Follow a Formula to Freedom?

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Written by Brendan O’Meara

I’ve been reading Save the Cat!, a book on screenplay writing by Blake Snyder. Beat for beat this book tells the writer what must happen on a certain page in a screenplay to keep the viewer engaged. There are storytelling archetypes that we are inherently drawn to and come to again, and again, and again. Some say the formula may be inhibiting, but then again, maybe not.

Here’s the deal, since the beginning of time we’ve followed certain story structures. Take “the road novel”. This goes back to Homer and how many road stories have you seen? Probably dozens, but the road is different. Seriously, don’t try to be original. It’s already been done.

People are tuned to a certain frequency, but it’s within that frequency where we can express our creativity. The Dark Knight follows the Save the Cat! formula to a ‘T’, but it’s a brilliant script and and brilliant movie. Just watch this amazing final scene that sums up the theme of the movie, “You either die a hero, or live long enough to see yourself become the villain.”

Gives me chills every time.

Frankly, writers sometimes try to be too creative, try to be too against the grain, but you know what they are? Poor. Take it from me.

What if you come to the understanding that stories have follow a certain stream bed, but you can fill it with whatever fluid you want? All of a sudden your creativity can bloom. Maybe, once you understand the story structures, then and only then may you find a way to pull the rug out from under your reader.

Maybe your memoir feels like it’s wandering, but maybe you just haven’t found the write story structure for it. Once you find that archetype, then you can shoehorn your story into the mold.

Yes, Save the Cat! is about screenplays, but it’s also about storytelling. It’s more about storytelling. And that’s what we do. We tell stories. And readers love us for it.

Oh, and another thing …

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Written by @BrendanOMeara

This one will be damn short. I get email alerts for certain blogs I follow. I don’t follow many. The ones I do follow offer writing advice and the like. I just deleted one without reading it. Why? Because, to a point, reading about writing won’t get you anywhere. At some point, you have to just do it. I have no patience for wannabes. Get out there and query, and get rejected, and write stories for $35. Fail. Fail hard.

Right now, I’m drinking wine and listening to iTunes previews of the The Dark Knight Trilogy soundtracks. It’s free. Part of the deal when the failure rate is high. Here at the blog, we’re hoping to turn things around.

I’ve got some notes to read through and I’m going to finish writing a bomb of a feature this week. It doesn’t have a home yet. I figured that I owe it to the people I spoke with to get the piece written and maybe someone will be willing to take a look at it since it’s already written. Hey, I’m hustlin’.

By the way, if you like my style, like me on Facebook. My goal is 1,000 true fans. I’m a long, long, long, long way away, but it starts with you. Yes, you. Click here.

Your pal,

Brendan

Hashtag #CNF Episide 3 Part 3: Journalist Brian Mockenhaupt

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Written by Brendan O’Meara

I hope you’re not sick of it, cuz I ain’t. Here’s Part 3 of my interview with Brian Mockenhaupt, author of The Living and the Dead. In this installment we talk about suspense, how he got his start in journalism, querying, competition in freelancing, his daily approach to writing, and why he decided to get an MFA in creative nonfiction.

Enjoy!

Listen to Part 1 of the interview here.

Listen to Part 2 of the interview here.

And, as always, subscribe the blog and I’ll give you a free gift:

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Michael Lewis and the Beauty of the Narrative Expansion

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Written by Brendan O’Meara

I finished The Blind Side by Michael Lewis. I was worried the book would be too much like the movie (which I haven’t seen, but the previews were enough for me to avoid it), that it would be all about Leigh-Anne Tuoly and her savior mentality for rescuing Michael Oher from poverty and propelled him to the heights of the NFL.

The original cover, devoid of Sandra Bullock, the way it ought to be.
The original cover, devoid of Sandra Bullock, the way it ought to be.

The book uses Oher as a vehicle to tell the story of the book’s subtitle: Evolution of a Game. The book’s opening chapter is its highlight: a several-page breakdown of a single play. One single play. Most of you have seen it. I have not and will not for fear of vomiting on my keyboard. The scene is when Lawrence Taylor, a linebacker for the New York Giants, tackled Joe Theisman, quarterback for the Washington Redskins, and compound fractured Theisman’s tibia and ended his career.

Taylor blitzed off his right side, a right-handed quarterback’s blind side. He terrorized quarterbacks and in the Darwinian evolution of football’s offensive line, put a selective pressure on the line to change. Namely, the left tackle.

Lewis masterfully crafts what is essentially a magazine piece around this one play that changed the game of football. One play. He builds a story around this with the players and coaches involved.

This can happen anywhere. The story of one hit, one run, one drive (several plays), an orange, etc. The beauty of nonfiction lies in the power of narrative expansion, to be able to lift what seems on its surface to be a mundane happenstance to a truly compelling story.

All it takes is a hunger and to be one helluva reporter.

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Going into the (Bat) Cave: upping the ante and finishing a manuscript

My writing suit.
My writing suit.

Written by Brendan O’Meara
Words in Post: 138

Read time: 30 seconds

Sometimes it’s time to pony up and JUST GET IT DONE. I haven’t necessarily been putting it off, but I guess I have been. Without deadlines, things tend to flounder. So, in the spirit of NaNoWriMo, in the spirit of Parkinson’s Law, I’m going to finish The Last Championship in 30 days.

Here’s where I am in a double spaced Word doc: 194 pages and 55,160 words.

Suffice to say I’m probably 2/3rds of the way done as is, but I’ve been squatting on this final third for far too long.

Imposing a tight deadline will get it into the stage where it can then be properly rewritten.

I’ll let you know how it goes on March 7, subsequently the first full day of the AWP Conference in Boston.

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Editor Dog Hard at Work

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Written by Brendan O’Meara

We all have editors and some of those editors are dogs. Sure, Jack, my uber-fixated, medicated, mentally troubled Jack Russel mix doesn’t actually read anything, but his ever-looming presence makes him just about as irritating as some editors I’ve had. Exhibit A:

The Stare. Don’t look at me. Don’t look at me. Don’t look at me. I’m not looking at you. I’m not looking at you. I’m not looking at you.

Which is all well and good, but those eyes weigh on you. Soon, even when he’s fallen asleep, I still see him. There. Staring. Judging.

The Lounge. Still staring at you, but I’m in a posture that allows for maximum stamina. I can stare you for hours in this position.

Most dogs sleep their days away. This is the case with my lab mix, Smarty. He’s downstairs right now. Sleeping. Couldn’t be bothered with whatever-it-is-I-do. Which, right now, is a useless recounting of a dog getting in my cage. Naturally, under the stress of such boring eyes, it becomes more intense. Like, “You best get your shit DONE! or I’m telling steady-paycheck-Mom.”

All Business. Your ass better get a move on. Stop blogging.

Fine! Fine! I’ll stop blogging and work on, shit, what am I working on? A new book? A magazine piece? Both. Jack, no! Not the throat!

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Guest Post: How to Make Money Writing

Posted by Brendan O’Meara

With Halloween right around the corner, what better time than to talk about ghost writing?

I’ve got this friend, you see, and she is a wonderful writer. And you know the mark of a great writer? There are two things, really. 1) They teach it. They share the information and don’t hoard it, as if by granting another writer an edge, they lose their advantage. 2) They check their ego and that’s what guest blogger Melinda Copp does. She’s a ghost writer and she irons out a great way for you to make a living writing. But, like I said, you have to check your ego. So, let’s hear from Melinda, shall we?

Enter Melinda:

Ghostwriting isn’t the kind of profession most writers aspire to. I will admit: it’s not the highest form of the art. But it is a way to earn a living, which is something most writers can appreciate.

My first professional writing job after college was working as an editorial assistant to a ghostwriter. Up until that point, I had only a vague idea of what ghostwriting was. And I can remember her explaining to me in the interview that I wouldn’t be getting a byline or credit for the writing work I’d be doing, and I can remember her asking me: Are you okay with that? I can see why many writers wouldn’t be, but I decided that I was. I needed a job.

Since that first ghostwriting job, I’ve had two children, become a full-time freelancer, gotten a master’s degree, and pursued a variety of other ways to make a living as a writer. But when people ask me what I do for a living, I tell them I’m a freelance ghostwriter. I write books for people who have a story to tell or information to share but don’t have the skills to write it themselves. I’m like a copywriter, only instead of working on white papers and marketing copy, I write books.

How Does Ghostwriting Work?

Ghostwriting arrangements work in different ways. But most of the people who hire me want to publish a book to establish expertise. They are usually self-publishing, at least at first, and they view the project as a business investment. Other times, people who have been very successful in their lifetime hire me to write their memoirs.

Basically, when I work with a client, I take their ideas and mold them into a publishable book. The process involves lots of interviewing, especially in the beginning. I work from the interviews to write the client’s book. Then the client and I go back and forth, revising my drafts, until the book is written the way they want it.

Want to Try Ghostwriting?

If you’re looking for a new way to earn an income as a freelance writer, ghostwriting is an option. Here are a few tips.

1. Choose your clients wisely. You will probably be working with your ghostwriting client for about a year. You won’t always agree on things and it won’t always be easy.

2. Get paid for the work as you’re doing it. Many people have approached me with book ideas that they’re sure will be a best seller. The story is fantastic, they tell me, and if I agree to write it for them, they’ll split the profits with me. I’m sure this happens to every ghostwriter. And most of the time, these people do have fantastic stories to tell. And maybe a book about them would be a huge success. But as a professional ghostwriter, I can’t help these people. The risk that goes along with whether or not the book will be successful has to rest on them. For this reason, I don’t enter into arrangements where I write the book in exchange for royalties that will come in the future after it gets published. The hard fact of the publishing world is that most books aren’t profitable. Ghostwriting is my job and it has to bring a steady paycheck. Plus, I have my own ideas to keep me busy without getting paid.

3. Use a contract. Preferably one that a lawyer created for you.

4. Put your ego aside. All writers have to do this, but with clients you have to remember you’re not working with a professional editor. They may not be able to tell you what they want. And they’re not always going to know what’s best for their own book. As a professional writer, I think you have to tell the client what you believe is the best choice for their story. But as a hired ghostwriter, you have to ultimately write it the way they want it to be written.

On Being a Professional Ghostwriter

I never really set out to be a professional freelance ghostwriter. And there’s a downside to this kind of work—my name isn’t out there with bylines the way it would be if I were a freelance journalist. But by becoming a ghostwriter, I have been able to work as a professional writer, stay at home with my kids, set my own work schedule and deadlines, stabilize my income with large projects, set my own rates, and practice writing book-length nonfiction.

The best part about it is that each ghostwriting project allows me to learn about new topics. My clients, thus far, have been interesting and wonderful people. And ghostwriting allows me time to work on my own projects, which makes me a very happy writer.

[Brendan: being a writer takes on many forms. This is real-world writing and sometimes you have to put ego and notoriety aside so you can do what it is you love: writing. Sometimes a painter needs to paint a jack Russell terrier portrait so she can do landscapes later.]

Follow Melinda on Twitter and check out here blog.

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A Guest Post and a Preview

This is how you book tour on a budget!

Written by Brendan O’Meara
@BrendanOMeara

I’m crashing on the couch of Richard Gilbert’s Narrative blog this week. He allowed me to be a guest and write a post about memoir and reportage. Lots of fun and a great discussion going on in the comments. Go on and read it.

Also, and this is exciting, I plan on visiting Northshire Bookstore Saturday night to see author Verlyn Klinkenborg talk about his new book “Short Sentences About Writing.”

I will video the talk and publish it here and on my YouTube channel.

So, stay tuned and go over and say hello to Richard at his blog.

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Links! Of! The Week! 9/10/12

Written by Brendan O’Meara

I’m starting what I hope will be a regular segment here at the Hash Tag for Writing blog. I’ll compile some links from blogs I like and dump it all into one little post. Like Richard Gilbert’s insights into Verlyn Klinkenborg’s Several Short Sentences on Writing as well as his review of Richard Ford’s novel Canada.

Mathina Calliope at her blog-I-cannot-pronounce riffs on “agency.” She also links up a modern-day hero of mine in Tim Ferriss, so that’s cool by me.

And just starting her own food blog is Lauren McKinney. Welcome back to the blog-o-verse! Here she writes about pizza. Mmmmm, PIZZA!

If you dig some great environmental writing, check out Melinda Copp’s posts. She got pretty mad this week about selected conservation. She followed it up with this.

What else? I like this funny post by the insightful lit agent Rachelle Gardner. Then one about the perfect pitch.

I’d say that’s probably enough for this week. I hope you get a chance to read them! I may as well leave you with a music video. Whenever I feel down, I just crank this.