Negative Space is a detective story as Lilly seeks out her father’s past. He passed away when she was a very young girl. He was a brilliant artists, but tortured by addiction.
It deals with identity, Black masculinity, shame, family, oppression, racism, and community. What a book, man, what a book.
We also dig into Brian’s writing process and how he goes about the work.
“I’m the queen of the run-on sentence,” he says.
And the grind of it all.
“I’m the queen of quitting,” he says.
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She’s a freelancer and she is not a struggling freelancer in the ways that many of us identify as a struggling freelancer, which is to say: we po’.
Jenni, @jenni_gritters, along with her co-pilot on The Writers’ Co-op Podcast Wudan Yan, are thriving. Through strategy and rigor, Jenni is a six-figure earner, this during the pandemic, this when many writers are struggling to make a go of it.
She turned her skill into money, which allows her to double down on her skill and do more projects that are more personal-driven.
I like to think of some content/branded writing gigs like when Jake Gyllenhaall does a blockbuster movie so that he can then do the art-house stuff he probably wants to do. Book your Marvel movie, then go write your memoir. Haha.
Whitney Terrell is the author of The Good Lieutenant. He also is a journalist who covered the Iraq War. He teaches at the University of Missouri-Kansas City. He’s on Instagram and Twitter.
During my conversation with Mason Gravely (@alive_adventures on IG), I asked him what a good interviewer is like. I admire him as an interview so much, I had to know.
He said, “You know, it’s someone who listens. Someone who really is present. You can really tell when an interviewer is distracted, or they’re just kind of going off. They’re calling it in.”
Mason does incredible work for Athletic Brewing, the nations best and only (?) brewery only brewing non-alcoholic beer. Amazing stuff.
Where’s the juice? Where’s the juice in the enterprise?
The juice is in coming up with an idea and convincing an editor that the idea is worth pursuing, convincing a person, selling a person on that idea. When I get an idea for a story, it’s almost a giddy feeling. It’s a feeling that that you have a secret that no one else knows about, so you want to just tell as many people as you can about that. It’s like gossip, it’s a big piece of juicy gossip, and you want to share it and get it in the right hand.
Pete Croatto from Episode 231 of The Creative Nonfiction Podcast
Edward Parnell, the author of Ghostland: In Search of a Haunted Country(William Collins), comes by the show to talk about the new book, a book that is part travel log, culture log, and memoir.
It is a haunting read, a mournful read, so naturally I dug it.
We talk about our shared love of Kurt Vonnegut, keeping the fun in writing, his approach to take this book away from the traditional grief memoir path, and lots more.
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You might remember Kristen from her first soiree on the podcast a few months ago when she and Jolenta Greenberg came by to talk about the book they co-wrote, How to be Fine.
I’m self-taught, been doing this thing for eight years, and I found so many incredible nuggets in this book. The thing is, it’s ostensibly about podcasting, but you can apply the principles to anything.
We talk about structure in writing and in podcasting, why are you starting a podcast and who is it for, pet peeves in podcasting, mistakes new producers make, promoting a show, and what exactly a producer does.
Good stuff.
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Kristen’s Bookshelf for the Apocalypse or Library for the End of the World (in pictures!)
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