He writes that his southern African American relatives would often get the scraps of the pig, and they’d have to get creative and use everything. I’ll let you connect the dots. What Damon means is, “There is nothing wasted.”
And so we’ve come to his new book about parlaying the skills you’ve got into any gig you want.
This is Damon’s third trip back to the podcast and he always brings it. He’s the author of more than twenty books including Bring Your Worth and The Bite-Sized Entrepreneur.
Neda’s father was an Iranian revolutionary who was executed in the early 1980s by the shah’s regime. Neda was a toddler at the time. Neda’s mother and father were part of the protests in Berkley, California and mobilized for change.
While in Iran in the early 80s, Neda recounts the harrowing story of how she and her family escaped Iran after her father was arrested. This book is nuanced and layered and a wonderful read.
She’s a former features editor for Outside Magazine, and it was a reported essay she wrote for outside about burnout and the meaning of life that prompted this conversation. Can’t find a link to that story, but her piece on garages is awesome, as is this piece on money, as well as the housing crisis in a ski town.
We chat about her journey in freelancing. She’s on her second rodeo with freelancing, after a stint as features editor for Outside. Her background is in finance and business, so we dig into some lessons she learned from that that help her in freelancing.
It blends memoir and journalism into a gripping tale of grifters and when secrets become an inheritance.
We talk about about her story, her love being edited, and being a “sentence thief.”
We also hear from lead editor and editor-in-chief Seyward Darby about the experience of editing this piece, as well as other themes that cropped regarding Christine’s piece.
Bradford Pearson (@bradfordpearson) on Twitter and IG, is the author of The Eagles of Heart Mountain. Must be a story of a gritty football team, right? Well, sorta, the subtitle is a true story of football, incarceration, and resistance in World War II America.
OK, that still might not get at the 100% heart of the tragedy of this book. It’s about the incarceration of Japanese Americans from 1942 to 1945, whereupon thousands upon thousands, many of which were naturalized American citizens, were stripped from their homes largely on the west coast and moved inland to often inhospitable lands, namely heart mountain in northwest Wyoming living in horrible conditions and subject to impossible racism and prejudice.
For us football fans out there, we know that watching the grid iron on a Saturday or a Sunday provides some relief and distraction, so too did the Eagles of Heart Mountain.
Mike Damiano brings 2021 to a close with his piece for the Atavist Magazine about an unlikely revolutionary who helped the people of Easter Island earn rights they deserved from an oppressive Chilean naval regime. It’s the story of Alfonso Rapu a school teacher turned revolutionary via nonviolence. It’s called “We Wish to Be Able to Sing.”
Mike is a staff writer for Boston Magazine, but like many people writing stories for the Atavist, he’d been working on this Easter Island story for years. Atavist becomes like this benevolent foster home for stories that are too long for traditional magazines and too short to be books. And Seyward and Jonah say, come here little story, we’re gonna make you a STAR!
The show has a new Instagram handle, @creativenonfictionpodcast, and you can always keep the conversation going on Twitter @CNFPod.
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She the author of the memoir Supremely Tiny Acts: A Memoir of a Day (Mad Creek Books) and it’s one of the best experiences I had reading a book in 2021.
Annelise Jolley and Zahara Gomez teamed up to create “A Feast for Lost Souls” for this month’s piece for The Atavist Magazine.
What an incredible story about a group of women who hunt for the bodies of their “disappeared” loved ones, but find ways to honor them through cooking. The Memory Recipe Book is what Zahara helped develop, along with the widows and mothers, to pay tribute to their lost sons and husbands.
Zahara also created a few mini-documentaries as part of this story to go along with Annelise’s incredible reporting and writing of the piece.
