Anika Fajardo, author of Magical Realism for Nonbelievers, stopped by CNF.
“Part of me thinks nobody should write a memoir.” —Anika Fajardo (@anikawriter on Twitter)
“Writing is about communicating, so that’s why we have to send things out. There needs to be a point where it goes out in the world and we communicate with a reader.” —Anika Fajardo (@anikawriter on IG)
Here we are again friend. I’m in the midst of rebranding so you’re listening to CNF, the show where I talk to badass writers, filmmakers, producers, and podcasters about the art and craft of creative nonfiction.
In any case, I hope decide to subscribe to CNF wherever you get your podcasts. And if you’d be so kind, I’d appreciate a rating or review over on Apple Podcasts. They help validate the show.
Also, keep the conversation going on Twitter by joining me @BrendanOMeara and @CNFPod. Tag the show and I’ll jump in the fire. It’s all good.
I think you’ll get a lot of tasty nuggets out of this episode. I hope you enjoy it and you share it widely with your CNFin’ friends!
“I want to do right by these people. I want to tell a story that honors the stuff they did.”—Blake J. Harris (@blakejharrisNYC)
Ah, yes, it’s The Creative Nonfiction the show where I speak to badass writers, filmmakers, and producers about the art and craft of telling true stories. For episode 143 I have Blake J. Harris, author of Console Wars, and most recently The History of the Future: Oculus, Facebook, and the Revolution That Swept Virtual Reality.
Harrison Scott Key came back to the show to talk about his amazing work. Since that day way back in 2013, Harrison has published his first memoir The World’s Largest Man about his father, which also won the Thurber Prize for the funniest book in the country. And his latest book, Congratulations, Who Are You Again?, Was my single favorite book from 2018.
This one was so funny, inspiring, and entertaining that I took it with me on walks and when I found a crack in my schedule I’d pick this thing up and read a few pages if I could while my boss wasn’t looking.
But we’ll get to that. I guess I forgot to mention that this is The Creative Nonfiction Podcast, the show where I speak to badass writers, filmmakers, and producers about the art and craft of telling true stories. I also unpack their origins and how they approach the work in the face of day jobs and crippling self-doubt. Am I projecting. Perhaps.
Do you subscribe this here podcast? You can find it just about anywhere and if you dig this show and others, link up to it on your social media platforms. You are the social network, CNFers. Rage Against the Algorithm. And if you have a minute or two, please give the show a rating over on Apple Podcasts. Follow the show @CNFPod on Twitter and @BrendanOMeara on Twitter.
What else, oh, yes, subscribe to my monthly newsletter. It’s chock full of my reading recommendations and what you might have missed from the world of the podcast. Once a month. No spam. Can’t beat it.
So Harrison came back to the show and as always I try and cut down these interviews by about 10-15% and I simply couldn’t do that with this one. Couldn’t do it, so I hope you enjoy the big man himself, Harrison Scott Key.
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“I like to write books that sound like someone telling the story over a campfire.”
“You learn something when you listen to books that way. You start to hear that music of the language.”
“When I experience something interesting, I need to compose it in words.”
Hey, how’s it goin’, friend? I’m Brendan O’Meara and this is my podcast, The Creative Nonfiction Podcast, the show where I speak to badass writers, filmmakers, and producers about the art and craft of telling true stories. This is the last episode of 2018. We’ve averaged one episode a week for an entire year with no break and we’re finishing the year strong.
David Lee Morgan, a prolific sports writer, now teaches high school English in his native Ohio.
“Let them tell the story, let them find the story that maybe they didn’t even know was the story.” —David Lee Morgan (@DavidLeeMorgan)
“That’s how I overcome that self doubt. ‘Hey, do you trust yourself? Do you have enough material for people to say he is an expert or he really knows the topic of which he’s writing?’ Then if you do then you just write on.” —David Lee Morgan
If you’re anything like me, and one assumes you are because you find some value in this humble little podcast, you need constant prodding in a sense. That can either be to get your work done or to get your brain in check. I’m one of those dudes who gets pretty down pretty easily, so it helps to have guests on who inspire me.
David was a long time sports writer for the Akron Beacon Journal and most recently he turned his attention to teaching high school English, a move he doesn’t regret in the slightest. For the people who say “If you can’t do teach,” one of the more insulting things you can say to any artist who teaches or teachers who don’t make art, I give you David, who not only is a brilliant writer, but by the very nature of his attitude and approach, makes him that rare teacher that inspires with every lesson.
To be frank, I haven’t been in David’s classroom, but if my 90 minutes with him is any indication of what it’s like to sit at a desk in his class, well, sign me up. I might have done better on the SAT.
“What I’m doing when I’m not working is thinking.” —Natalie Singer (@Natalie_Writes)
Hey, this is The Creative Nonfiction Podcast, the show where I speak to the best artists about the craft of telling true stories. Today I welcome Natalie Singer, author of California Calling: A Self Interrogation to the show.
We talk about confidence, or the lack thereof, books as mentors, and day jobs and feeling shame for day jobs. I hope to change that perception over the next six million episodes, but shame is real, man, it is real. This brought up the great story about Andre Dubus III and how he wrote his famous book in 17-minute spurts.
Well, are you subscribed to the show? You can find us on Apple Podcasts, Spotify, and just about anywhere else you get your pods. If you like this episode, tell one friend. Hand the show off like a baton and let them run with it. I’d love to see the show grow. For a small show, we get some big headliners. I’d love to keep that going. The headliners bring more ears so that we little people can get some attention we might not otherwise get. It’s getting there. We march on.
Got a newsletter you should consider subscribing to. I give out reading recommendations, but I’m also thinking of sprinkling in some other cool stuff I’ve stumbled on over the past month in the vein of Austin Kleon’s newsletter. I love his newsletter. I’m gonna Steal Like an Artist. See what I did there?
Okay, this is my conversation with Natalie Singer…
You doing the newsletter thing? Subscribe here at the website. And if you like the show, share it with a friend, just one friend. The pod needs to keep on growing. Otherwise, what are we doing? Otherwise people won’t want to come on the show. They’ll be like, you’re not worth my time and I’ll be like, “Man, that hurts, Mom.” So please share it with a friend and subscribe if you haven’t.
“The possibilities of doing something similar [to fiction] in nonfiction really did appeal to me.” —Tracy Kidder
“I don’t look for subjects. I look for people.” —Tracy Kidder
Are you riffin’ kiddin’ me!?
By virtue of today’s guest I’m assuming there might be a new CNFer or two to our little marauding gang of turbulent souls in this corner of the Internet.
Welcome. We play heavy metal music, we kick maximum ass, and we will, we will rock you. This is The Creative Nonfiction Podcast (subscribe!), the show where I speak to bad ass tellers of true stories about where they came from, what and who inspires them, and how they approach the work, so that you can apply those tools of mastery to your own work. I’m your mutha-riffin’ host Brendan O’Meara, hey, hey.
Today’s guest is Candice Hare (@candicehare_ on Twitter). She’s a broadcaster for TVG, a horse racing channel. As some of you know, my primary field of expertise in the writing world is horse racing, so there’s quite a bit of that here.
