“That is the main difference between storytelling for the ear and writing, is that the cost of revisions is so much higher.” — Julia Barton, audio story editor, founder of RadioWright, former executive editor of Pushkin Industries
Hey CNFers, The Front Runner is officially out. I like to think I don’t ask for much, but now is the time buy a copy or three and, if you read it, you know the drill, need ratings and reviews. I won’t read them because I don’t want to be driven insane, but that’s the world we live in: ratings and reviews. Your call to action to support the book, me, and ye ol’ CNF Pod. If you’re still on the fence, and why would you be, there’s an excerpt of the book over at Lit Hub. Dig it.
I also started what’s proving to be a pretty popular venture called Pitch Club. It’s at welcometopitchclub.substack.com and I have a writer audio annotate a pitch. It’s tactical and it’s practical. It’s going to help you get where you want to go.
“I always say, with pitches, make it as easy for an editor to say yes as possible.” — Amanda Heckert, executive editor of Garden & Gun Magazine
Isaac is a frequent contributor on The Today Show, offering book recommendations to the masses. His CV has The Rumpus, McSweeney’s, BuzzFeed Books, among others. He’s also the author of How to be a Pirate, Pen and Ink, andKnives and Ink.
It’s not often this show features stone-cold, bad ass editors. But that’s what we bring you today. I’m sure Leah Flickinger (@LeahFlickinger) will recoil at the remark, but it’s true.
She has edited pieces that made their way to Best American Sports Writing, won the National Magazine Award, and, oh, by the way, the Pulitzer Prize.
So Leah is here to talk about how she developed these pieces and how she frames conversations with writers to get the most out of them and the pieces they’re working on.
She the author of the memoir Supremely Tiny Acts: A Memoir of a Day (Mad Creek Books) and it’s one of the best experiences I had reading a book in 2021.
This is a fun conversation about the founding of the magazine and Michelle and Catherine are doing to help change the culture. You can find Issue 1 here, and they just went live with Issue 2 this week.
The pair overlapped at Longreads and parlayed much of that experience into Pipe Wrench, so we talk about that, among other things.
At one point Cartherine brings up this notion of “ramen startups,” and she’s referring to a blog post from Paul Graham. This means keeping things lean and nimble and not overextending and growing too fast.
Great talk!
OK, so keep the conversation alive @CNFPod and consider becoming a CNFin’ member at Patreon. There’s where you get exclusive access to the audio magazine, get asked to ask questions of guests, transcripts, coaching, and more. For just $2 a month, you get access to a killer audio product, and we’re going live with Issue 2 in mere days! Patreon.com/cnfpod
It deals with identity, Black masculinity, shame, family, oppression, racism, and community. What a book, man, what a book.
We also dig into Brian’s writing process and how he goes about the work.
“I’m the queen of the run-on sentence,” he says.
And the grind of it all.
“I’m the queen of quitting,” he says.
Consider becoming a patron at patreon.com/cnfpod for transcripts and for exclusive access to the audio magazine. Your dollars go into making the production possible and put money in the pockets of writers. Patrons also get a chance to submit questions that I ask of guests and coaching.
Whitney Terrell is the author of The Good Lieutenant. He also is a journalist who covered the Iraq War. He teaches at the University of Missouri-Kansas City. He’s on Instagram and Twitter.