Scott Eden , investigative reporter for ESPN the Magazine.
By Brendan O’Meara
“The structure should grow organically from the material.”
“At what point are you taxing the reader, knowing when the reader has had enough.”
“I hated [calling people] at first, just terrified of calling people., but I’ve gotten over it. It took years.”—Scott Eden
Here we are again. Today I welcome Scott Eden, an investigative reporter for ESPN the Magazine. His piece on maligned former NBA referee Tim Donaghy was a piece two years in the making and came out in February.
As you may or may not know, this is The Creative Nonfiction Podcast, the show where I speak to badass writers about the art and craft of telling true stories.
“If I fail, I want to fail because of me. If we succeed, I want to succeed because of us.”—Vlad Yudin (vladar.com)
“You can’t become best friends with the subject of a documentary. You have to make it objective. I like for the audience to make their own decisions.”—Vlad Yudin
Today’s guest is Vlad Yudin, a Russian-born documentary filmmaker best known for the trilogy of Generation Iron bodybuilding films. His Vladar Company makes and producers lots of films in the fitness industry and we unpack a lot of what makes him a particularly free spirit.
In case you’re new to the show, I should mention that this is The Creative Nonfiction Podcast, the show where I speak to badass writers, filmmakers, and producers about the art and craft of telling true stories, how they got to where they are, what struggles they deal with, and how they still manage to get the work done.
Be sure to subscribe to the show wherever you get your podcasts and keep the conversation going on Twitter @BrendanOMeara and @CNFPod. You can also follow the show on Facebook and Instagram.
Pulling straight from Vlad’s bio on the vladar.com website:
Born and raised in Central Russia, filmmaker Vlad Yudin grew up in Moscow before moving to New York where he would pursue his career in film. In 2008, Yudin formed The Vladar Company to create a platform for production and distribution of various feature and documentary projects. Some of the produced titles include “Last Day Of Summer,” “Big Pun: The Legacy” and most recently the documentary box office hit, “Generation Iron” that went on to become one of the top five documentary’s at the box office for The Vladar Company in 2013. Vlad will continue to produce under the Vladar banner as well as handle the operations and overlook the expanding catalogue of Vladar’s media content.
Visit vladar.com for a list of all the movies he produces and to find links on where to find them. The first Generation Iron film and the Ronnie Coleman film are my faves, FWIW.
“I want to do right by these people. I want to tell a story that honors the stuff they did.”—Blake J. Harris (@blakejharrisNYC)
Ah, yes, it’s The Creative Nonfiction the show where I speak to badass writers, filmmakers, and producers about the art and craft of telling true stories. For episode 143 I have Blake J. Harris, author of Console Wars, and most recently The History of the Future: Oculus, Facebook, and the Revolution That Swept Virtual Reality.
Jeff Goins, author of Real Artists Don’t Starve, came by The Creative Nonfiction Podcast. Photo credit Ashley Goins
By Brendan O’Meara
“You’ve gotta find new ways to have fun in old things.” —Jeff Goins, @JeffGoins.
All right, it’s The Creative Nonfiction Podcast, the show where I talk to badass writers, producers, and filmmakers about the art and craft of telling true stories, how they got to where they are, how the cope with crippling self-doubt, and the routines they enlist to get the work done. I’m your host Brendan O’Meara and today’s episode is a tight 30, man.
When you get somebody like Jeff Goins on the show, author of a quintillion blog posts and several books, including Real Artists Don’t Starve, you adhere to the time allotment. So this was a tight window, but I think it’s packed with great stuff. Amazing what you can get done in a tight window if you focus and don’t dither.
So, yes, a little house keeping is in order, as it usually is. You know where to subscribe to the show, don’t you? If you want to be in the know and get a little blip of goodness every CNFriday, subscribe on Apple Podcasts, Google Podcast/Play Music, Spotify, and Stitcher. That’s enough I think.
Yes, Jeff Goins is here and he’s the author of The Art of Work and Real Artists Don’t Starve and he sits in that Steven Pressfield/Seth Godin/Austin Kleon space of empowering you to make a go of it. We talk about how he was read the dictionary as a kid and breaking down the barriers between who we think the geniuses are (they’re more like us than we think), and a lot more. He’s @JeffGoins on Twitter and visit goinswriter.com for all sorts of goodies and to buy a bunch of his stuff.
Nothing wrong with a tight 30, right? It has a different vibe to it, but it’s no less valuable.
Thanks to Jeff, go check him out on the socials and thanks to our sponsors in Goucher College and Bay Path University tag teaming this Royal Rumble.
Be sure to give the show a follow across the socials, but more important, share it with a friend. You are the social network. Reviews are nice and welcome, but if you share it with your people, that means more. Tag me @BrendanOMeara and @CNFPod on Twitter, @cnfpod on Instagram and The Creative Nonfiction Podcast on Facebook. I’ll jump in the fire with you.
“My system is, it’s okay not to have a system.” —Evan Ratliff (@ev_rat)
“I’m the opposite of the 500-words-a-day person. Sometimes I’ll be like, ‘I’m not gonna get anything done today.’ … Whatever …I’m a freelancer!”—Evan Ratliff
This week I spoke to Evan Ratliff, who puts the bad in badass. Yes, that means I put the ass in badass. Neither here nor there.
Evan came on the show to talk about his career as a freelance journalist and, most recently, his epic new book titled The Mastermind: Drugs, Empire, Murder, Betrayal. It’s a book that combines all the tools of the trade a master reporter needs to tell the globetrotting story
That’s right, this is The Creative Nonfiction Podcast, the show were I talk to badass writers, filmmakers, and producers about the art and craft of telling true stories. I try and unpack their origins and how they go about the work so you can apply those tools of mastery to your own work.
