Tag: #AmWriting

Episode 81—Google as Religious Experience and Trusting Self-Doubt with Rachel Wilkinson

Rachel Wilkinson, whose essay “Search History” won Creative Nonfiction’s Best Essay for Issue 65 Science and Religion, joined me on Episode 81. Photo by Morgan Kayser.

Tweetables by Rachel Wilkinson (@realclownishink):

“Failure is part of the process.”

“It’s kind of like the Internet is everybody’s dad.”

“I think of research as this open-ended, beautiful thing.”

“Research is this vehicle that allows you to follow your interests however long you want to follow it.”

“If you can’t love the grind, you’re doomed.”

For Episode 80 of The Creative Nonfiction Podcast, the show where I speak with the world’s best artists about creating works of nonfiction, I spoke with Rachel Wilkinson, a writer and research based out of Pittsburgh, PA. 

Her essay, “Search History,” won Best Essay for Creative Nonfiction Magazine’s Science and Religion contest for Issue 65. It’s Google as religious experience, how the very act of asking questions is very faith-based, and, if we’re getting grim and dystopian, how this technology, which is getting increasingly sentient, might supplant us some day. #spitoutthebone (Metallica reference for all y’all.)

In our conversation we talk a lot how she crafted this essay and how it hangs on a big idea rather than sheer character drive, David Foster Wallace, The War of Art, the fun of research, embracing failure, and trusting—yes, trusting—self-doubt. 

Self-doubt is my spirit animal. 

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People Mentioned

Eula Biss
Maggie Nelson
Claudia Rankine
Leslie Jamison

Books Mentioned

A Supposedly Fun Thing I’ll Never Do Again
The War of Art
Citizen
Notes from No Man’s Land

 

Episode 79—From Potholes in Parking Lots to the Jungles of Borneo with Sy Montgomery

Sy Montgomery, author of the bestselling “The Soul of an Octopus,” is one of the most adventurous and pleasant people you will hear on this show.

By Brendan O’Meara

Tweetables by Sy Montgomery (@SyTheAuthor): 

“I have never picked the safe option and I have never regretted choosing what I’ve chosen ever.”

“I don’t always believe in myself. I can’t just believe in myself because I’m not that great. But I do believe in my project.”

Hey there, CNFers, hope you’re having a CNFin’ good week.

My, oh, my, where do we start? Maybe if you’re new to the podcast I should let you know what it’s about. This is the show where I speak to the world’s best artists about creating works of nonfiction: leaders in narrative journalism (like Susan Orlean), personal essay (like Matthew Mercier), memoir (like Pulitzer Prize-winner Madeleine Blais), radio (Joe Donahue), and documentary film like (Jeff Krulik and Penny Lane). Continue reading “Episode 79—From Potholes in Parking Lots to the Jungles of Borneo with Sy Montgomery”

Episode 71—Working Backward with Elizabeth Rush

Elizabeth Rush, Brendan O'Meara
Elizabeth Rush, whose essay “Something Like Vertigo” appeared in Creative Nonfiction Issue 64, joins me on the podcast this week.

By Brendan O’Meara

Tweetables by Elizabeth Rush (@elizabetharush on Twitter):

“I’m just a mule. I just show up every day and climb very, very slowly up that mountain.”

“I know writing is about your writing, but it’s also about your networking.”

“My first draft is the Ugly Middle.”

“I feel like I turn to writers to help me solve problems that I’m having.”

Continue reading “Episode 71—Working Backward with Elizabeth Rush”

Episode 51—Jessica Lahey on Hidden Monsters, The Gift of Failure, and Keeping Your Butt in the Chair

Jessica Lahey in the classroom.

By Brendan O’Meara

Tweetables by Jessica Lahey (@JessLahey on Twitter):

“Give me everything that was wrong with it and have me learn.”

“I’ve realized that long walks and gardening are a part of my process.”

“Almost always the editor is right.”

“Our tagline is, ‘Keep your butt in the chair and your head in the game.'”

“The work of being a writer means you get words on the page.”

Jessica Lahey, author of the essay “I’ve Taught Monsters,” which recently appeared in Issue 63 of Creative Nonfiction and the NYT best seller The Gift of Failure, came by the show to talk about teaching and getting the work done.

“The work of being a writer means you get words on the page,” Lahey says. “It’s as simple as that. I means you read, you write, and get words on the page.”

We talk about her approach to teaching and language, and also how Stephen King’s On Writing influenced her style. We also talk about what it means to work hard as a writer, a very nebulous term. What does hard work look like?

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Thanks for listening!