“I often talk to my students and I feel like I’m looking at the story through a dirty window. And I just want you to take the pane of glass out so I can see the story,” says Emma Copley Eisenberg, @frumpenberg.
Emma Copley Eisenberg is here to talk about The Third Rainbow Girl. It’s been highly touted as one of the better debut works of nonfiction. It’s great for its blending of genres and pushing the boundaries of what it means to write “true crime.”
If you’re looking for a whodunnit, this is not your book, which should pique your interest even more.
A few things we riff on:
A window in journalism world
Structure
Her book’s many false starts
And pushing the boundaries of creative nonfiction
Be sure you’re subscribed to the podcast wherever you get them (search Creative Nonfiction Podcast) and keep the conversation going on social media: @CNFPod here, here, and here.
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Ander Monson wrote a killer essay for True Story titled “My Monument.” He also edits DIAGRAM and runs a series of essay contests and competitions. He’s what you’d call a great literary citizen.
We talk his essay and a lot of other cool junk.
I love it when I have nearly instant chemistry with someone, and that was certainly the case with Ander. I only wish we had more time!
If you have any questions or concerns (you might after listening to my intro. Don’t worry. Things are cool. #riesling email the show creativenonfictionpodcast at gmail dot com. You may also find the show on Twitter, IG and Facebook, all @CNFPod.
If this show matters to you, please share with your CNFin’ friends and consider leaving a kind review on Apple Podcasts.
“Essays took on this energy for me in part because they’re unofficial and in part because they brought me in contact with the world that felt really generative.” — Leslie Jamison (@lsjamison on Twitter)
In this episode we riff on how she had to let language to the work for her and not let the language be this shiny veneer without substance, the bounded infinity of nonfiction, and much, much more.
Keep the conversation going on Twitter by tagging me and the show @BrendanOMeara and @CNFPod. Digital fistbumps for those who do it. I hope I’ve made something worth sharing with your people, so please link up to the show and encourage your CNFin’ buds to subscribe!
“My writing life is being surrounded by 15 half-empty coffee cups which I keep dipping my paint brush into accidentally.” —Rachel Dougherty (@racheldoughertybooks)
This was a fun episode where we talk about day jobs, confidence (or a lack thereof), finding time to do work that matters, and so much more.
Rachel is the author and illustrator of The Secret Engineer: How Emily Roebling Built the Brooklyn Bridge. She’s a Philadelphia-based illustrator, children’s author, and lifelong knowledge-hunter. She works in acrylic paint, ink, and pencil smudges, using humor and color to inspire curious young minds. Rachel is passionate about US history, scruffy little dogs, and board games. [I didn’t ask her about board games. I wish I had.]
Listen, social media is a lousy way to promote a podcast, but it’s a great place to keep the conversation going. I hope I’ve made something worth sharing, so let’s keep it up on Twitter @CNFPod, Instagram @cnfpod, and Facebook @CNFPodcast. Tag me and the show and I’ll jump in the fire.
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“I like to write books that sound like someone telling the story over a campfire.”
“You learn something when you listen to books that way. You start to hear that music of the language.”
“When I experience something interesting, I need to compose it in words.”
Hey, how’s it goin’, friend? I’m Brendan O’Meara and this is my podcast, The Creative Nonfiction Podcast, the show where I speak to badass writers, filmmakers, and producers about the art and craft of telling true stories. This is the last episode of 2018. We’ve averaged one episode a week for an entire year with no break and we’re finishing the year strong.
“You look for the narrative, which tells a larger story.” —Glenn Stout (@glennstout)
“I never try to write a valentine. I always try to tell the story straight.” —Glenn Stout
Buckle up, CNFers, I’m Brendan O’Meara and this is my podcast, the show where I speak to the best writers and filmmakers, producers and podcasters about the art and craft of telling true stories. I try and extract habits and routines around the work so you can apply those tools of mastery to your own work.
Here we are again, welcome to The Creative Nonfiction Podcast, the show where I speak to the best artists about telling true stories. I’m Brendan O’Meara.
I gotta say right up top that there’s been some serious issues with my hosting, Podomatic for those in the know, with the RSS Feeds. Shows are coming up unavailable in Apple Podcasts and it disappeared from Google Play and Stitcher. They say they’re on it, but it’s been three days with no improvement.
You can still stream the episodes from the embedded player on my website, brendanomeara.com, but in the meantime, downloading through the most popular and widely used platform—Apple Podcasts—is impossible until Podomatic gets it fixed. You might say I’ve been shopping around for other options.
Episode 104 brings back Elizabeth Rush to the podcast. Her new book Rising: Dispataches from the New American Shore (Milkweed Editions) is out. She could be coming to a city near you so check the show notes for the Rising Tour. I think that’s what Bruce Springsteen called his tour when his Rising came out. In this episode we talk about:
Rising sea levels
How to turn bleak material into something beautiful
How Elizabeth finds teaching energizing
And sexual harassment while doing fieldwork, something she’s never been asked about and was happy to get to talk about.
So that’s where we’re at. Please bear with me on the RSS nonsense. If you follow the social feeds, that links you up to my website so go find @CNFPod and @BrendanOMeara on Twitter and @CNFPodcast on Facebook. Follow Elizabeth @ElizabethaRush on Twitter for all things Rising.
Here she is: Episode 104.
Promotional support is provided by Hippocampus Magazine. Its 2018 Remember in November Contest for Creative Nonfiction is open for submissions until July 15th! This annual contest has a grand prize of $1,000 and publication for all finalists. That’s awesome. Visit hippocampusmagazine.com for details. Hippocampus Magazine: Memorable Creative Nonfiction.
If you made it this far I suspect you might like the show and want to help it out. Would you mind leaving an honest review on Apple Podcasts? That helps with validation and visibility. Let’s try and get to 100. We’re 57 ratings away at the moment. If a small fraction of you take out your phones, click on the star you deem appropriate, hit submit, that’s all you gotta do and you will have helped out the show in a major way. That takes like 10 seconds, if you want to leave a review, I will still edit a piece of writing up to 2,000 words for your kindness and time. Just send me a screenshot of the review with the date and we’ll get started.
I also have a great monthly reading list newsletter where I send out four book recommendations and what you might have missed from the world of the podcast. I don’t get any kickbacks or anything, so it’s just things I dig and endorse for your pleasure. First of the month. No Spam. Can’t beat that.
“You have to decide how you want to live in this ecosystem that is morphing around you.”
“So much of my career, it’s been a process of realizing that the “book” isn’t everything.”
Promotional support is provided by Hippocampus Magazine. Its 2018 Remember in November Contest for Creative Nonfiction is open for submissions until July 15th! This annual contest has a grand prize of $1,000 and publication for all finalists. That’s awesome. Visit hippocampusmagazine.com for details. Hippocampus Magazine: Memorable Creative Nonfiction.
Okay, back in the saddle again, it’s the Creative Nonfiction Podcast, the show where I speak to the best artists about telling true stories so you can apply those tools of mastery to your own work.
For Episode 102 of CNF Pod, I welcome Jane Friedman, the titan (though not like Thanos) of the publishing industry, whose book The Business of Being a Writer, published by the University of Chicago Press, is the best and most frank book on earning a living with words.
It debunks a lot of myths and, quite honestly, could save a bunch of people from getting into the biz on false delusions and might even save more people from pursuing an MFA (not that this is/was Jane’s intent), a degree, IMO, that leads to more debt than fulfillment, controversial as that may be. And I have one, earned on the false pretenses of career advancement, but that’s not why we’re here.
Jane talks about her upbringing in a small Indiana town, I wish it was Pawnee, but it wasn’t.
How a writing career is very much individualistic
Dealing with shame
Playing the long game
Embracing Change instead of fighting it
And getting beyond the idea that the book is the be all, end all
Thanks to Jane and to our promotional sponsor Hippocampus Magazine.
If you have a minute or two, please consider leaving a review on iTunes/Apple Podcasts. That would mean the world to me and will help this podcast reach more people looking to tell their best true story.
“I think the real trick is telling stories chronologically, letting them unfold as they really happened.”
“I’d rather find the story and excavate it than make it up.”
“I think every story is a struggle and a puzzle.”
It’s The Creative Nonfiction Podcast, the show where I talk to the best artists about telling true stories and tease out origins, tactics, and habits so you can apply those tools of mastery to your own work.