We talk about the late Philip Gerard, what she learned from Book 1 to Book 2, structure, and why do we even write books?
You could say I’m souring on writing books but like everything in my life I’m sure it’ll pass and I’ll be back to saying writing books is the ONLY thing that matters.
Man, we lost another wonderful, brilliant, generous member of the writing community, CNFers. Philip Gerard passed away earlier this week.
A few weeks ago we lost Matt Tullis, a wonderful writer of narrative nonfiction, and a teacher of longform journalism. When he was working on what would become his memoir Running with Ghosts, he attended an MFA program out of Wilmington, NC, spearheaded by Philip Gerard.
Phil was someone who had always been one of those dudes I could call on if I had a question on writing, dating all the way back to 2008 when I wrapped up my MFA, right through 2017 and 2019 when he was one of the best guests on this very podcast. I never had him as a mentor in grad school, but he was always someone whose brain I liked picking. He never discounted you on wisdom and encouragement.
His historical novel, Cape Fear Rising, is celebrating its 25th anniversary, so we dive into that as well. It is published by Blair.
Philip is also an accomplished musician and recorded this song and video as a trailer for The Last Battleground. Check it out:
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So in a new segment for the podcast, potentially at least, I’m experimenting with little audio essays about various titles I’ve read and the wisdom gleaned from those pages.
It could be from a podcast guest’s book, or maybe not, but the point is to insert some sonic joy into your ears in well under ten minutes.
It can’t hurt to try, right?
Which brings me to Philip Gerard’s The Art of Creative Research: A Field Guide for Writers. The book pulses with curious energy and equips the writer with the tools to cull and curate information. Like a field guide for a series of hikes, this magnificent title leads you through the vast wealth of information and stories out there for the picking.
Just feel the love and joy coming from the pages when Gerard writes:
I love getting in my car in the predawn darkness, watching the dashboard glow blue and silver and red as I turn the ignition, feel the neighborhood still all around me.
They’re all asleep, my neighbors, and I’m awake and stealing away on an adventure.
It gets at the pure fun of the process. Writing need not be a torturous or perilous pursuit. Because inside all those delightful artifacts lie something buried, something to be unearthed.
He writes:
If I am good enough to make it happen.
And I love it that sometimes I am good enough to make it happen.
I love the moment when someone tells me something he or she never intended to say, the look of wonder and discovery in their eyes, the smiling tears of memory, the clutch in the throat that carries all the story you’ll ever need to hear. The pang of good-bye, leaving a stranger who has just confided his most precious secret, hoping you will honor it—I don’t love that, I never get used to that. Yet afterward, how I do cherish the memory of.
The Art of Creative Research stems from what all writers have—whether they know it or not—and that’s curiosity. Gerard writes:
At the highway rest stops, I can’t help but wonder where everyone else has come from and where they are bound: the chic couple in the red convertible sports car, the rowdy family with all the wild kids pouring out of the camper, the pensive loner hurrying back from the restroom with his hands jammed tight in his windbreaker pockets. I want to get in all their cars with them and go someplace else, anywhere but here, and find out why: Why are they going? What’s waiting at the end of the road?
What dissolves away are the illusions of making it big as a writer, the questions of money and fame, and what is left in the stockpot is a love of narrative, story, making something grounded and reaped from the time you spent buried in research.
He writes:
It’s a lot of work, and it takes some gumption, but it sure is a thrill.
For more about Philip’s book and his process, be sure to listen to Episode 38 of the #CNF Podcast and be sure to pick up his book at your library or at your local bookseller.
Please subscribe to the podcast, my monthly reading list newsletter, and leave a kind review. Thanks so much for listening.
“You’ve got to be daring. You’ve got to have that unshakable belief that ‘You know what? Somebody’s gonna publish a book someday. It might as well be me.'” —Philip Gerard
“I don’t really have hobbies. I have passions.”—Philip Gerard
“If I do this enough days in a row, probably I’m gonna get there.” —Philip Gerard
“I found that if I hang with them long enough, they would often tell me something interesting.” —Philip Gerard
“I began realizing there was a significant amount of work that wasn’t on the page, but if you did it, it would be on the page.” —Philip Gerard
“My problem is I’m interested in everything.” —Philip Gerard
“At a certain point the journey is over and you know it.” —Philip Gerard
That enough tweetable quotes for you?
Philip Gerard, writer and teacher, joined me for 90 minutes of energizing talk about the craft. I had so much fun and left this conversation fired up to pursue a bunch of stories I’ve got stuffed in the drawer.
