Sean Enfield (@seanseanclan) is the author of Holy American Burnout (Split/Lip Press), a fine essay collection that pushes the boundaries of form and is a cross-section of teaching, music, race, and a whole lot more.
Sean is an educator, a bassist, a poet, an essayist, and a whole lot more.
In this conversation, we talk about how Sean hates the word burnout, how he encourages his students to be creative kleptomaniacs, and a whole lot more.
Nice to have Louisa Thomas back on the show to talk about profile writing, teaching, and kickers. Louisa is a staff writer for The New Yorker and one of my “appointment reading” writers: I see her byline, I make a date with it.
In this episode we talk about a profile she wrote on Nikola Jokic, perhaps the best player in the NBA. In talking about kickers, we riff on her column about the ennui of the Oakland Athletics and a smattering of other kickers. She says she’s not good at them and credits her editor more than herself, but I think she’s just being modest.
A writer who is determined to succeed. They want to and will be published. They take feedback well and don’t shy away from the hard work. You will find their butts in the chairs and fingers on the keyboard. They believe in their ideas and know they will impact others.
Kesley Rexroat brings you a beautiful love story for The Atavist Magazine, this one titled “Love, Interrupted.” The dek reads, “Two women promised they would see the Golden Gate Bridge for the first time once they were together. They had no idea how long that would take.”
It’s a wonderful, redemptive story that proves the power of commitment and following one’s true path.
Kelsey is a “meticulous copy editor and dynamic content writer based in San Francisco, California. She specializes in technology, health, and lifestyle.”
Ian O’Connor is a modern-day master of the sports biography, the unauthorized sports biography. Unauthorized is not a dirty word, though the industry needs to rebrand around it. We’ll workshop that …
Unauthorized = true journalism, no editorial input from the central figure, more likely closer to the truth instead of the central figure’s truth. It is not a collaboration.
This is the biography you want to read.
And in the hands of someone like Ian, there’s no better reader experience. Ian handled his latest mammoth figure in Out of the Darkness: The Mystery of Aaron Rodgers(Mariner Books) with utmost fairness and showed the grayness of Rodgers’s character, which makes for a gripping and complicated read.
Maddy is a special person in my life, has been a friend and mentor going on twenty-one years, dating back to a Diaries, Memoirs, and Journals class I took with her at the helm in Tobin (?) at UMass, Amherst back in the fall of 2003. May you have someone in your corner as generous and kind as I’ve had in Maddy over a couple decades.
I have a soft spot in my heart for very accomplished writers and journalists who speak so openly and candidly about writing and doing the work, and Tommy brings all that to this conversation.
Heavy one, CNFers, heavy one, this for the Atavist. Rhana Natour and Eman Mohammed profile Layan Albaz, a Palestinian teenager who lost her legs in an Israeli airstrike. This is the journey of a young girl who came to the U.S. to be fitted for prosthetics, but as Rhana writes, it’s like learning two musical instruments at the same time.
Not only that, Layan’s story is one of THOUSANDS of children who have lost limbs during these horrific bombings. Rhana and Eman speak about this far better than I can describe, so let’s give you some info on them.
Darcy Frey’s The Last Shot: City Streets, Basketball Dreams (Mariner Books, Spiegel & Grau audio) is a masterpiece in writing, structure, and immersive journalism — not participatory — but true immersion. It’s also a master class in how best to use the first person in a work that predominantly focuses on its core group of central figures.
Darcy’s essays and journalism for Harper’s and the New York Times Magazine have received numerous awards, including a National Magazine Award, a Livingston Award, and an Award for Public Service from the Society for Professional Journalists. His work has been adapted for stage and screen, and anthologized in The Best American Essays, Best American Science Writing, and the Library of America series. He teaches in the English department at Harvard.
The Last Shot was recommended to me by the late great Dick Todd, who worked on this book with Darcy. So we talk a little bit about Dick and how Darcy came to know and work with him.
