Episode 36—The Joyful Kim Kankiewicz Writes with Her Ears!

Kim Kankiewicz won best essay for Creative Nonfiction’s Issue 32 contest.

By Brendan O’Meara

“You write in isolation and a rejection doesn’t give you a lot of feedback.” —Kim Kankiewicz (@kimprobable)

“What I have to process is my own thoughts and experiences; does that matter to anybody else? The reason I write is to make connections with other people.” —Kim Kankiewicz

Here we are again, picking them off one by one. 

Kim Kankiewicz’ essay “Rumors of Lost Stars” won Creative Nonfiction’s best essay contest for Issue 32’s theme of “Joy”. It’s an essay about communal acceptance, overreaching, and then personal acceptance and redemption. She threads this around the mythology of three stars. The parallels between the myths and her story make this essay sing.

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Links

Kim’s McSweeney’s Internet Tendency story.

People Mentioned

Brian Doyle
Rebecca Solnit
Sonya Livingston

Episode 35—Sybil Baker on Discovery and the Art of Being Different

Sybil Baker, author of “Immigration Essays”.

By Brendan O’Meara

“Different writers are different things to us at different times.” —Sybil Baker (@SybilBaker).

“I think most writers would agree that writing is an act of discovery. We’re asking questions and trying to discover something.”Sybil Baker

Sybil Baker, author of Immigration Essays (C&R Press, 2017) came by #CNF HQ to talk about her new book of essays dealing travel and displacement. And like Paul Lisicky (from Episode 27), she preaches the importance of preserving play in a piece of writing.

We recorded this back in October, so if you expect riffs on immigration courtesy of the Establishment, you’ll find this episode conveniently devoid of such banter. 

Sybil talks a lot about travel and how you don’t have to log miles to see things in different ways. 

Subscribe to the podcast on iTunes or Google Play Music (badges are in the margins or below the post) and share it with a friend or two who may enjoy the conversation.

Thanks for listening!

Also, Sybil joined me to talk fiction on my side gig over at SpareMin, a micropodcast app that records phone calls. My show is The Book Show. Have a listen:

Thanks again for listening!

Episode 33—Melissa Chadburn Shares All Her Secrets!

Melissa Chadburn, author of “The Readiness Assessment.”

“Being a writer is like you’re always in the hallway.” —Melissa Chadburn

“I am competing against myself in the past.” —Melissa Chadburn (@melissacahdburn)

“With all nonfiction, you need something to hang your narrative on.” —Melissa Chadburn

“I like to have emotional access to my stories.” —Melissa Chadburn

By Brendan O’Meara

Melissa Chadburn stopped by #CNF HQ to talk about her second runner-up  story (judged by Bronwen Dickey) titled “The Readiness Assessment.” 

She entered it in Proxmity Magazine’s first inaugural narrative journalism prize and it’s a good one. 

Melissa noted how fun it was to be edited by Maggie Messitt, a former guest on #CNF. 

We’re keeping the good times rolling, so let’s not waste any more time. Please subscribe to the podcast, share it with someone you think will dig it, and subscribe to my book recommendations newsletter. It’s all free!

Episode 32—Kevin Wilson on the Comfort of the Uncomfortable, the Power of No Backup Plan, and the Five Minutes That Changed His Life Forever

Kevin Wilson
Kevin Wilson, one of the good guys.

By Brendan O’Meara

“I just went after it, man, what’s the worst thing that can happen? I strike out? I don’t get a hit?” —Kevin Wilson

“You can’t compare yourself to anyone else.” —Kevin Wilson

“I’m big on teaching the person first and the player second.” —Kevin Wilson

Kevin Wilson (@KWBaseball), president of Kevin Wilson Baseball, LLC and a former switch-hitting professional baseball player, wrote The #Goodbatting Book, a slim volume that is about way more than hitting.

That’s why he’s on the show. Plus, during my playing days, hitting was everything. I mean, everything. Don’t worry, we don’t nerd out on hitting, but rather the principles behind what makes his approach to teaching and coaching so effective. 

As always, give the podcast a subscribe and throw down your email if you want my monthly book recommendations. Thanks for listening!

Books Mentioned

Relentless by Tim Grover 
Give and Take by Adam Grant

People Mentioned

Joe Ferarro (@FerarroOnAir)

 

Episode 31—Jen Miller on Freelancing, Tenacity, Running, and Swinging Her “Where’s My Money Bat” (It’s a Thing)

Jen Miller
Jen Miller sits down and talks to me about her freelancing career and her memoir “Running: A Love Story”.

Written by Brendan O’Meara

“Good ideas still find homes.”Jen Miller

“When it gets too easy, I need to challenge myself and make it harder again.” —Jen Miller

What’s this? Three weeks in a row? It’s happening, folks, and thanks for hanging in while I get my feet back under me after the big, cross-country move.

What better way to follow up that sentence than by talking about Jen Miller (@ByJenAMiller), a runner who wrote the engaging, funny, and raw memoir Running: A Love Story (Seal Press, 2016). It’s about running, love, and control and we talk about that and much more.

We also chat about freelancing and some of the more granular details of the business that I think will benefit any freelancer, novice or expert.

Lots of good stuff here. Please go and subscribe to the podcast. Share it with a friend or two or three. I’m trying my hardest to keep it consistent and hopefully it can keep growing.

Thanks for listening!

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Episode 27—Paul Lisicky on Writing in Unlikely Places, Simultaneous Projects, and Preserving Play

Photo by Star Black
Photo by Star Black

Written by Brendan O’Meara

“If you put too much focus on one thing you can kill it.”Paul Lisicky.

“What would it be like to be an amateur again?” —Paul Lisicky

When I get away from doing the podcast I forget how fun and uplifting the experience can be. Here, for Episode 27 (!), we have Paul Lisicky (@Paul_Lisicky), author of The Narrow Door (Graywolf Press, 2016).

Paul talked a lot about his own process and how that has changed over the years. He also talked about some of the best advice he can give an aspiring writer: cultivating fandom.

Why don’t you just listen to him?

Go ahead and subscribe to the podcast on iTunes. If you think you know someone who would benefit from this interview, share it with them. Also, subscribe to my monthly newsletter. You can preview it here to see what it’s about. Dig it? Then put in your info along the right sidebar.

Thanks!

People Mentioned

Greg Hanlon
Bronwen Dickey
Maggie Messitt
Thomas Pynchon
Jane Bowles
John Hawkes
Flannery O’Connor
Joy Williams
Elizabeth Bishop

Other Books by Paul Lisicky

Unbuilt Projects
The Burning House
Famous Builder
Lawnboy

#CNF Episode 26: Kevin Robbins Talks Harvey Penick and the Sacrifice of Writing a Book

Written by Brendan O’Meara

Sorry of the long delay in episodes, but the misses and I are moving to Eugene, OR very soon. I’m hustling to sell our belongings because all we’re taking is a Honda Accord over the Rockies.

We’re starting fresh.

Naturally, everything has taken a backseat to that.

That said, I finally edited this interview with Kevin Robbins (@kdrobbins on Twitter), author of Harvey Penick: The Life and Wisdom from the Man Who Wrote the Book on Golf.

Enjoy! (Oh, and don’t be shy about subscribing to the podcast and the monthly newsletter!)

Episode 25—Elane Johnson on her Winning Essay, Accepting Your Work as Good, and Writers Block

august-in-chicago-2015

Written by Brendan O’Meara

“A successful writer is someone who alters me.” —Elane Johnson

“Teaching for me is writing.”—Elane Johnson

We’ve made it to 25 episodes, can you believe it?

Elane Johnson comes by the podcast to talk about her essay “The Math of Marriage,” which won Creative Nonfiction’s marriage essay contest for Issue No. 59. You’ll have to subscribe to magazine to read it.

What will be in store for the next 25 episodes of the podcast? I have no idea. I just hope you keep hanging around and listening to these often unsung writers talk about their work.

Elane also references Sarah Einstein, author of Mot: A Memoir. You can hear her episode too.

Episode 24—Brin-Jonathan Butler Takes Us to Cuba!

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“You don’t know when you’ve kicked up the hornets’ nest until they’re all on you.” Brin-Jonathan Butler.

“The decision itself was the villain.” Brin-Jonathan Butler

Written by Brendan O’Meara

Brin-Jonathan Butler returns this time to talk about his wonderful memoir The Domino Diaries: My Decade Boxing with Olympic Champions and Chasing Hemingway’s Ghost in the Final Days of Castro’s Cuba.

In this latest episode, we really drill down on his book and his time in Cuba. It “closed a door on a decade,” as Brin says.

The experience was, in some ways, a gamble. But the reasoning was simple because it allows him to lead a life worth writing about, as he says.

So I hope you enjoy this episode. Also, be sure to listen to our Round 1.

I ask that you subscribe to the podcast (working on getting it in the Android store. For now it’s on iTunes), subscribe to my monthly newsletter, and to share the podcast with folks you think may enjoy it.

Ernest Hemingway on Why Hunger Made for Good Discipline

By Brendan O’Meara

I hate being hungry. I can’t focus. I get angry. Irritable. Get that man a slice of pizza. Anything!

So years ago when I first read A Moveable Feast, one of my favorite books, by Ernest Hemingway, his sketch “Hunger was Good Discipline” struck me as total BS.

Hemingway wrote,

You got very hungry when you did not eat enough in Paris because all the baker shops had such good things in the windows and people ate outside at tables on the sidewalk so that you saw and smelled the food. When you were skipping meals at a time when you had given up journalism and were writing nothing that anyone in American would buy, explaining at home that you were lunching out with someone, the best place to do it was the Luxembourg gardens where you saw and smelled nothing to eat all the way from the Place de l’Observatoire to the rue de Vaugirard.

In a few words this sounds like a nightmare, skipping meals, but I’ve lived it. To this day. Because money is tight and nobody is buying what I sell and the government must take 50 percent of anything I do make. I eat a vegetarian diet because for $70 a week, it feeds me and my wife.

There’s the gnawing at the gut that Hemingway says,

There you could always go into the Luxembourg museum and all the paintings were heightened and clearer and more beautiful if you were belly-empty, hollow-hungry. I learned to understand Cezanne much better and to see truly how he made landscapes when I was hungry.

This was where my infantile reader mind flew off the handles. If I were looking at paintings on an empty stomach, the growling would far distract my senses from anything other than the most primal need to eat.

But upon re-reading this section, I realized this wasn’t food-hunger at all. It was the hunger of the hustler, that when you deeply want something, when you can’t think of anything else other than whatever-that-is, that hunger creates the discipline to hit the page with rigor.

Hemingway says,

You dirty phony saint and martyr, I said to myself. You quit journalism of your own accord. You have credit and Sylvia [Beech] would have loaned you money. She has plenty of times. Sure. And then the next thing you would be compromising on something else. Hunger is healthy and the pictures do look better when you are hungry. Eating is wonderful too and do you know where you are going to eat right now?

Of course he visits a cafe to eat and get “tight” as Jacob Barnes or Lady Brett may say. And of course he refers to his lecherous ways by “compromising on something else,” but if we look past that we see the discipline all artists must have to succeed.

Here again we see hunger for food as a conduit for the deeper hunger of literary stardom and artistic integrity. His deep pursuit for telling stories created the discipline. He had a ritualized morning schedule that only the truly hungry ever adhere to (more on this soon).

A Moveable Feast is such fine read, of the famous writer looking back to a time when nothing was certain, when the belly was empty, and hunger was, in fact, good discipline.