“I have to remind myself that I have to be a little nuts to do this. I think all writers have to be a little crazy.”
“Really what I’m always looking to go back to when I read is a book that is very sure of its own voice.”
“I have rarely began with structure.”
Yo. Wanna help the podcast? Leave an honest review on the iTunes, send me proof, and I’ll coach up a piece of your writing of up to 2,000 words OR give you a fancy transcript of any single episode of the podcast you like. That was easy. Let’s go.
It’s that time again, what’s up CNFers, my CNF-buddies, this is The Creative Nonfiction Podcast and I am your radio-handsome host Brendan O’Meara. This is the show where I bring you talented creators of nonfiction—leaders in narrative journalism, essay, memoir, radio, and documentary film—and tease out origins, habits, routines, influences, books, mentors—so that you can pick some of their tools of mastery, add it to your cart, and checkout free of charge.
That sounds fun, right?
This week I bring you Episode 89 with Sarah Minor, @sarahceniaminor on Twitter and @sarahcenia on Instagram). She is a professor and a writer and her essay “Threaded Forms: Decentered Approaches to Nonfiction,” looks to knitters, stitchers, and quilting bees to discover new and subversive models for writing memoir.
In this episode we talk about:
Visual Essays
How boredom dictates her direction
Losing voice and finding it
And the ever-present battle of dealing with social media
“I like to start from the present. It’s vibrant and visceral and has these questions that are lingering throughout time but we can access them.”
“I was looking for myself. Where is my experience?”
“Your parents moved the entire world. What are you going to do with your one wild life?
Okay, let’s rock and roll, this is The Creative Nonfiction Podcast, the show where I speak with the world’s best artists about creating works of nonfiction. Leaders in the world of narrative journalism,memoir, essay, doc film and radio share their origins, stories behind the stories, habits, and routines so you can apply their tools of mastery to your own work.
Let’s hear from Hope Wabuke this week for Episode 87. She’s @HopeWabuke on Twitter and at hopewabuke.com. Hope is a poet, though she knows it, and her essay “The Animal in the Yard” is one of six 2018 Pushcart nominations for Creative Nonfiction Magazine (no we’re not a couple, but our friends tells us we like each other).
I had a real hard time cutting this interview down—something I do to all of them—because she is so wise and illuminating throughout, that I left it largely untouched.
She talks about the:
Global African Diaspora
Starting from the present as a place to explore the past
Nonlinear narratives
How her parents escaped genocide in Uganda to start a new life in America
Empowering the marginalized
And what it means to be a watcher
Dig the show? Consider leaving an honest rating, or, for 60 seconds of your time, an honest review. Reviews help embolden and widen the community we’re building here at CNF HQ.
If you leave a review I’ll offer up a free editing sesh for up to 2,000 words. You usually have to pay double for that in Vegas, Cotton.
Also, I have a monthly newsletter where I send out my reading, doc film, and podcast recommendations, as well as what you might have missed from the world of The Creative Nonfiction Podcast. Lots are joining, so why don’t you? Once a month. No Spam. Can’t beat it.
“I believe in soup: You stew everything together and then you get real complex flavors and the truth.”
“I’m driven by an emotional connection to what I’m doing.”
It’s the Creative Nonfiction Podcast, the show where I speak to the world’s best artists about creating works of nonfiction, leaders in the world of narrative journalism, memoir, documentary film, radio, and essay and try tease out the origins and habits so that you can apply those tools of mastery to your own work. Continue reading “Episode 84—Adam Valen Levinson: Young and Restless”
“Going toward solitude and away from excuses has really helped me.” —Victoria Stopp
Hey there, CNFers, my CNF buddies, hope you’re having a CNFin’ great start to the new year. Jan 1 is just a day like any other, but we as a culture have assigned supreme import to that day.
If you’re coming here for the first time because your resolution is to listen more podcasts or you want to kickstart projects in the genre of creative nonfiction, then let me tell you the deal: This is The Creative Nonfiction Podcast—hello—the show where I speak with the world’s best artists about creating works of nonfiction: leaders in the worlds of narrative journalism, documentary film, radio, essay, and memoir and try to tease out habits, routines, and origins so that you can use their tools of mastery in your own work. Continue reading “Episode 83—Victoria Stopp on Battling Chronic Pain, Being Disorganized, and Writing in a Camper”
Hey, there CNFers, Happy New Year! It’s 2018 and we’re gettin’ rollin’ here for the biggest, baddest year for The Creative Nonfiction Podcast. It’s got a new Twitter thingy.
And what is The Creative Nonfiction Podcast? It’s the show where I speak to the world’s best artists about creating works of nonfiction: leaders in the worlds of narrative journalism, documentary film, radio, essay and memoir, and tease out the habits and routines so that you can apply their tools of mastery to your own work. Continue reading “Episode 82—The Language of the Gods”
Rachel Wilkinson, whose essay “Search History” won Creative Nonfiction’s Best Essay for Issue 65 Science and Religion, joined me on Episode 81. Photo by Morgan Kayser.
“It’s kind of like the Internet is everybody’s dad.”
“I think of research as this open-ended, beautiful thing.”
“Research is this vehicle that allows you to follow your interests however long you want to follow it.”
“If you can’t love the grind, you’re doomed.”
For Episode 80 of The Creative Nonfiction Podcast, the show where I speak with the world’s best artists about creating works of nonfiction, I spoke with Rachel Wilkinson, a writer and research based out of Pittsburgh, PA.
Her essay, “Search History,” won Best Essay for Creative Nonfiction Magazine’s Science and Religion contest for Issue 65. It’s Google as religious experience, how the very act of asking questions is very faith-based, and, if we’re getting grim and dystopian, how this technology, which is getting increasingly sentient, might supplant us some day. #spitoutthebone (Metallica reference for all y’all.)
In our conversation we talk a lot how she crafted this essay and how it hangs on a big idea rather than sheer character drive, David Foster Wallace, The War of Art, the fun of research, embracing failure, and trusting—yes, trusting—self-doubt.
Self-doubt is my spirit animal.
Hey, are you digging the show? I’d love it if you subscribed to the show, shared it with a fellow CNFer. Leave an honest review on iTunes and I’ll give you an editorial consult on the house. Just send me a screenshot of your review and I’ll reach out.
“I don’t think I followed a very traditional pathway and just did what I felt like doing.”
“11 o’clock in the morning is an optimistic time.”
“I love to work. I love being completely absorbed in something else.”
It’s the Creative Nonfiction Podcast where I speak with the world’s best artists about creating works of nonfiction. Leaders in the worlds of narrative journalism, personal essay, memoir, radio, and documentary film come here to talk about their origins, inspirations, and work habits so that you can apply their tools of mastery to your own work. Continue reading “Episode 80—The Wild Life of Elizabeth Marshall Thomas”
Tweetables by Blaire Briody (@blairebriody on Twitter):
“Those stories that can’t seem to get away from you. You keep thinking about them. I always try to pursue these when that’s the case.”
“I think one criticism book editors will give magazine journalists is that their book proposal sounds like a magazine article. With the North Dakota book, I wanted more of those through lines.”
“I love the reporting process even though it’s a lot of hard work. Getting into great conversations with people, that’s what it domes down to, coming home from an interview and feeling really excited about the material.”
“For me, the first draft is pretty awful. It’s like pulling teeth every single day getting it down.”
“I think I’ve seen that talent is only a small part of the equation especially with journalism because good reporting is good writing.”
“The ordinary can always become extraordinary if you give them enough time. Everyone can be a fascinating character if you peel back enough layers.”
For episode 77, I welcome Blaire Briody, that’s @blairebriody on Twitter. Sheis a freelance journalist who has written for The New York Times, Popular Science, Popular Mechanics, Fast Company, Glamour, among others. Her first nonfiction book, The New Wild West: Black Gold, Fracking, and Life in a North Dakota Boomtown. The book was the 2016 finalist for the Lukas Work-in-Progress Award from Columbia Journalism School and Harvard University, and she received the Richard J. Margolis Award for social justice journalism in 2014.
Ted Conover, author of several books and immersion journalist of the highest order, judged the contest, you can also hear him back on Ep. 50 of The Creative Nonfictoin Podcast, and here’s what he had to say about Blaire’s gold-medal piece:
This vivid portrait of a woman trying to work oil fields during the fracking boom rings totally true—we seldom meet people like Cindy Marchello in narrative journalism, but I don’t doubt for a second they’re here. I love the frankness and the matter-of-factness. Both Blaire Briody and her subject won my heart, and admiration.
Nice…
Speaking of being thankful, reviews and ratings have been flowing in and I want to extend a big, big thanks to those who are doing that and taking advantage of my editing offer as a result. What’s this? In exchange for an HONEST—it doesn’t have to be a good one, just an honest one—review on iTunes, I’m offering an hour of my time to work with you on a piece of writing. All you have to do is leave your review and when it posts, email me a screenshot of it. As long it’s postmarked any time between Nov. 2017 and the end of Dec. 2017, the offer stands. Reviews are the new currency and your help will go a long way toward building the community this podcast sets out to make, to empower others to pick up the pen or the camera or the microphone and do work that scratches that creative itch.
Okay…now what?
The first half of this interview had to be completely cut out.
Why? There were some nasty internet gremlins wreaking all kinds of havoc with our connection. It sounded like an old, old Apple computer chugging in the background with some heavy thumps thrown in, maybe an aquarium’s aerator. I mean, it was weird, but more than that it was extremely distracting, so instead of putting you through that, fair listener, I’m going to sum up that first part of the interview in a few hundred words, then we’ll get to the second half that I recorded through a different connection and that sounds just fine.
