Episode 89—Sarah Minor Isn’t Your Typical Writer

Sarah Minor is a writer who works in visual forms, or a visual artist who works in writerly forms. Ah, you’ll just have to listen.

By Brendan O’Meara

Tweetables by Sarah Minor (@sarahceniaminor):

“I have to remind myself that I have to be a little nuts to do this. I think all writers have to be a little crazy.”

“Really what I’m always looking to go back to when I read is a book that is very sure of its own voice.”

“I have rarely began with structure.”

Yo. Wanna help the podcast? Leave an honest review on the iTunes, send me proof, and I’ll coach up a piece of your writing of up to 2,000 words OR give you a fancy transcript of any single episode of the podcast you like. That was easy. Let’s go.

It’s that time again, what’s up CNFers, my CNF-buddies, this is The Creative Nonfiction Podcast and I am your radio-handsome host Brendan O’Meara. This is the show where I bring you talented creators of nonfiction—leaders in narrative journalism, essay, memoir, radio, and documentary film—and tease out origins, habits, routines, influences, books, mentors—so that you can pick some of their tools of mastery, add it to your cart, and checkout free of charge.

That sounds fun, right?

This week I bring you Episode 89 with Sarah Minor, @sarahceniaminor on Twitter and @sarahcenia on Instagram). She is a professor and a writer and her essay “Threaded Forms: Decentered Approaches to Nonfiction,” looks to knitters, stitchers, and quilting bees to discover new and subversive models for writing memoir. 

In this episode we talk about:

  • Visual Essays
  • How boredom dictates her direction
  • Losing voice and finding it
  • And the ever-present battle of dealing with social media

Let’s do this.

Books Mentioned

The Argonauts by Maggie Nelson
The Boys of My Youth by Jo Ann Beard
Dreaming of Ramadi in Detroit  by Aisha Sabatini Sloan
You Animal Machine by Elena Sikelianosk
The God of Small Things by Arundhati Roy
The Next American Essay edited by John D’Agata 

Documentaries

Tickled

Episode 88—Rachel Corbett says, “Stop Trying So Hard”

Rachel Corbett
Rachel Corbett knows a thing or two about Rilke, so she came by The Creative Nonfiction Podcast.

By Brendan O’Meara

Tweetables from Rachel Corbett (@RachelNCorbett):

“There is some advantage to saying nothing and letting people go on forever.”

“It’s usually when you stop trying so hard that you something happens.”

“You have to go away for a few days and then come back and look at it fresh and see what’s magical about the information.”

Hey, there CNF-buddys, I’m comin’ at you live from my shiny new digs. New house up in Eugene and I’ve got a nice little office I can call my own. There’s no foam on the walls yet, so please pardon the audio, but we’re making strides to be the best.

Part of that is me shutting the front door and getting the hell out of the way. I still haven’t quite figured out a way to completely edit myself out of these interviews. But I’m working on it.

Don’t worry…

Rachel Corbett joins me this week for Episode 88 of The Creative Nonfiction Podcast, the show where I speak with the best artists about creating works of nonfiction, leaders in the world of narrative journalism (like Bronwen Dickey here and here), essay, memoir, radio, and documentary film where I try and tease out origins, habits, routines, mentors, key influences, so you can apply some of their tools of mastery to your own work.

Rachel is a freelance journalist whose work appears in a few rags you might have heard of: The New Yorker, the New York Times, etc. She’s also the author of You Must Change Your Life, The Story of Rainer Maria Rilke and Auguste Rodin

Rachel hits on some key points about:

  • Carving out your own niche
  • How things come easier when you stop trying so hard
  • Listening vs. talking
  • Getting away from the work so you can come back refreshed
  • And the power of being dumb and defeated (some of us were born this way)

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Writers Mentioned

Annie Proulx
Cormac McCarthy
William Gass
Geoff Dyer

Episode 85—Jamie Zvirzdin on Sincerity, Permission, and Hard Work

Jamie Zvirzdin was the runner up in Creative Nonfiction’s “Science and Religion” essay contest.

By Brendan O’Meara

Tweetables from Jamie Zvirzdin (@jamiezvirzdin):

“To be sincere is to be powerful and creative nonfiction allows me to do that, to be sincere.”

“I don’t want to be content with what I know.”

“I don’t believe in ghosts, the afterlife, and I don’t believe in the muse. I believe in hard work.”

Hey CNFers, hope you’re having a CNFin’ good week.

It’s The Creative Nonfiction Podcast, the show where I speak to the world’s best artists about creating works of nonfiction: leaders in the world of personal essay, memoir, narrative journalism, documentary film, and radio and try to tease out origins, habits, and craft so you can experiment with any cool nuggets you hear. Continue reading “Episode 85—Jamie Zvirzdin on Sincerity, Permission, and Hard Work”

Episode 83—Victoria Stopp on Battling Chronic Pain, Being Disorganized, and Writing in a Camper

Victoria Stopp can’t be…stopped…Sorry. She’s the author of “Hurting Like Hell, Living with Gusto.”

By Brendan O’Meara

“Going toward solitude and away from excuses has really helped me.” —Victoria Stopp

Hey there, CNFers, my CNF buddies, hope you’re having a CNFin’ great start to the new year. Jan 1 is just a day like any other, but we as a culture have assigned supreme import to that day.

If you’re coming here for the first time because your resolution is to listen more podcasts or you want to kickstart projects in the genre of creative nonfiction, then let me tell you the deal: This is The Creative Nonfiction Podcast—hello—the show where I speak with the world’s best artists about creating works of nonfiction: leaders in the worlds of narrative journalism, documentary film, radio, essay, and memoir and try to tease out habits, routines, and origins so that you can use their tools of mastery in your own work. Continue reading “Episode 83—Victoria Stopp on Battling Chronic Pain, Being Disorganized, and Writing in a Camper”

Episode 82—The Language of the Gods

Sometimes I write stuff.

By Brendan O’Meara

Hey, there CNFers, Happy New Year! It’s 2018 and we’re gettin’ rollin’ here for the biggest, baddest year for The Creative Nonfiction Podcast. It’s got a new Twitter thingy

And what is The Creative Nonfiction Podcast? It’s the show where I speak to the world’s best artists about creating works of nonfiction: leaders in the worlds of narrative journalism, documentary film, radio, essay and memoir, and tease out the habits and routines so that you can apply their tools of mastery to your own work. Continue reading “Episode 82—The Language of the Gods”

Episode 81—Google as Religious Experience and Trusting Self-Doubt with Rachel Wilkinson

Rachel Wilkinson, whose essay “Search History” won Creative Nonfiction’s Best Essay for Issue 65 Science and Religion, joined me on Episode 81. Photo by Morgan Kayser.

Tweetables by Rachel Wilkinson (@realclownishink):

“Failure is part of the process.”

“It’s kind of like the Internet is everybody’s dad.”

“I think of research as this open-ended, beautiful thing.”

“Research is this vehicle that allows you to follow your interests however long you want to follow it.”

“If you can’t love the grind, you’re doomed.”

For Episode 80 of The Creative Nonfiction Podcast, the show where I speak with the world’s best artists about creating works of nonfiction, I spoke with Rachel Wilkinson, a writer and research based out of Pittsburgh, PA. 

Her essay, “Search History,” won Best Essay for Creative Nonfiction Magazine’s Science and Religion contest for Issue 65. It’s Google as religious experience, how the very act of asking questions is very faith-based, and, if we’re getting grim and dystopian, how this technology, which is getting increasingly sentient, might supplant us some day. #spitoutthebone (Metallica reference for all y’all.)

In our conversation we talk a lot how she crafted this essay and how it hangs on a big idea rather than sheer character drive, David Foster Wallace, The War of Art, the fun of research, embracing failure, and trusting—yes, trusting—self-doubt. 

Self-doubt is my spirit animal. 

Hey, are you digging the show? I’d love it if you subscribed to the show, shared it with a fellow CNFer. Leave an honest review on iTunes and I’ll give you an editorial consult on the house. Just send me a screenshot of your review and I’ll reach out.

Thanks for listening!

People Mentioned

Eula Biss
Maggie Nelson
Claudia Rankine
Leslie Jamison

Books Mentioned

A Supposedly Fun Thing I’ll Never Do Again
The War of Art
Citizen
Notes from No Man’s Land

 

Episode 79—From Potholes in Parking Lots to the Jungles of Borneo with Sy Montgomery

Sy Montgomery, author of the bestselling “The Soul of an Octopus,” is one of the most adventurous and pleasant people you will hear on this show.

By Brendan O’Meara

Tweetables by Sy Montgomery (@SyTheAuthor): 

“I have never picked the safe option and I have never regretted choosing what I’ve chosen ever.”

“I don’t always believe in myself. I can’t just believe in myself because I’m not that great. But I do believe in my project.”

Hey there, CNFers, hope you’re having a CNFin’ good week.

My, oh, my, where do we start? Maybe if you’re new to the podcast I should let you know what it’s about. This is the show where I speak to the world’s best artists about creating works of nonfiction: leaders in narrative journalism (like Susan Orlean), personal essay (like Matthew Mercier), memoir (like Pulitzer Prize-winner Madeleine Blais), radio (Joe Donahue), and documentary film like (Jeff Krulik and Penny Lane). Continue reading “Episode 79—From Potholes in Parking Lots to the Jungles of Borneo with Sy Montgomery”

Episode 71—Working Backward with Elizabeth Rush

Elizabeth Rush, Brendan O'Meara
Elizabeth Rush, whose essay “Something Like Vertigo” appeared in Creative Nonfiction Issue 64, joins me on the podcast this week.

By Brendan O’Meara

Tweetables by Elizabeth Rush (@elizabetharush on Twitter):

“I’m just a mule. I just show up every day and climb very, very slowly up that mountain.”

“I know writing is about your writing, but it’s also about your networking.”

“My first draft is the Ugly Middle.”

“I feel like I turn to writers to help me solve problems that I’m having.”

Continue reading “Episode 71—Working Backward with Elizabeth Rush”

Episode 51—Jessica Lahey on Hidden Monsters, The Gift of Failure, and Keeping Your Butt in the Chair

Jessica Lahey in the classroom.

By Brendan O’Meara

Tweetables by Jessica Lahey (@JessLahey on Twitter):

“Give me everything that was wrong with it and have me learn.”

“I’ve realized that long walks and gardening are a part of my process.”

“Almost always the editor is right.”

“Our tagline is, ‘Keep your butt in the chair and your head in the game.'”

“The work of being a writer means you get words on the page.”

Jessica Lahey, author of the essay “I’ve Taught Monsters,” which recently appeared in Issue 63 of Creative Nonfiction and the NYT best seller The Gift of Failure, came by the show to talk about teaching and getting the work done.

“The work of being a writer means you get words on the page,” Lahey says. “It’s as simple as that. I means you read, you write, and get words on the page.”

We talk about her approach to teaching and language, and also how Stephen King’s On Writing influenced her style. We also talk about what it means to work hard as a writer, a very nebulous term. What does hard work look like?

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Thanks for listening!