Episode 47—Shawna Kenney on ‘Zines, Advice, and Finding Your Tribe

Shawna Kenney, punk rock to the bone.

By Brendan O’Meara

Tweetables by Shawna Kenney:

“The punk scene became a pre-Internet web of people for me to connect with.”

“Like any reader, I liked that [words] could take me away.”

“I’m much better on the page than I am verbally.”

“I always wanted to be Hunter S. Thompson without the drugs.”

“It’s not like I pitch an outlet and sit there waiting hopefully.”

“There’s no one right way to do your art.”

Shawna Kenney, author, writer, teacher, coach, editor, joins me on The Creative Nonfiction Podcast to talk about her origin story as a teenage fanzine founder, punk rock, and her delightful short essay “Never Call Yourself a Writer, and Other Rules for Writing,” a brilliant piece of satire.

She grew up in a conservative family in small-town Maryland, so the nearby punk scene in Washington D.C. held tremendous appeal. “I always wanted to be Hunter S. Thompson without the drugs,” Shawna tells me.

Her work has such an edge that I was surprised that she didn’t have that edge in conversation. “I’m much better on the page than I am verbally,” she says, which isn’t true at all. She’s great on the page, and she’s a great conversationalist.

Her work has appeared in Creative Nonfiction, the New York Times, Vice, and Playboy, just to name a few. Be sure to follow Shawna on Twitter @ShawnaJKenney and go to her website to read more about her and her work.

Thanks for listening!

Episode 46—Editor Hattie Fletcher on Seeing Rhythms and the Power of Reading Slush

Hattie Fletcher
Hattie Fletcher, editor selfie

By Brendan O’Meara

Hattie Fletcher Tweetables:

“I spent a lot of time getting at what writers were trying to do with their stories and trying to make stories be the best form of that.”

“If you want to make a print object there’s an obligation to make a nice print object.”

“Editors, I guess, wield power. I don’t know anyone who loves saying ‘no.’ It’s not a personal thing.”

“The best part of my job—and it comes four times a year—is saying ‘yes’ to people.”

“Reading slush is such a great exercise for a writer.”

“I don’t think art that is deliberately mapped out is any less artful.”

Here we are for Episode 46 (!) of The #CNF Podcast with Creative Nonfiction’s managing editor Hattie Fletcher.

If you want to improve your writing and possibly improve your chances of being published in Creative Nonfictionthen this is your episode.

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Thanks for listening!

Episode 45—Bronwen Dickey Returns to Talk about the Paperback Release of Pit Bull, Troll Culture, and How Perfectionism Kills

Bronwen Dickey, Brendan O'Meara
Bronwen Dickey, everybody!

By Brendan O’Meara

Tweetables by Bronwen Dickey (@BronwenDickey)

“To be able to see something you put so much time into have a life outside your head is amazing and to connect with readers…”

On trolls: “The way a culture corrects itself is when people refuse to be cowed by that bullshit.”

On when research is over: “As Susan Orlean says, ‘You meet yourself coming the other way.'”

“I’m very drawn to upending stereotypes or going into a community of people that the public may think it knows.”

“Getting into those conflicts is where stories happen.”

“Perfectionism will truly kill you.”

“Everything that I have ever written, I can’t read.”

“The world will absolutely keep spinning on its axis if I write a story that fucking blows.”

“Every project feels like you’re at the bottom of Everest.”

Bronwen Dickey, author of Pit Bull: Battle Over an American Icon, returns to The #CNF Podcast and we had a lot of fun talking about troll culture, how to know when the research is done, why she finds herself at the center of these polarizing conflicts, and how perfectionism kills.

Be sure to check out our earlier episode from 2016 where she was equally illuminating and charming

Please subscribe to the podcast wherever you get them (iTunes and Google Play Music badges are in the right margin) and my monthly reading list newsletter. If you dig the podcast, do me that solid. Thanks!

Episode 44—Philip Gerard on the ‘Thrill’ Creative Research

 

Author Philip Gerard

By Brendan O’Meara

So in a new segment for the podcast, potentially at least, I’m experimenting with little audio essays about various titles I’ve read and the wisdom gleaned from those pages.

It could be from a podcast guest’s book, or maybe not, but the point is to insert some sonic joy into your ears in well under ten minutes.

It can’t hurt to try, right?

Which brings me to Philip Gerard’s The Art of Creative Research: A Field Guide for Writers. The book pulses with curious energy and equips the writer with the tools to cull and curate information. Like a field guide for a series of hikes, this magnificent title leads you through the vast wealth of information and stories out there for the picking.

Just feel the love and joy coming from the pages when Gerard writes:

I love getting in my car in the predawn darkness, watching the dashboard glow blue and silver and red as I turn the ignition, feel the neighborhood still all around me.

They’re all asleep, my neighbors, and I’m awake and stealing away on an adventure.

It gets at the pure fun of the process. Writing need not be a torturous or perilous pursuit. Because inside all those delightful artifacts lie something buried, something to be unearthed.

He writes:

If I am good enough to make it happen.

And I love it that sometimes I am good enough to make it happen.

I love the moment when someone tells me something he or she never intended to say, the look of wonder and discovery in their eyes, the smiling tears of memory, the clutch in the throat that carries all the story you’ll ever need to hear. The pang of good-bye, leaving a stranger who has just confided his most precious secret, hoping you will honor it—I don’t love that, I never get used to that. Yet afterward, how I do cherish the memory of.

The Art of Creative Research stems from what all writers have—whether they know it or not—and that’s curiosity. Gerard writes:

At the highway rest stops, I can’t help but wonder where everyone else has come from and where they are bound: the chic couple in the red convertible sports car, the rowdy family with all the wild kids pouring out of the camper, the pensive loner hurrying back from the restroom with his hands jammed tight in his windbreaker pockets. I want to get in all their cars with them and go someplace else, anywhere but here, and find out why: Why are they going? What’s waiting at the end of the road?

What dissolves away are the illusions of making it big as a writer, the questions of money and fame, and what is left in the stockpot is a love of narrative, story, making something grounded and reaped from the time you spent buried in research.

He writes:

It’s a lot of work, and it takes some gumption, but it sure is a thrill.

For more about Philip’s book and his process, be sure to listen to Episode 38 of the #CNF Podcast and be sure to pick up his book at your library or at your local bookseller.

Please subscribe to the podcast, my monthly reading list newsletter, and leave a kind review. Thanks so much for listening.