Hashtag #CNF Episode 4: Harrison Scott Key

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By Brendan O’Meara

I get to interview some pretty cool people doing this humble little podcast. In this latest episode, I speak with Harrison Scott Key about his award-winning essay The Wishbone. The Wishbone won Creative Nonfiction’s Southern Sin essay contest. It is a wildly funny essay about his father bending the rules to win a football game … a pee-wee football game … in which he recruit’s his 14-year-old son—Harrison—to suit up as the team’s integral 11th player.

In this interview we talk about comedy writing and where Key developed his comedic sensibility. Enjoy and share!

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Stay wild, CNFers!

Hashtag #CNF Episide 3 Part 3: Journalist Brian Mockenhaupt

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Written by Brendan O’Meara

I hope you’re not sick of it, cuz I ain’t. Here’s Part 3 of my interview with Brian Mockenhaupt, author of The Living and the Dead. In this installment we talk about suspense, how he got his start in journalism, querying, competition in freelancing, his daily approach to writing, and why he decided to get an MFA in creative nonfiction.

Enjoy!

Listen to Part 1 of the interview here.

Listen to Part 2 of the interview here.

And, as always, subscribe the blog and I’ll give you a free gift:

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Hashtag #CNF Episode 3 Part 2: Brian Mockenhaupt

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Written by Brendan O’Meara

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In Part 2 of my interview with Brian Mockenhaupt, freelance journalist and author of the Byliner.com original The Living and the Dead, Brian talks about publishing with Byliner, what America learns from its wars, and the burden of telling such a heavy story. Enjoy.

If you or anyone you know would like to be on the podcast, please email me at brendan@brendanomeara.com and, as always, feel free to leave comments.

Listen to Part 1 of my interview with Brian Mockenhaupt here.

Please ‘like’ me on Facebook. Makes me feel good. I also give away stuff.

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Hashtag #CNF Episode 3: Journalist Brian Mockenhaupt Part 1

[subscribe2]Written by Brendan O’Meara

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Sometimes you have a great conversation and it lasts ten minutes. Other times you have a great conversation and it lasts 90 minutes. The latter was true for me and Brian Mockenhaupt, a journalist cut from the fabric of Jon Krakauer and Sebastian Junger.

I broke this interview up into chunks. Please enjoy the first installment as we talk about his award-winning masterpiece The Living and the Dead.

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What the NFL Draft Can Teach Writers

Written by Brendan O’Meara

Yes, the NFL Draft, the annual meat market where football coaches and general managers look to project a human being’s value, has come and gone. The lessons of the Draft are so valuable to the writer. Take Geno Smith.

Smith was the quarterback for the West Virginia Mountaineers. He was projected to be a slam-dunk first-round pick. But his name was never called. He dropped and dropped. At last he went early in the second round. At least he wasn’t Tom Brady who didn’t get drafted until the sixth round as the 199th overall selection.

Think about that for a moment. Tom Brady, Super Bowl hero, super model marrying, Ugg-endorsing playboy was deemed the 199th best player in the 2000 draft. In writing terms, he was rejected 198 times. He then saw owner Bob Kraft and told him he was the best decision he ever made.

As the rejections mount for your book, or your essay, or your love life, just think every no is one step closer to a yes. I can’t tell you how many times I’ve let the ‘no’ devalue my worth. One ‘no’ ended my baseball career. I can’t begin to tell you how many rejections I’ve received for the three books I’ve written. My first, unpublished, has probably 20 rejections. My second book, Six Weeks in Saratoga, was rejected 15 times or so, and The Last Championship is, let’s say, getting up there, a career-high even.

One agent went so far as to bash the writing. Let’s excerpt that for comedic effect:

Thank you for the chance to read your proposal for The Last Championship: A Memoir of My Father and Baseball, and please accept my apologies for the time it has taken me to get back to you. The father-son relationship at the heart of this story is appealing, but, ultimately, I didn’t find the characters or the scenes as engaging as I’d hoped. Without the necessary enthusiasm for the writing, I’m just not confident that I’d be able to sell the book effectively. I’m sorry that this wasn’t a match, but I’m grateful to you for the opportunity to consider your work and wish you luck in finding representation.

Trust me, I was licking my wounds after this one. I came close to hitting the EJECT button on the cockpit of my career using a promising love of donuts as my parachute. Usually agents don’t go so far as to say they don’t like your writing. I appreciate the time he took to write this and to address that it was a total bomb.

What did Tom Brady do when 198 players went before him? He out-worked everyone, took advantage of Drew Bledsoe getting injured, and took his team on a 13-year run the NFL has never seen.

The diamonds are the ones who slip through the cracks. Your job, my job, is to make all those people who said no wish they hadn’t.

That then begs the questions: When might it be time to give up/retire? But that’s for another blog post altogether.

The Eroticism of ‘No’

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Written by Brendan O’Meara

When I need a dose of motivation, I watch Don Draper in action. When a fire lights under his ass look at how he burns.

At the beginning of this scene, Don enters Roger’s office and grabs a drink right away. Even Roger is taken by this “drinking with a purpose”. Don doesn’t want piddly business, he wants big fish. Screw bagging a few marlin; he wants Moby freakin’ Dick.

Don laments how his letter denouncing Lucky Strike has effected his mojo with potential clients. Rogers throws it right back at him, “You used to love no. No used to make you hard.” He goes on and I do hope you watch the entire 5:20. After all, it’s what we do.

What?????!!!!!

All we are are salesmen. We are always on the clock.

All publishers, magazines, newspapers, are are customers/clients looking to benefit/profit from our services. At every turn you need to give them reasons to say yes, of course, but you need them to question why on earth they would even consider saying no.

Now, imagine you go into a meeting, or a phone pitch, with any editor and you pitch cold the way Don does in this scene? Can you imagine facing rejection? Can you imagine the gall should they say no?

So. Go on. Say no. I want you to say no in my face so hard that spittle gets on my sunglasses. I also want you see the face of doubt in your own reflection.

Because ‘no’ … ‘no’ is one step closer to yes.

Have a great week, I’m on the road.

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Hashtag #CNF Episode 2—Author/Nonfiction Editor Tom McAllister

Written by Brendan O’Meara

If you thought Hashtag #CNF was just a one-and-done kind of podcast, you’ve got another thing coming. I’m at least giving this thing a shot at a sophomore slump. Suckers.

To quote Ren from Ren and Stimpy, “Hark! Hark!” I’ve got a fun one for you today, and every day, so long as you click play.

Let’s face it, it had to be since author and Barrelhouse nonfiction editor Tom McAllister joined me to talk about Bring the Noise: The Best Pop Culture Essays from Barrelhouse Magazine.

McAllister is the author of Bury Me in My Jersey: A Memoir of My Father, Football, and Philly. He is also a professor of creative writing at Temple University and, most recently, is the editor of Bring the Noise. As McAllister riffs in his hilarious introduction, BTN is a treatise “on the the stupid things we love”. Yes, there’s the stupid things we love, but BTN shows how beautiful these stupid things are when in the hands of seventeen artful storytellers whose personal stories elevate popular culture to the adult table.

In it you’ll find professional wrestling, roller derby, Barry Bonds, stalking Aaron Grenier, and the “never-ending reality of The Hills” and, in true Barrelhouse style, the Patrick Swayze question.

I allowed myself one book purchase at AWP Boston. This was it. Best $15 I spent all weekend.
I allowed myself one book purchase at AWP Boston. This was it. Best $15 I spent all weekend.

Coffee with Canines

SmartyWritten by Brendan O’Meara

Sometimes when you post annoying pictures to Facebook, you annoy your friends. Other times you get an invite from a blogger to talk about your dogs. I tend to post pictures of donuts and dogs. I was interviewed for a blog called Coffee with a Canine. I talked about Smarty (pictured above) and Jack.

Here’s the link. Enjoy!

Michael Lewis and the Beauty of the Narrative Expansion

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Written by Brendan O’Meara

I finished The Blind Side by Michael Lewis. I was worried the book would be too much like the movie (which I haven’t seen, but the previews were enough for me to avoid it), that it would be all about Leigh-Anne Tuoly and her savior mentality for rescuing Michael Oher from poverty and propelled him to the heights of the NFL.

The original cover, devoid of Sandra Bullock, the way it ought to be.
The original cover, devoid of Sandra Bullock, the way it ought to be.

The book uses Oher as a vehicle to tell the story of the book’s subtitle: Evolution of a Game. The book’s opening chapter is its highlight: a several-page breakdown of a single play. One single play. Most of you have seen it. I have not and will not for fear of vomiting on my keyboard. The scene is when Lawrence Taylor, a linebacker for the New York Giants, tackled Joe Theisman, quarterback for the Washington Redskins, and compound fractured Theisman’s tibia and ended his career.

Taylor blitzed off his right side, a right-handed quarterback’s blind side. He terrorized quarterbacks and in the Darwinian evolution of football’s offensive line, put a selective pressure on the line to change. Namely, the left tackle.

Lewis masterfully crafts what is essentially a magazine piece around this one play that changed the game of football. One play. He builds a story around this with the players and coaches involved.

This can happen anywhere. The story of one hit, one run, one drive (several plays), an orange, etc. The beauty of nonfiction lies in the power of narrative expansion, to be able to lift what seems on its surface to be a mundane happenstance to a truly compelling story.

All it takes is a hunger and to be one helluva reporter.

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