Will is an instructor at the School for Visual Arts in New York City. He has written for The Cleveland Review of Books and The Baffler, among others. You can learn more about him at his website, willharrisonwriter.com.
In this episode we talk about book proposals, his approach to organizing his notes, and how being a reporter was like being in a “candy store.” Good, good stuff.
I had a lot of fun, and I hope you do, too.
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“You can’t be passive and just sit back and wait for things to happen.”T
It’s The Creative Nonfiction Podcast, the show where I speak to the best artists about telling true stories: leaders in narrative journalism, podcasting, radio, doc film, essay, and memoir and tease out origins, habits, routines, tactics, so you can improve your own work.
For Episode 101, I welcome fellow podcaster Andrew Chamberlain. He hosts The Creative Writers Toolbelt, a podcast that gets real granular on the writing process. He has a fiction slant, but his experience interviewing and with ghost writing opened the door for him to come on my show. As an FYI, I went on his show not too long ago, so you should go and check that out. I’ll include it in the show notes.
Andy breaks it down for you in this episode. Many of the tools apply to fiction, but if you’re anything like me, you want your nonfiction to read like fiction so I think you’ll get a lot of tasty nuggets from this one.
Hey, if you haven’t subscribed, go and do that on iTunes/Apple Podcasts, Stitcher, Google Play Music, and soon Spotify, still waiting for approval on Spotify, but it’s coming, I promise.
Thanks everybody and thanks to Andy for the time.
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Melissa noted how fun it was to be edited by Maggie Messitt, a former guest on #CNF.
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