“In the waning days of the Iron Curtain, Rainier Sonntag helped fuel the neo-Nazi movement that still plagues Germany today. He was also a Communist spy—and he was working for Vladimir Putin.”
Leah (@leah_sottile) came to play ball and we dig into what it’s been like reporting on the far right, early freelancing wins, building reporting skills, and her heavy metal radio shows. It’s a good one, CNFers.
We had a nice conversation about juggling projects, when writing becomes a slog, style, ambition, and patience. If you’re a little frustrated, you’re going to enjoy this conversation.
It’s a tremendous books, one that delves into the life of the great lead-off hitter Rickey Henderson and puts his life into context, builds a world around Rickey.
Neal (@nealbascomb) profiles regular people about the craft of their work. Each profile is a wonderful character sketch of how people go about their work. It’s like Humans of New York, Studs Terkel, This American Life, and Walt Harrington’s Acts of Creation rolled into one. It’s great, and Neal’s just getting started with profiles of an abstract artist, a chef, and an ER doctor. Soon, he’ll have one of a war reporter.
We talk about how this departure stemmed from book burnout, what energizes him about these profiles, and how he disagrees with John McPhee about tape recorders.
Brad also is the longtime host and producer of Otherppl, a podcast with in depth conversations with today’s leading writers. It’s one of my favorite podcasts. He’s been producing it since 2011, so even longer than us here at CNF Pod HQ.
Brad’s book is written in these chunklets and touches on being a creative person, the messiness of life and a creative life, reading, books, social media, fatherhood, and more.
We talk about a lot of themes in the book and the incredible prep it takes to bring one podcast into the world.
Tad Friend (@tadfriend) needs little introduction, but here it goes: He’s a staff writer for The New Yorker and has written some of my favorite pieces. There’s the profile on Bryan Cranston, Master Class, and Impossible Foods.
Most recently, he’s the author of the memoirIn the Early Times: A Life Reframed(Crown). In it, Tad tries to better understand his father, but comes to grips with his own role as a father and husband, a writer and … squash player. It’s a wonderful book, but, then again, did you expect anything less?
In this episode we talk about structure, tension, reporting and running toward the doom. Lots of great stuff to unpack and I hope you enjoy it as much as I did.
Listen … just discovered “Top Chef” (don’t judge) on account of Peacock.
I’ve always been inspired by chefs and how they go about the work. When I was watching “Chopped” several years ago, I remember one chef talking about how he was on onion duty in the kitchen. And instead of lamenting it, he vowed to be the best damn cutter of onions. It’s a great attitude, something we can all heed.
The parallels between high-level cooking and writing are similar. We started with Season 18, Top Chef: Portland. Why? Well, we live in Oregon so we jumped into that, spoilers of past winners be damned.
And in the first episode, Richard Blais, restaurateur and one of the judges told the chefs to have “authorship” of their dishes. Another, Melissa King, said you have to “edit” your plates and choose what to leave on the plate and what to leave off.
She’s practically running a school for writers with the incredible offerings she has over at janefriedman.com. If you want to be a better writer and, more importantly, have a greater understanding of what it means to marry your art with commerce, Jane’s work is required.
Though we didn’t delve into book proposals, a CNFin’ faux pas if there ever was one (my b), but I had taken a book proposal refresher with her as part of Creative Nonfiction Magazine’s offerings. She’s a pro. (@janefriedman)
So we dig into plenty of stuff that’s germane to your journey like author platform, building a newsletter audience, social media (and its trappings) and the tension you can glean from a show like Better Call Saul.
It’s not often this show features stone-cold, bad ass editors. But that’s what we bring you today. I’m sure Leah Flickinger (@LeahFlickinger) will recoil at the remark, but it’s true.
She has edited pieces that made their way to Best American Sports Writing, won the National Magazine Award, and, oh, by the way, the Pulitzer Prize.
So Leah is here to talk about how she developed these pieces and how she frames conversations with writers to get the most out of them and the pieces they’re working on.