol’ Hippocamp sponsored the Creative Nonfiction Podcast again, but I didn’t run that snazzy new ad because this week’s bonus episode is with Hippocampus Magazine and Hippocamp founder, Donna Talarico, @DonnaTalarico on Twitter, give her a follow… now…
Maybe I should mention that this is the podcast where I speak with the world’s best artists about creating works of nonfiction, leaders from the world of journalism, essay, memoir, radio, and documentary film, and try to tease out their stories and tricks of the trade, so that you can apply those skills to your own work.
Donna brings such a great entrepreneurial sensibility to this episode so if you want to organize your independent nonfiction career, or start a magazine, or start a CONFERENCE, this is your episode, your time to let your freak flag fly.
I’m on my second cup of cold brew and I’m pretty fired up, so I’m just going to come out and ask that you kindly leave a review on iTunes, like this nice five-star gainer from HannahinLA, “Great interviews that provide useful nuggets and inspiration for writers and other creatives.”
If you leave one, maybe you, too, will get a similar shout out. The biggest endorsement the show can get is these reviews, but also sharing it amongst your friends who like to dabble in this kind of work.