Had a great chat about day jobs and threading the work you want to do around that, how there’s no “writer’s life,” but rather just a “writer living.” That’s a direct quote from her Hippocamp talk this year.
Her essay collection delves into her identity as a Black woman, divorce, relationships, sex, the masks we where, and so on. Highly recommend.
What is so great about this book is you can be a seasoned, skilled writer/editor and this book will level you up. The book is a gift, and so too is Allison.
She’s the 2021 Literary Citizen of the Year for Hippocamp. She’s also the social media editor (?) for Brevity Magazine, and many of her craft essays for Brevity are adapted in Seven Drafts. Dig it.
In any case, we dig into lots of stuff about editing, story holes, retyping entire manuscripts, and what it means to cultivate a “writer’s life.”
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What an experience Hippocamp was this year. Donna Talarico stuck the landing in pandemic times. The degree of difficulty is Simone Biles-esque!
I don’t I’ve worked as hard on any one thing like I did on this Hippocamp talk in a long, long while. I put everything I had into it. That said, I had a very hard time gauging what the audience thought of it. It was a pretty sparse turnout, so far as Hippocamp talks go. Everyone was masked, so I couldn’t tell if people were smiling or dying inside. There were only two questions, whereas most breakout sessions of this nature have several questions.
Naturally I felt like a comic who bombed.
Still, some people came up to me and said they loved it. Not meaning to undercut their good will, I was like, “Really? Cuz it felt dead to me up there and there were no questions …”
They usually said the talk itself didn’t lend itself to questions. It leant itself to thought. In any case, I still gave it my all to the gracious folks who showed up.
I tell you, it was a privilege to put this together. I hope you enjoy it, and if you do, consider becoming a Patron at patreon.com/cnfpod, as I think I’ll start doing similar things like this (much, much shorter) as Patreon exclusives.
Negative Space is a detective story as Lilly seeks out her father’s past. He passed away when she was a very young girl. He was a brilliant artists, but tortured by addiction.
It deals with identity, Black masculinity, shame, family, oppression, racism, and community. What a book, man, what a book.
We also dig into Brian’s writing process and how he goes about the work.
“I’m the queen of the run-on sentence,” he says.
And the grind of it all.
“I’m the queen of quitting,” he says.
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He’s a punk rocker and a killer spinner of yarns. It’s a fantastic book on “navigating Blackness, masculinity, and young adulthood: all through wry social commentary and a music/pop culture critique.
We talk a lot about the DIY nature of art, punk rock, straight-edge culture and why he chose to write this book to his younger brother.
