Ricky Tucker (@Rick_Tuck_Lit) is a writer, teacher, and voguer. That last one is significant because he’s the author of And the Category Is … : Inside New York’s Vogue, House, and Ballroom Community (Beacon Press).
In it, Ricky takes us into the subculture of ballroom and refuge and freedom it provided the LGBTQ+ community. In this conversation we talk about the fine line between appreciation and appropriation, house mothers and fathers, finding family, writing as service, and how Ricky found his way to being a writer.
Jeannine Ouellette (@_elephantrock) is the author of the memoir The Part That Burns, a devastating book about childhood, sexual abuse, motherhood, and so much more. It’s published by Split/Lip Press.
It was a book I couldn’t wait to get back to because I needed to know how Jeannine managed to — I don’t know — survive. She broke my heart a number of times, but not in a self-pitying way.
In any case, she’s here for Ep. 281, this after we met at Hippocamp in August.
Had a great chat about day jobs and threading the work you want to do around that, how there’s no “writer’s life,” but rather just a “writer living.” That’s a direct quote from her Hippocamp talk this year.
Her essay collection delves into her identity as a Black woman, divorce, relationships, sex, the masks we where, and so on. Highly recommend.
What is so great about this book is you can be a seasoned, skilled writer/editor and this book will level you up. The book is a gift, and so too is Allison.
She’s the 2021 Literary Citizen of the Year for Hippocamp. She’s also the social media editor (?) for Brevity Magazine, and many of her craft essays for Brevity are adapted in Seven Drafts. Dig it.
In any case, we dig into lots of stuff about editing, story holes, retyping entire manuscripts, and what it means to cultivate a “writer’s life.”
Consider supporting the podcast and the audio magazine by heading to Patreon.com/cnfpod. There, you can earn transcripts, coaching, editing, and get exclusive access to the audio magazine.
As you know, you can keep the conversation going on Twitter @BrendanOMeara or @CNFPod. Let me know what you dug about this episode, or other ones.
And if you’re feeling especially froggy, you can support the show by heading over to patreon.com/cnfpod and see what tier appeals to you. Transcripts, questions, coaching, and the knowledge that your dollars get fed right back into the community. I was able to pay the essay and poem writers because of the Patreon community. That’s cool, right?
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What an experience Hippocamp was this year. Donna Talarico stuck the landing in pandemic times. The degree of difficulty is Simone Biles-esque!
I don’t I’ve worked as hard on any one thing like I did on this Hippocamp talk in a long, long while. I put everything I had into it. That said, I had a very hard time gauging what the audience thought of it. It was a pretty sparse turnout, so far as Hippocamp talks go. Everyone was masked, so I couldn’t tell if people were smiling or dying inside. There were only two questions, whereas most breakout sessions of this nature have several questions.
Naturally I felt like a comic who bombed.
Still, some people came up to me and said they loved it. Not meaning to undercut their good will, I was like, “Really? Cuz it felt dead to me up there and there were no questions …”
They usually said the talk itself didn’t lend itself to questions. It leant itself to thought. In any case, I still gave it my all to the gracious folks who showed up.
I tell you, it was a privilege to put this together. I hope you enjoy it, and if you do, consider becoming a Patron at patreon.com/cnfpod, as I think I’ll start doing similar things like this (much, much shorter) as Patreon exclusives.
