Episode 195: Ben Cohen and ‘The Hot Hand’

By Brendan O’Meara

“I know if some one else wrote this book, I would be very envious and jealous and never let myself feel the end of it,” says Ben Cohen, NBA writer for The Wall Street Journal and author of The Hot Hand: The Mystery and the Science Behind Streaks (Custom House, 2020). He’s @bzcohen on Twitter.

This was a fun book, especially if you like Malcolm Gladwell-style books that orbit one idea. This book takes you all over the place, not just basketball, so I think you’ll have a lot of fun with it. If I didn’t already put in the last newsletter, I’ll be sure to include it in the next one.

In any case, don’t forget that we’re putting out our very first audio-mag on the theme: Social Distancing, essays from/on isolation. They must be 2,000 words or fewer (that’s a 15-minute read) and be original work. Email you submission to creative nonfiction podcast at gmail dot com, ya dig?

That’s as good a time as any to say that I’m thinking of all you out there. Some have it pretty rough. I can’t complain. I have shelter, food, clothes and a job (for now) that lets me work from home. And I’ve got this podcast that I get to make for you.

This show only work if you share it hand to hand. Be an Ambassador CNFer and spread what we’re doing around. @CNFPod on all the social platforms.

You can pair this episode with people like Scott Eden or Greg Hanlon.

Other writers mentioned were Michael Lewis and J.R. Moehringer.

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Episode 186: Brin-Jonathan Butler — Misfits, Status, and ‘Tourist Information’

By Brendan O’Meara

Good ol’ Brin-Jonathan Butler returns to the show. In years’ past, he’s come on to talk about all kinds of stuff. Cuba. Access as a drug. Chess. And the blessing of struggle.

He’s a kindred spirit and person who best articulates what I’m thinking, only I’m incapable of articulating it the way he can.

Brin’s also my favorite writer going. He throws a “heavy ball,” as we say in baseball circles. The ball sounds differently coming off his bat.

He’s the author of The Grandmaster and The Domino Diaries and he’s the host of the new podcast Tourist Information.

Be sure to subscribe to the podcast wherever you get your pods and to subscribe to my monthly newsletter. Social media is @CNFPod, though, as many of you know, I’ve scaled back quite a bit on this.

As always, thanks for listening.

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Happy 2020, CNFers

Happy 2020, CNFers!

You might be wondering, what the riff? Why isn’t there an interview in this slot right now?

Well, this happens, at times, when people cancel on me or miss their appointment and my scrambling to fill the time slot comes up empty. In the creative vaccum that is the time in and around Christmas and New Years, it’s often a losing battle.

My advice to you is, maybe check out some of the interviews that have accumulated in your feed. There’s no shortage. A new interview will be here next week with Kristina Gaddy, and we’ve got exciting ones coming down the pipeline with Tim O’Brien, Pamela Coloff and Rachel Aviv, just to name a few. 

Also, in my effort to better serve you, the listener, I’d love to know what I could be doing to better address your needs as a creator in this genre. Do you like the origin questions? Do you like the tactical stuff? Would you like things to stay the same? Am I hitting the right beats that make you energized about your own work? This podcast is for you. I make this for you. Without you there is no CNF. I want to make a show worth sharing and it’s only worth sharing if you are able to add those valuable insights to your cart and check out better for it. So please email the show creativenonfictionpodcast at gmail . com or brendan at brendanomeara . com with your insights. It doesn’t have to be long, but as the show enters its eighth year, I want to make sure I haven’t lost touch with the people who matter most: you.

But this is also a time for me to share a great quote from Charles Bukowski about writing and it goes to the heart of what I think it means to be a writer and an artist. 

He writes,

Too many writers write for the wrong reasons. They want to get famous or they want to get rich or they want to get laid by the girls with bluebells in their hair. When everything works best, it’s not because you chose writing but because writing chose you. It’s when you’re mad with it, it’s when it’s stuffed in your ears, your nostrils, under your fingernails. It’s when there’s no hope but that.

He goes on … then says:

It was cancer madness. And it was never work or planned or part of a school. It was. That’s all. We work too hard. We try too hard. Don’t try. Don’t work. It’s there. It’s been looking right at us, aching to kick out the closed womb. It’s all free, we needn’t be told. Classes? Classes are for asses. Writing a poem is as easy as beating your meat or drinking a bottle of beer.

So, as we approach this new year, maybe we don’t need to overthink it. We don’t need permission from anyone. We don’t need another online class from a “master” who, by the way, didn’t need an online class to do the work she’s so famous for. If we approach the work with generosity and rigor, and put our best word forward every time, then that’s the victory. 

When four guys in northern california got together and started playing heavy metal music, sure, they had dreams of going out on the road, but it always about the music in that garage. Those guys, give or take because one got booted out of the band and one died in a bus crash, made it because they had always made it.

We make it in this business when we decide. There’s no arrival. Malcolm Gladwell is jealous of Michael Lewis.

So, we make it when we decided to arrive. I hope you decide right now to own it. Own the title. Own your shitty work. It won’t be shitty for long.

I wish you the best arrival in 2020 and beyond. Let’s get after it this year.

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Episode 174: Bob Batchelor — Humble Beginnings, Breaking Free from Google, and ‘The Bourbon King

Bob Batchelor, author of The Bourbon King.

“These guys were screaming at me from beyond the grave.” —Bob Batchelor (@CultPopCulture)

“I worked to write the longest screenplay possible.” —Bob Batchelor

By Brendan O’Meara

Here we are again, CNFers! What’s new?

We’ve got Bob Batchelor here talking about The Bourbon King: The Life and Crimes of George Remus, Prohibition’s Evil Genius (Diversion Books)

Crazy story, a story that partly inspired The Great Gatsby, perhaps, maybe.

I hope you check it out.

We dig into lots of great things: How John Updike showed Bob the way, singing a kind of Pennsylvania song, and dealing with a real rotten teacher who made Bob’s life miserable until he got out from under her and made something of himself with mentors who saw his potential in college. It’s a great story.

Keep the conversation going on Twitter @CNFPod. And, if you’re feeling kind, leave a review on Apple Podcasts. I hope I’ve made something worth sharing, so please share it with your own network.

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Episode 172: Christopher McDougall — ‘Running with Sherman,’ ‘Born to Run,’ and Finding Your Stride

By Brendan O’Meara

“Like all writing is re-writing. All reporting is re-reporting.” —Christopher McDougall (@chrismcdougall)

This was a thrill. This was a blast. I know you’re going to love this too. Christopher McDougall, the bestselling author of Born to Run, Natural Born Heroes, and Running with Sherman is here to talk about his books, but also the speed bumps of his career.

How did he get his start? Where were the hiccups, and how did getting fired from a pretty steady gig in Philly turn him loose to write the book that effectively changed his life? Yeah, it’s all here, baby.

Keep the conversation going on Twitter @CNFPod and @BrendanOMeara. Instagram has been a little lax of late, but that’s @cnfpod. It’s all a mess, man!

Hope you’ve been enjoying the CNF Snacks that I’ve been putting out on Monday. Creating without Judgement and Be a Fan are the first installments. The tapas of CNF Pod.

Thanks to Bay Path University for the support and for Riverteeth’s promotional support.

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Episode 171: AC Shilton — Arrival Fallacy, ‘The Innocent Man,’ and Chickens

By Brendan O’Meara

“At the end of the day, you need to get paid for you work because it is work. And one assignment is not going to change your resume.” —AC Shilton (@ACShilton)

“Somebody else’s success doesn’t limit your own.” —AC Shilton

AC Shilton steps onto the @CNFPod main stage this week, dropping freelance bombs like Ian Frisch and Seyward Darby, just to name a couple.

We talk about her farm and her chickens, but also her role in the Netflix documentary The Innocent Man, as well her New York Times piece on arrival fallacy and whether or not we’ve reached peak PBR, her first “viral” story.

You know what to do, subscribe to the show wherever you get your podcasts. Leave a kind review on Apple Podcasts and link up to the show on social media.

Keep the conversation going on Twitter @CNFPod and on IG @cnfpod. It’s a lousy place to promote a show, but it’s a great place to have a dialogue and talk about what resonated with you.

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Episode 169: Chase Jarvis — Discover Your Creative Calling

Chase Jarvis, author of Creative Calling.
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By Brendan O’Meara

Can you believe it? Chase Jarvis (@chasejarvis) is here! He’s here to talk about his incredible new book Creative Calling: Establish a Daily Practice, Infuse Your World with Meaning, and Succeed in Life + Work.

I can’t recommend it enough. Do yourself and a friend a favor and buy this book. You might want to listen and subscribe to his great podcast too, Chase Jarvis Live Show. He’s been doing this for ten+ years. Amazing stuff.

He made his bones as a photographer and might be most known for (these days) for founding Creative Live, the great online learning platform. I’ve purchased several classes that have helped me immensely.

As always, keep the conversation going on Twitter @CNFPod, Instagram @cnfpod, and Facebook @CNFPodcast. Sign up for the monthly newsletters where I share reading recommendations and what you might have missed from the world of the podcast.

And if you’re feeling froggy, leave a kind review on Apple Podcast. We’re knocking on the door of 100. It’s a long knock, but we’re getting there. Let’s do this!

You’re going to love how Chase went about writing this book as we break open the pinata of what makes this book — and Chase — so special.

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Episode 168: Rachel Dougherty — Nonfiction for Kids, Day Jobs, and Finding Confidence

Rachel Dougherty!

“My writing life is being surrounded by 15 half-empty coffee cups which I keep dipping my paint brush into accidentally.” —Rachel Dougherty (@racheldoughertybooks)

I don’t have kids, but I love the idea of writing nonfiction books for kids. If that’s your jam, or a jam worth undertaking, then Rachel Dougherty is going to Blow. Your. Mind.

This was a fun episode where we talk about day jobs, confidence (or a lack thereof), finding time to do work that matters, and so much more.

Rachel is the author and illustrator of The Secret Engineer: How Emily Roebling Built the Brooklyn Bridge. She’s a Philadelphia-based illustrator, children’s author, and lifelong knowledge-hunter. She works in acrylic paint, ink, and pencil smudges, using humor and color to inspire curious young minds. Rachel is passionate about US history, scruffy little dogs, and board games. [I didn’t ask her about board games. I wish I had.]

Listen, social media is a lousy way to promote a podcast, but it’s a great place to keep the conversation going. I hope I’ve made something worth sharing, so let’s keep it up on Twitter @CNFPod, Instagram @cnfpod, and Facebook @CNFPodcast. Tag me and the show and I’ll jump in the fire.

Sign up for the monthly newsletter: book recommendations, cool articles, and what you might have missed from the world of the podcast.

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Episode 167: Steven Hyden—Woodstock ’99, ‘Break Stuff,’ and Books as Roadtrips

Steven Hyden
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“You tend to agree more with the people who don’t like what you do more than the people who do like what you do.” — Steven Hyden (@steven_hyden)

Hey, CNFers, glad you could make it. Got Steven Hyden for you. He’s a rock critic for Uproxx and his podcast Break Stuff about Woodstock ’99 is the stuff of legend. So I reached out to him.

We talk about that, books as roadtrips, and how you can have, perhaps, “questionable” taste, but still be a good read.

He makes mention of Chuck Klosterman being an inspiration given they come from similar backgrounds: remote upbringing yet somehow made a go of it in mainstream rock criticism.

Keep the conversation going on Twitter, Instagram, and Facebook. I hope I’ve made something worth sharing, so share widely. And if you’re feeling kind, leave a review on Apple Podcasts.

Books by Steven Hyden

Your Favorite Band is Killing Me: What Pop Music Rivalries Reveal About the Meaning of Life
Twilight of the Gods: A Journey to the End of Classic Rock
Hard to Handle: The Life and Death of the Black Crowes—A Memoir

Episode 165: Steven Kurutz—The Power of Libraries, Getting to New York, and ‘Fruitland’

By Brendan O’Meara

Welcome back, CNFers! The 301 Redirect is live so you should be getting that bump of CNF now in your feeds. Sorry about that missed week there. Things got broke. Acutally, things are still mildly broken with some older episodes. The podcast gremlins are on it.

Steven Kurutz is here. He’s a features writer for The New York Times, and it was his essay for Creative Nonfiction’s True Story, “Fruitland,” that made me want to reach out.

This was a fun one and I hope you dig it. If you do, please share it with your immediate network. That’s how I want this show to keep growing, not by interrupting people with Facebook ads, but by you deciding it has value and sharing it with your friends. Hand to hand. You’re the social network, man.

If you dig the show, consider leaving a review on Apple Podcasts.

Keep the conversation going on Twitter @CNFPod. Let me know your thoughts. Podcast for your thoughts.

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