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Episode 255: Maddy Crowell and the ‘Invisible Kid,’ Plus The Atavist Gets a New Look

Maddy Crowell comes by the show to talk about her new piece for The Atavist Magazine titled “Invisible Kid.”

I also speak with Jonah Ogles, the lead editor of this piece, and Ed Johnson, the designer who led the way in the redesign.

This episode is packed with goodness, much like its Atavistian predecessors in Scott Eden, Phil Hoad, and Lindsay Jones.

Consider subscribing to The Atavist and its once-a-month blockbuster piece of narrative nonfiction. Once a month, can’t beat it … sounds like my newsletter!

Anyway …

We dig into a lot of might juice, and I hope it brightens up your day and wherever you are on your writer journey.

Episode 254: Elena Passarello on Weird Freelance Work, Podcasting, and Oatmeal Brain

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By Brendan O’Meara

A great pleasure to welcome back Elena Passarello to the show to talk about … jeez … just about everything.

This was very much a shoot-the-shizz pod, but when it comes to Elena, there are few people you’d rather be listening to. So if you dug episodes with Bronwen Dickey and Peter Brown Hoffmeister, you’re in the right place, CNFers!

Episode 253: Julie DiCaro Won’t Be ‘Sidelined’

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By Brendan O’Meara

Julie DiCaro came by the show to talk about her new book Sidelined: Sports, Culture, and Being a Woman in America.

It’s a fine read, written by someone who definitively has something of value to say. You can find her on Twitter @juliedicaro.

It’s an engaging, entertaining, and sobering read about feminism and the sorry state of women’s representation in sports journalism.

Episode 251: Glenn Stout Brings to Life The Tiger Girl and the Candy Kid: America’s First Gangster Couple

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By Brendan O’Meara

Glenn Stout returns for his fifth time to the podcast, this time to talk about his thrilling new book The Tiger Girl and the Candy Kid: America’s First Gangster Couple.

The book takes us to the 1920s, a time when wars were supposed to be a thing of the past, a pandemic wiped across the globe, and veterans coming from the Great War had little support at home. I’m glad all those things are a relic of the 20th century.

Episode 250: Lindsay Jones and Her Atavist Story ‘The Lives of Others’

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By Brendan O’Meara

Lindsay Jones took a deep dive into the cottage hospital industry in Canada, specifically in Newfoundland, and what she found was shocking, alarming, but ultimately heart warming.

It was not unlike when the great journalist Earl Swift spent time on a small island town in Chesapeake Bay and said, “The process of being a fly on the wall doesn’t rely on folks forgetting you’re a reporter.”

And not unlike when Scott Eden made the trip down to Peru, or when Phil Hoad shadowed a couple pet detectives, Jones takes us to a new place, small, intimate, and beautiful.

Oh, and the writing is great, too.

Episode 249: Ximena Vengoechea on Life Audits, Listener Drain, and Reclaiming the Lost Art of True Connection

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By Brendan O’Meara

Ximena Vengoechea is here to talk about her new book Listen Like You Mean It: Reclaiming the Lost Art of True Connection (Portfolio).

I’ll be honest … this book made me realize what a horrible listener I am. For real.

But I put on my big-boy pants and started applying many of the tools in this wonderful book.

So far as self-helpy-type books go, Ximena’s is right up there with Seth Godin’s The Practice and Annie Duke’s How to Decide.

Episode 248: Humble and Important Gifts with Bronwen Dickey

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By Brendan O’Meara

“My mind is a very bad neighborhood and I should not go there alone,” says Bronwen Dickey in her fourth trip to the podcast

She was here for Ep. 21, 45, 137 and now 248.

It’s always a good time when I get to catch up with her.

Episode 247: Jason Naylor, In Living Color

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By Brendan O’Meara

How’s this for a pull quote from Jason Naylor (@jasonnaylor on Instagram):

How do you find your style? How do you find your voice. And the truth is, I think that you don’t find it until you stop trying to find it. You just make work. If you’re a writer, you just keep writing. If you draw, then you just keep drawing, and the more you do it, you start to see patterns, you start to see a rhythm in what you’re doing. And then one day you look back and you realize, ‘Oh, I actually I can see that I have a voice.’

How brilliant is that?

Episode 245: Phil Hoad and his Atavist Story ‘Cat and Mouse’

Phil Hoad

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By Brendan O’Meara

Phil Hoad (@phload) is a journalist based in the south of France and his latest piece is featured in The Atavist. It’s titled “Cat and Mouse.”

It tells the story of two animal rights activists and their drive to find who they think is a serial killer of cats, rabbits, and foxes, but mainly cats.

In this bonus episode, I speak with lead editor Jonah Ogles (@jonahogles) about Phil’s pitch, what makes certain pitches have legs while others don’t, and the importance of figuring out how to end things. It’s much like when I spoke with Atavist editor-in-chief Seyward Darby.

Then Phil unpacks the story from there.

Episode 244: Jackie MacMullan on the Fear of Failure, Writing that Teaches You, and the Final Chapter of ‘Best American Sports Writing’

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By Brendan O’Meara

Jackie MacMullan, the legendary basketball writer, is on the podcast to talk about judging what we know to be the final installment of The Best American Sports Writing.

She’s chronicled the NBA (big ups to Louisa Thomas) since the early 1980s for The Boston Globe, Sports Illustrated and now ESPN.

Her five-part series on mental health in the NBA was widely lauded and a must-read.

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