Her piece, “City on Fire,” chronicles “the night violent anti-government conspirators sowed chaos in the heart of Manhattan” … in 1864. It’s a wild piece that shows how history has a way of feeling very fresh.
My first rough draft is my outline. That’s what I’m learning about myself. My first drafts are very rough. It’s literally a dump from my head of what I want to say how I want to say it, how I think it should be structured.
Tyler cites the great Erik Larson as an influence and you can feel the pulse of that throughout this nautical-disaster piece about the sinking and tragedy surrounding The Valencia. Tyler writes a bit of the backstory at his Medium page here.
Tyler is a writer, podcaster, and storyteller living on Vancouver Island in British Columbia, Canada. He has a master’s degree in history and has worked as a journalist.
We talk about the late Philip Gerard, what she learned from Book 1 to Book 2, structure, and why do we even write books?
You could say I’m souring on writing books but like everything in my life I’m sure it’ll pass and I’ll be back to saying writing books is the ONLY thing that matters.
Hey CNFers, welcome to CNF Pod, the creative nonfiction podcast, the show where I usually speak to badass people about the art and craft of telling true stories. I say usually because this week I don’t have a guest.
Booooo…
Hey, hey, hey before you start hurling tomatoes up that the stage, hear me out. My guest this week wasn’t feeling good so we had to reschedule. You might be like, “BO, thought you had some of these in the can. Get your house in order.” And yes, in an ideal world I have a few in the can, but you’d be surprised how many of these interviews are done the week of and packaged soon thereafter.
I could’ve scrambled for a guest but I wanted to try something new. I don’t think this’ll be a regular thing in the podcast feed. I DO think it’ll be a normal thing for the Patreon crew so consider heading to patreon.com/cnfpod to support the podcast to get special podcasts like this one you’re about to hear.
So what’s the deal? In an effort to up the production value and to make the show seem a little bit more zippy, I’ve always been inspired by the structure of Comedians in Cars Getting Coffee. Here are these episodes that focus on one guest, they film all day, so hours and hours of footage, for what, 15 minutes of final product? What must that edit be like?
The book takes us to the 1920s, a time when wars were supposed to be a thing of the past, a pandemic wiped across the globe, and veterans coming from the Great War had little support at home. I’m glad all those things are a relic of the 20th century.
Catherine Grace Katz, author of The Daughters of Yalta: The Churchills, Roosevelts, and Harrimans: A Story of Love and War, joins me to talk about her new book.
Catherine graduated from Harvard with a BA in history in 2013. She earned an MPhil in modern European history from Christ’s College at the University of Cambridge in 2014, and now is pursuing her JD at Harvard Law School.
You could say she was punching down in class coming by to speak with me.
We talk about her upbringing in Chicago and how stories were such an early part of her life, her dissertation on modern counterintelligence, research, and her Bookshelf for the Apocalypse. All great stuff.
Keep the conversation going on social media @CNFPod across the Big Three and consider leaving the show a kind review on Apple Podcasts. Drop me a line if you have questions, want me to work with you on your book or essay, or you just want to say hello.
Want the transcript to this episode?! PayPal brendan at brendan omeara dot com $5 and I’ll send you the PDF!
“But there was a sense that I had let down my younger self and ought to find a way to make writing at least in some way, a part of my part of my life.” — Stephanie Gorton.
In this conversation we talk about her Page Turner piece for New Yorker dot com about an H.P. Lovecraft conference in Providence, her home city. We riff on what it was like for her to go from publishing to writing. We talk about the social media and why anyone with platform would trust a journalist with their stories. It’s good, clean fun.
Keep the conversation going on social media by linking up the show and tagging it @CNFPod.
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Crazy story, a story that partly inspired The Great Gatsby, perhaps, maybe.
I hope you check it out.
We dig into lots of great things: How John Updike showed Bob the way, singing a kind of Pennsylvania song, and dealing with a real rotten teacher who made Bob’s life miserable until he got out from under her and made something of himself with mentors who saw his potential in college. It’s a great story.
Keep the conversation going on Twitter @CNFPod. And, if you’re feeling kind, leave a review on Apple Podcasts. I hope I’ve made something worth sharing, so please share it with your own network.
“The more you can immerse yourself in a story the better you can write about it.” —Julian Smith (@julianwrites)
“You gotta fall in love with your subject and sometimes people have to pull you out.” —Julian Smith (juliansmith.com)
Julian Smith is a freelance journalist covering science, conservation, and adventure for publications like Smithsonian, Wired, Outside, Men’s Journal, National Geographic Traveler, and The Washington Post.
He co-authored Aloha Rodeo with David Wolman, a fellow journalist he worked with before on this Epic Magazinepiece about two warring ice cream trucks. It’s…epic.
His historical novel, Cape Fear Rising, is celebrating its 25th anniversary, so we dive into that as well. It is published by Blair.
Philip is also an accomplished musician and recorded this song and video as a trailer for The Last Battleground. Check it out:
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You can join me on Twitter @BrendanOMeara and @CNFPod, Instagram @cnfpod, and Facebook @CNFPodcast. If you tag me or the show I’ll be able to give you digital fist bumps.