Tag: arrival fallacy

Episode 474: How to Reconfigure the Fireworks with Yi Shun Lai

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Personal News and/or Shoutouts for Pals

Hey CNFers, The Front Runner is officially out. I like to think I don’t ask for much, but now is the time buy a copy or three and, if you read it, you know the drill, need ratings and reviews. I won’t read them because I don’t want to be driven insane, but that’s the world we live in: ratings and reviews. Your call to action to support the book, me, and ye ol’ CNF Pod. If you’re still on the fence, and why would you be, there’s an excerpt of the book over at Lit Hub. Dig it.

I also started what’s proving to be a pretty popular venture called Pitch Club. It’s at welcometopitchclub.substack.com and I have a writer audio annotate a pitch. It’s tactical and it’s practical. It’s going to help you get where you want to go.

“There is this myth that you are a writer only if you are butt in chair, banging away your keyboard for eight hours and then the rest of the time on a fainting couch somewhere, noodling over your ideas. And that kind of imagery does a lot of damage to young writers today.” — Yi Shun Lai

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Episode 171: AC Shilton — Arrival Fallacy, ‘The Innocent Man,’ and Chickens

By Brendan O’Meara

“At the end of the day, you need to get paid for you work because it is work. And one assignment is not going to change your resume.” —AC Shilton (@ACShilton)

“Somebody else’s success doesn’t limit your own.” —AC Shilton

AC Shilton steps onto the @CNFPod main stage this week, dropping freelance bombs like Ian Frisch and Seyward Darby, just to name a couple.

We talk about her farm and her chickens, but also her role in the Netflix documentary The Innocent Man, as well her New York Times piece on arrival fallacy and whether or not we’ve reached peak PBR, her first “viral” story.

You know what to do, subscribe to the show wherever you get your podcasts. Leave a kind review on Apple Podcasts and link up to the show on social media.

Keep the conversation going on Twitter @CNFPod and on IG @cnfpod. It’s a lousy place to promote a show, but it’s a great place to have a dialogue and talk about what resonated with you.

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