Start Now

By Brendan O’Meara

This morning I was riffing in my journal and my final passage lamented how much I want to do just in writing. I have so many projects in my head, written down, everywhere, and trust me, they’re all genius.

With so much I want to get to, where do I start? And for that matter, where should you start? The answer is: Start. Pass Go.

We’re not in this for the short gain, the short cut, and the low-hanging fruit. No, we’re in this for the long haul. We want to be 70, 80, 90 years old still churning out art.

Your journal entry on the eve of your eventual death should say something to the effect of, “I can’t wait to keep working on that project.”

Play the long game. You have many ideas and it’s stifling to think of them all. Honestly, most of them are likely garbage and won’t live up to the perfect ideal in your head.

Doesn’t matter. Start now. Life is long. Start now. Keep going. Please.

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On Fun

By Brendan O’Meara

A fair question to ask when it comes to your vocation, especially an artistic one, is: What would this look like if this was fun?

It’s so easy to get bogged down in the mire of the work. I hear constantly how one writer complains about their agent and that this and that and the other can’t seem to get their work published.

I mean, whatever happened to doing it just because it’s fun? When you were a kid drawing who knows what, did you run and start an Etsy shop? When you wrote a poem in high school, were considering what market to sell it to?

Our egos are tied to these prestige outlets and prestige outcomes. We want to say were published in fill in the blank, but it doesn’t matter. If you land that piece in fill in the blank, you’re gonna still wake up and feel the exact same, so why not have fun with it?

Turn it loose. Enjoy yourself like you did when you were a kid.

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Bowling Pins

By Brendan O’Meara

The best way to not waste the morning is to have your marching orders, so to speak, ready the night before.

I call this “setting up the bowling pins.” By having a secure nighttime routine you ensure that the morning gets off to a focused start.

By setting up your crucial tasks the night before, you enter the following day with purpose. And if you’re like me, without that purpose you’ll flounder and find ways to waste time.

Set up the bowling pins.

Go knock them down.

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Garbage

By Brendan O’Meara

Every successful artist makes garbage. Every single one. No exception.

Every struggling artist, every artist trying to gain traction or has no traction at all makes no garbage.

Wait, what? The best make garbage and the worst make nothing? How does that work? That’s right. Seth Godin asks middling or anonymous writers to “show me your bad writing.” Professionals make garbage because it’s only through working through garbage that you might make something good.

Kevin Hart, the arena-packing comedian, told Joe Rogan on the Joe Rogan Experience:

People don’t understand how hard it is to develop an hour of stand-up material. People act like you just turn on a new hour. It’s an hour. To get to an hour, you’re going through four to five hours of bullshit you thought was funny.

Four to five hours of material to get to one hour of greatness.

So the minute you think you’re not making enough good work, maybe the problem is you’re not making enough garbage.

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Paper Habits

By Brendan O’Meara

A great way to step up your re-writing or editing game is to print things out.

Why?

Well, when you print things out you have something in hand, plus when you take out your colored pen and make an edit, it doesn’t disappear. You see the old way beside your note for the new.

In a sense you’re archiving the old draft while tinkering. The best way to learn is by seeing your old work and when you delete or make changes on the computer, it’s gone and all you’re left with is the edit.

Plus, by looking at cold, hard ink over pixels, you give your eyes a rest. The paper doesn’t ping with a Twitter notification or an email.

And an edit without proper context doesn’t teach you anything and it doesn’t show the great progress you’ve made over time.

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When You Don’t Feel Like It

By Brendan O’Meara

It’s raining today.

So you know what I did? I laced up my running shoes and went for a jog.

Lots of people shy away from doing the hard thing when the conditions aren’t optimal.

Make yourself uncomfortable.

Don’t feel like painting? Go paint. Don’t feel like writing? Write a page. Don’t feel like lifting the weight? Get under the bar.

What you do when you don’t feel like it will feed into the times you do feel like it.

Get tough, because while other people don’t feel like getting the work done, you showed grit, bore down, and now you’re stronger.

When you don’t feel like it, do it anyway.

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20 Minutes

By Brendan O’Meara

The entirety of a book, a painting, a podcast, it’s all too overwhelming. Too overwhelming to start. So what do you do?

Often, you do nothing or something almost as bad as nothing: You start many things and never finish them.

The answer? Give yourself 20 minutes today to work on that thing. Set a timer. Remove all distractions.

Work for 20 minutes and be done.

What you’ll find is that you’ll get hooked on the habit and you’ll want to come back. And that’s what we need from you. We need you to show up.

There are 1,440 minutes in a day. I promise you you can find 20 minutes. It doesn’t have to be good. But give it 20 minutes. It’s all it takes and those minutes add up and before you know it, there’s a body of work. At the end of five days you will have worked for 100 minutes!

Go on. Give it 20 minutes. Ready, set, go!

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Today is the First Day of the Rest of the Blog!

Written by Brendan O’Meara (email sign up form ====>)

I read the great Show Your Work by Austin Kleon on my Kindle on Wednesday. It’s a short book, but I highlighted a huge number of passages (I’ll share more as I go, but I’ll practically copy and paste the whole book here if I copy them all now). The premise of the book is that by sharing your work, giving away insights, and process for free, it actually helps build your army. It’s simply a look behind the curtain.

It makes a lot of sense. People have been doing this for years now. By being consistent and giving away personality and access into the work, it’s a positive feedback loop that feeds the artist as well as the consumer. Kleon writes:

Instead of wasting their time “networking,” they’re taking advantage of the network. By generously sharing their ideas and their knowledge, they often gain an audience that they can then leverage when they need it—for fellowship, feedback, or patronage.

I’ve tried just about everything to build a following (and failed). The one thing I haven’t done is share a little every day. That’s my goal for a month, to share a little every day. I’ll scale back after that (maybe). I’ll use it as a warmup for my day’s work. I’ll share some of the mechanics behind what I’m working on. But, like Kleon writes:

Become a documentarian of what you do. Start a work journal: Write your thoughts down in a notebook, or speak them into an audio recorder. Keep a scrapbook. Take a lot of photographs of your work at different stages in your process. Shoot video of you working. This isn’t about making art, it’s about simply keeping track of what’s going on around you. Take advantage of all the cheap, easy tools at your disposal—these days, most of us carry a fully functional multimedia studio around in our smartphones.

That’s the dilly. I’m working on a ton of junk, but I hope that junk turns into something great, something worth buying, something worth re-reading. So, like the Chips Ahoy! cookie, “Today! Is the first day of the rest of my ….”