Episode 166: Kate Hopper—Slap the Bass

“Every piece of writing is going to be hard in some way, and you just have to know that, and sit with it and keep going forward, and you will have a breakthrough at some point if you don’t give up.” —Kate Hopper

By Brendan O’Meara

Hey, there, CNFers, Kate Hopper (@MNKateHopper) joins me to talk about her True Story essay “Stumbling into Joy.” In case you couldn’t tell from the title of this episode, she learns to play the bass guitar in her forties. It’s pretty rad.

Please subscribe to the show wherever you get your podcasts. We’re on Apple Podcasts, Google Podcasts, Spotify and Stitcher. It is always my hope that I’ve made something worth sharing, so if you like this, please pass it along to the people you think would benefit from it. You are the social network.

As always, keep the conversation going on Twitter @CNFPod and Instagram @cnfpod. Also Facebook, so go like the page there. I respond to everything, so please tag the show on your preferred network and we’ll connect.

Thanks to Goucher’s MFA in Nonfiction, Bay Path University’s MFA in Creative Nonfiction, and River Teeth for the support.

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Episode 159: Allie Rowbottom—The Page as Safe Place

Allie Rowbottom

By Brendan O’Meara

“Talent is not enough. You have to have luck. You have to have drive.” —Allie Rowbottom (@allierowbottom)

In this 159th episode of CNF, I welcome Allie Rowbottom, author of Jell-O Girls: A Family History.

We had a nice time talking about journaling, competition, jealousy, and finding the page as a safe place.

As always, keep the conversation going on Twitter @CNFPod and let me know what you thought of this episode. Share it across your social media profiles and me sure to tag the show so I can jump in the fire with you.

If you’re feeling kind, take a less than five minutes and leave a kind review or rating on Apple Podcasts. With your help, we can reach 100 of them.

Enjoy the show!

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Episode 147—Meredith May on What Cracked Open Her Memoir, Nature as Parent, and Bees, Lots of Bees

Meredith May, author of The Honey bus (Photo Matthew May)

“The pleasure of reading a book is that it’s reciprocal.” —Meredith May (@meredithmaysf)

By Brendan O’Meara

How are you, CNFers? I’m Brendan O’Meara and this is The Creative Nonfiction Podcast, the show where I speak to badass writers, filmmakers, producers, and podcasters about the art and craft of telling true stories, chart their journey through this crazy world and offer a few tips along the way to help you get the work done.

Be sure to subscribe to the show wherever you get your podcasts and follow me and the show on Twitter @BrendanOMeara and @cnfpod. You can follow the show on Instagram too where I post some great quote cards and audiograms from the show’s deep bench.

If you’re feeling friendly, please leave a review or a rating on iTunes. I’d love to see it reach 100, but it’ll take you. It’ll take you going that extra mile for you buddy BO. You know I love you for it.

This week I have Meredith May (@meredithmaysf across all the socials). She is the author The Honey Bus: A Memoir of Loss, Courage, and a Girl Saved by Bees. She also wrote I, Who Did Not Die: A Sweeping Story of Loss, Redemption, and Fate.

Okay, so Meredith May is here to talk about her career and her new book. She was shortlisted for the Pulitzer Prize for a long feature she wrote back around the time of the second Iraq War for the San Francisco Chronicle. We talk about the toxic nature of the competition Olympics, and how writing about someone else in another book cracked open her memoir for her.

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Episode 135—Leanna James Blackwell Talks About Fallow Periods, Running with Ideas, and 90s Grunge

Leanna James Blackwell wrote an essay. It’s good. Real good.

By Brendan O’Meara

Tweetables by Leanna James Blackwell (@baypathmfaCNF)

“Don’t worry if you go through a fallow period. It doesn’t mean there’s something wrong with you.”

“When that idea comes, don’t wait, grab it, run.”

Okay, this is The Creative Nonfiction Podcast, the show where I talk to badass writers (like Laura Hillenbrand), filmmakers (like Emer Reynolds), and producers (like Alexandra DiPalma) about the art and craft of telling true stories, how they became who they are, and the habits and routines that make them special, so maybe you can apply those tools of mastery to your own work.

We got Leanna James Blackwell for you today, for episode 135 of this racket. But we’ll get there. We’re gonna talk about a lot of things, and especially her long essay “Lethe” which appeared as Issue No. 22 of Creative Nonfiction’s True Story. I love these little things, man. You should subscribe. That’s a free shout out if I ever heard one.

Continue reading “Episode 135—Leanna James Blackwell Talks About Fallow Periods, Running with Ideas, and 90s Grunge”

Episode 134—Harrison Scott Key on Finding the Nature of His Talent, Humor, and the Pull to Create

Harrison Scott Key (right) returns to the podcast.
View on Zencastr

By Brendan O’Meara

“I always felt this indescribable pull to create something I’m proud of. ‘Look. I made this.'” —Harrison Scott Key (@HarrisonKey)

“A memoir is just a slice.” —Harrison Scott Key

Harrison Scott Key came back to the show to talk about his amazing work. Since that day way back in 2013, Harrison has published his first memoir The World’s Largest Man about his father, which also won the Thurber Prize for the funniest book in the country.  And his latest book, Congratulations, Who Are You Again?, Was my single favorite book from 2018.

This one was so funny, inspiring, and entertaining that I took it with me on walks and when I found a crack in my schedule I’d pick this thing up and read a few pages if I could while my boss wasn’t looking.

But we’ll get to that. I guess I forgot to mention that this is The Creative Nonfiction Podcast, the show where I speak to badass writers, filmmakers, and producers about the art and craft of telling true stories. I also unpack their origins and how they approach the work in the face of day jobs and crippling self-doubt. Am I projecting. Perhaps.

Do you subscribe this here podcast? You can find it just about anywhere and if you dig this show and others, link up to it on your social media platforms. You are the social network, CNFers. Rage Against the Algorithm. And if you have a minute or two, please give the show a rating over on Apple Podcasts. Follow the show @CNFPod on Twitter and @BrendanOMeara on Twitter.

What else, oh, yes, subscribe to my monthly newsletter. It’s chock full of my reading recommendations and what you might have missed from the world of the podcast. Once a month. No spam. Can’t beat it.

So Harrison came back to the show and as always I try and cut down these interviews by about 10-15% and I simply couldn’t do that with this one. Couldn’t do it, so I hope you enjoy the big man himself, Harrison Scott Key.

Don’t forget to Rage Against the Algorithm with my monthly up-to-11 newsletter. First of the month. No spam. Can’t beat it.

Consider supporting the show via Patreon patreon.com/cnfpod. Shop around if you want to support the community. I just paid out the writers from the last audio magazine. You make that possible. The show is free but it ain’t cheap.

Free ways to support the show?

Subscribe and download and share across your socials. And don’t forget to consider leaving a kind review on Apple Podcasts. Those go a LONG way.

Stay wild, CNFers!


Episode 133—Vanya Erickson Speaks Fluent ‘Boot Language’

Author Vanya Erickson

By Brendan O’Meara

“We all need little successes.” —Vanya Erickson (@vanyaerickson.author on Facebook. 

Today’s episode is also brought to you by the noun despair, “Driven to despair, he threw himself under a train.” despair: the complete absence of hope.

I don’t know what to say, man. Happy New Year, that’s a start. How are YOU? What’s going on with YOU? It’s just you and me here, man. I’m Brendan O’Meara and this is my podcast, The Creative Nonfiction Podcast, the show where I speak to badass writers, filmmakers, and producers about the art and craft of telling true stories.

Continue reading “Episode 133—Vanya Erickson Speaks Fluent ‘Boot Language’”

Episode 124—Natalie Singer on Finding the Time to Write and Living a Creative Life Around Day Jobs

By Brendan O’Meara

“What I’m doing when I’m not working is thinking.” —Natalie Singer (@Natalie_Writes)

Hey, this is The Creative Nonfiction Podcast, the show where I speak to the best artists about the craft of telling true stories. Today I welcome Natalie Singer, author of California Calling: A Self Interrogation to the show.

We talk about confidence, or the lack thereof, books as mentors, and day jobs and feeling shame for day jobs. I hope to change that perception over the next six million episodes, but shame is real, man, it is real. This brought up the great story about Andre Dubus III and how he wrote his famous book in 17-minute spurts.

Well, are you subscribed to the show? You can find us on Apple Podcasts, Spotify, and just about anywhere else you get your pods. If you like this episode, tell one friend. Hand the show off like a baton and let them run with it. I’d love to see the show grow. For a small show, we get some big headliners. I’d love to keep that going. The headliners bring more ears so that we little people can get some attention we might not otherwise get. It’s getting there. We march on.

Got a newsletter you should consider subscribing to. I give out reading recommendations, but I’m also thinking of sprinkling in some other cool stuff I’ve stumbled on over the past month in the vein of Austin Kleon’s newsletter. I love his newsletter. I’m gonna Steal Like an Artist. See what I did there?

Okay, this is my conversation with Natalie Singer…

Thanks to our sponsors: Goucher College’s MFA in Creative Nonfiction and Creative Nonfiction Magazine.

So, the show is @CNFPod on Twitter and I’m @BrendanOMeara on Twitter. I don’t know. Following either of those two would be pretty rad. The show is on Facebook too if you’re into that

You doing the newsletter thing? Subscribe here at the website. And if you like the show, share it with a friend, just one friend. The pod needs to keep on growing. Otherwise, what are we doing? Otherwise people won’t want to come on the show. They’ll be like, you’re not worth my time and I’ll be like, “Man, that hurts, Mom.” So please share it with a friend and subscribe if you haven’t.

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Episode 119—The Multi-Hyphenated Allison K. Williams

Allison K. Williams embodies the spirit of a true creative.

By Brendan O’Meara

“Fame does not equal success, and success does not equal fame.” —Allison K. Williams

“Every project I do has made me more fit and better to do my next project.” —Allison K. Williams

It’s The Creative Nonfiction Podcast, the show where I speak to the very best in the genre of telling true stories, how they got to where they are and the tools, tips, and tricks that make them so good at what they do. I’m your host Brendan O’Meara.

Today’s guest is none other than Allison K. Williams. She’s @GuerillaMemoir on Twitter and you can visit her website at idowords.com.

Continue reading “Episode 119—The Multi-Hyphenated Allison K. Williams”

Episode 109—Jean Guerrero Tries to Solve the Mystery of Her Father

Jean Guerrero, an award-winning journalist, came by to talk about her memoir Crux. Photo credit Stacey Keck

By Brendan O’Meara

“I could leave my father as a mystery because he was the mystery I was trying to solve,” says Jean Guerrero, @jeanguerre on Twitter.

I’ve often wonder how to not just make the podcast better but different. What would that entail? 

Could writing an extensive blog post about the guest instead of just show notes be seen as different yet adding value? I’m not sure. 

Continue reading “Episode 109—Jean Guerrero Tries to Solve the Mystery of Her Father”

Episode 106—Rebecca Fish Ewan and ‘The Forces of Gravity’

Photo credit Charissa Lucille

By Brendan O’Meara

Tweetable by Rebecca Fish Ewan (@rfishewan on Instagram):

“I couldn’t, as an adult, get past the story of how her life ended. And I wanted to tell the story of she lived.”

It’s The Creative Nonfiction Podcast, the show where I speak to the best artists about telling true stories.

For Episode 106, I welcome Rebecca Fish Ewan, author of By the Forces of Gravity (Books by Hippocampus 2018), a love story between friends that ends in tragedy told through free-verse poetry and cartoons. It’s a great reading experience and a wonderfully told story of adolescence in the 1970s Berkley. You can buy the book by visiting books.hippocampusmagazine.com or via Amazon.

In this episode we dig into:

  • How Rebecca chose to write the story in the way she did
  • The power of community
  • Writing from the POV of her 12-year-old-self
  • And dealing with self doubt

Rebecca is @rfishewan on Instagram, her preferred social network and is @rfishewan on Facebook. Go check her out.

If you’re not subscribed, be sure to hit up Apple Podcasts, Google Play Music, and Stitcher so you get a fresh delivery every Friday. Share this with people you think will dig it. Ad let me know what you think of it, what you got out of it. I’m @BrendanOMeara and @CNFPod on Twitter and @CNFPodcast on Facebook. Pick a network, any network and let’s connect.

If you dig the show and you have a minute, please leave a review over on Apple Podcasts. If you show me evidence of your review, I will edit a piece of your writing of up to 2,000 word.

Sign up for my monthly reading list newsletter. Four books and what you might have missed from the world of the podcast. Once a month. No spam. You can’t beat that.

The Creative Nonfiction Podcast is sponsored by Hippocamp 2018. Now in its fourth year, Hippocamp is a three-day Pennsylvania writing conference that features 50+ speakers, engaging sessions in four tracks, interactive all-conference panels, author and attendee readings, social activities, networking opps, and optional, intimate pre-conference workshops. The conference takes place in lovely Lancaster, from Aug. 24 through the 26th.

Past keynotes have been Lee Gutkind, Mary Karr, Dinty W. Moore, and Jane Friedman (all have been past guests on the podcast. Whaaaat?) This year Abigail Thomas will be the featured speaker.

Visit hippocampusmagazine.com and click the “Conference” tab in the toolbar and if you enter the keyword CNFPOD at checkout you will receive a $50 discount. This offer is only good until Aug. 10 or until all those tickets are sold. There are a limited number so act now! Like RIGHT NOW.

The registration is $429 ($379 with the discount) through Aug. 10 then goes up to $449 on site. If you sign up through this portal before the conference starts, you’re actually saving $70!

Hippocamp 2018: Create. Share. Live.