In this conversation we talk about her capacity to carry her past, carry her tragedies with her and how she channelled that into something positive for her and her family.
As a heads up, this podcast is unedited. I did not have the time to grind on the edit. Nor will next week’s episode. But after that, I swear I’ll find the time to edit. I didn’t think you’d mind. 😉
Ander Monson wrote a killer essay for True Story titled “My Monument.” He also edits DIAGRAM and runs a series of essay contests and competitions. He’s what you’d call a great literary citizen.
We talk his essay and a lot of other cool junk.
I love it when I have nearly instant chemistry with someone, and that was certainly the case with Ander. I only wish we had more time!
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I’m no dad, nor will I ever be one, but I’m a son, and I’d read about bricklaying if Tim O’Brien’s name is attached to it. This book is so expansive and tender and prescriptive without being didactic. It’s about reading, writing, fatherhood, sonhood, marriage, struggle, triumph, demons. It’s about Tim.
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In any case, Steven and I randomly met in November 2018 in line at a talk during the Portland Book Festival. We were in line to hear Elizabeth Rush give a talk. He heard my voice from this thing and here we are.
You see? You never know where your next podcast guest might come from.
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This is a nice, tight thirty-minute interview. If you want a little more background on Sonja, check out Episode 56. It’s that special kind of memoir that has some journalistic components, something you might find in books by Leslie Jamison or Meredith May.
We dig into what brought Sonja to this story and how she rediscovered a long dormant devotion to Catholicism. The book doesn’t read like some icky treatise on becoming born again. It’s not evangelical in the least. It’s a person on a journey, a literal and figurative journey. And in the hands of a writer like Sonja,
I can’t recommend it enough. Do yourself and a friend a favor and buy this book. You might want to listen and subscribe to his great podcast too, Chase Jarvis Live Show. He’s been doing this for ten+ years. Amazing stuff.
He made his bones as a photographer and might be most known for (these days) for founding Creative Live, the great online learning platform. I’ve purchased several classes that have helped me immensely.
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You’re going to love how Chase went about writing this book as we break open the pinata of what makes this book — and Chase — so special.
“Every piece of writing is going to be hard in some way, and you just have to know that, and sit with it and keep going forward, and you will have a breakthrough at some point if you don’t give up.” —Kate Hopper
By Brendan O’Meara
Hey, there, CNFers, Kate Hopper (@MNKateHopper) joins me to talk about her True Story essay “Stumbling into Joy.” In case you couldn’t tell from the title of this episode, she learns to play the bass guitar in her forties. It’s pretty rad.
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We had a nice time talking about journaling, competition, jealousy, and finding the page as a safe place.
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How are you, CNFers? I’m Brendan O’Meara and this is The Creative Nonfiction Podcast, the show where I speak to badass writers, filmmakers, producers, and podcasters about the art and craft of telling true stories, chart their journey through this crazy world and offer a few tips along the way to help you get the work done.
Be sure to subscribe to the show wherever you get your podcasts and follow me and the show on Twitter @BrendanOMeara and @cnfpod. You can follow the show on Instagram too where I post some great quote cards and audiograms from the show’s deep bench.
If you’re feeling friendly, please leave a review or a rating on iTunes. I’d love to see it reach 100, but it’ll take you. It’ll take you going that extra mile for you buddy BO. You know I love you for it.
Okay, so Meredith May is here to talk about her career and her new book. She was shortlisted for the Pulitzer Prize for a long feature she wrote back around the time of the second Iraq War for the San Francisco Chronicle. We talk about the toxic nature of the competition Olympics, and how writing about someone else in another book cracked open her memoir for her.