Had a nice time around the CNFin’ campfire talking shop, freelancing, reporting on personal stories, and finding ways to make the “I” implicit vs. IN YOUR FACE.
Leah (@leah_sottile) came to play ball and we dig into what it’s been like reporting on the far right, early freelancing wins, building reporting skills, and her heavy metal radio shows. It’s a good one, CNFers.
We had a nice conversation about juggling projects, when writing becomes a slog, style, ambition, and patience. If you’re a little frustrated, you’re going to enjoy this conversation.
It’s a tremendous books, one that delves into the life of the great lead-off hitter Rickey Henderson and puts his life into context, builds a world around Rickey.
Brad also is the longtime host and producer of Otherppl, a podcast with in depth conversations with today’s leading writers. It’s one of my favorite podcasts. He’s been producing it since 2011, so even longer than us here at CNF Pod HQ.
Brad’s book is written in these chunklets and touches on being a creative person, the messiness of life and a creative life, reading, books, social media, fatherhood, and more.
We talk about a lot of themes in the book and the incredible prep it takes to bring one podcast into the world.
Guess who’s back? It’s Chip Scanlan (@chipscanlan), and he’s here to talk about 33 Ways to Not Screw Up Your Journalism.
It’s a zippy little book that uses contemporary examples that point out blindspots in our reporting and writing and help us fix them for the next day’s work, the next piece.
He hopped on the pod for Ep. 292 about his book Writers on Writing, which is a multi-vitamin of inspiration and writing tips. Actionable to boot.
Tad Friend (@tadfriend) needs little introduction, but here it goes: He’s a staff writer for The New Yorker and has written some of my favorite pieces. There’s the profile on Bryan Cranston, Master Class, and Impossible Foods.
Most recently, he’s the author of the memoirIn the Early Times: A Life Reframed(Crown). In it, Tad tries to better understand his father, but comes to grips with his own role as a father and husband, a writer and … squash player. It’s a wonderful book, but, then again, did you expect anything less?
In this episode we talk about structure, tension, reporting and running toward the doom. Lots of great stuff to unpack and I hope you enjoy it as much as I did.
Listen … just discovered “Top Chef” (don’t judge) on account of Peacock.
I’ve always been inspired by chefs and how they go about the work. When I was watching “Chopped” several years ago, I remember one chef talking about how he was on onion duty in the kitchen. And instead of lamenting it, he vowed to be the best damn cutter of onions. It’s a great attitude, something we can all heed.
The parallels between high-level cooking and writing are similar. We started with Season 18, Top Chef: Portland. Why? Well, we live in Oregon so we jumped into that, spoilers of past winners be damned.
And in the first episode, Richard Blais, restaurateur and one of the judges told the chefs to have “authorship” of their dishes. Another, Melissa King, said you have to “edit” your plates and choose what to leave on the plate and what to leave off.