May 2020 – Home of The Creative Nonfiction Podcast

Episode 204: Peter Brown Hoffmeister on Self-Control, Internal Drive and Regret in Memoir

Hey, there, CNFers, Peter Brown Hoffmeister returns to the show!

Peter is the author of the memoir The End of Boys and the novels Too Shattered for Mending and This is the Part Where You Laugh.

He’s also the creator of the new podcast Boring is a Swear Word, and it is a great listen. It’s not an interview show. It’s these little riffs, poems, and essays from his life. I highly recommend adding it to your podcast feed.

Speaking of podcasts, I’ve re-started the Casualty of Words feed. John Steinbeck had journals for his novels. I have a podcast to document the process and what you might glean from my rewrites. So you could say John Steinbeck was doing what I’m doing.

Anyway …

In this episode, we talk about:

Role models
Internal drive
Self-control
Taking in art to reach greater depth
Regret in memoir
And he reads a poem!

As you know, keep the conversation chugging @CNFPod across all the social networks. And if your work needs that kick in the pants, I’d be honored to serve you and your work. Email me and we’ll start a dialogue to whip that manuscript into the shape it deserves.

Episode 203: Emma Copley Eisenberg — A Window into Journalism World

“I often talk to my students and I feel like I’m looking at the story through a dirty window. And I just want you to take the pane of glass out so I can see the story,” says Emma Copley Eisenberg, @frumpenberg.

By Brendan O’Meara

Happy #CNFriday, CNFers!

Emma Copley Eisenberg is here to talk about The Third Rainbow Girl. It’s been highly touted as one of the better debut works of nonfiction. It’s great for its blending of genres and pushing the boundaries of what it means to write “true crime.”

If you’re looking for a whodunnit, this is not your book, which should pique your interest even more.

A few things we riff on:

A window in journalism world
Structure
Her book’s many false starts
And pushing the boundaries of creative nonfiction

Be sure you’re subscribed to the podcast wherever you get them (search Creative Nonfiction Podcast) and keep the conversation going on social media: @CNFPod here, here, and here.

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Episode 202: Ruby McConnell — … And Nothing but The ‘Ground Truth’

By Brendan O’Meara

Ruby McConnell is here.

She’s @rubygonewild across the socials. She and I jam a bit on Twitter, so I’ll link up to that. Here.

Ruby’s got a new book out: Ground Truth: A Geological Survey of a Life (Overcup Press, 2020).

It’s a damn good book and I’ll take you to the woodshed if you think otherwise.

Sorry.

Feeling aggressive.

Ruby is also the author of A Woman’s Guide to the Wild.

We had a pretty rad conversation where we talk about how dance taught her the discipline it takes to be a writer and how geology is a, perhaps, the most writerly science. She’s a native Oregonian and a fellow Eugenian and, I don’t know, I had about as good a time as I’ve ever had on this show with Ruby.

Be sure you’re subscribed to the show wherever you get your pods and if you’re feeling kind, leave a nice review on Apple Podcasts. They’ve stalled and it’d be nice to crest that 100-rating threshold.

Keep the conversation going on Twitter, Instagram, and Facebook, all @CNFPod. And if you sign up for the newsletter, you’re automatically — and perpetually — entered in a raffle to win books. I give out reading recommendations and news you might have missed from the world of the podcast. It’s fun. You’ll dig it.

Episode 201: Walter Thompson-Hernandez on Journalism as Ethnography in ‘The Compton Cowboys’

By Brendan O’Meara

Man, what a show we’ve got for you with Walter Thompson-Hernandez. He is a Los Angeles-based writer who catapulted onto the scene with a feature he wrote about the Compton Cowboys.

It was one of those stories where as soon as published it blew up. Then agents are banging on his door, he’s got a book deal, movie deal and maybe the best of it all: a berth on The Creative Nonfiction Podcast: the show where I speak to badass people about the art and craft of telling true stories.

In speaking with Walter, it reminded me of conversations I had with Mike Sager, Eli Saslow and Maggie Messitt about taking deep dives into various subcultures (and I know I’m missing dozens who have been on this show).

Compton Cowboys is a brilliant book about a subculture tucked into the heart of Compton where, to quote the subhead of Walter’s NYT story, “A group of childhood friends wants to create a safer community and challenge the notion that African-Americans can’t be cowboys.”

I’d say more, but I don’t want to spoil this great conversation with Walter (@mychivas).

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Get after it, CNFers!

Episode 200: Nick Flynn as Bewilderment

By Brendan O’Meara

In our conversation, Nick Flynn, author of Another Bullshit Night in Suck City and Stay: Threads, Conversations and Collaborations, says, “There’s a certain perverse pleasure in writing a memoir because it’s a bastardized genre. It’s a little bit of the Wild West. I mean, it’s filled with charlatans, posers, and huge egos. It’s a weird genre. It doesn’t have the cachet that the novel has. There’s a bit of a carnival atmosphere to it, which I was attracted to.”

So, you know, there’s that to look forward to.

This is episode 2-0-0 of CNF, the creative nonfiction podcast where I speak to badass people about the art and craft of telling true stories. Subscribe wherever you get your podcasts and be sure to keep the conversation going on Twitter, Instagram, and Facebook. Tagging me and the show will let me jump in the fire with you.

I’d love to know your takeaways?

What resonated with you?

What inspired you?

Here’s to the next 200 of these things.

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