Rewatch the Way Children Rewatch

By Brendan O’Meara

A few years ago my niece was home from school. She was sick and watched the movie Frozen on a constant loop. You probably did this as a kid too. You re-watched things you loved because you loved them. Unapologetically.

At some point you think that it’s no longer good enough to watch a few things deeply and you want to watch as many movies as possible or read as many books as possible.

But what if you tabled the idea of reading fifty books a year and instead read the same book twenty times? Or, pick your favorite book and read it once a year every year. I do this with The Great Gatsby. I read it every year in December, Ol’ Sport.

In any case, sometimes we think there’s no time to re-read books or re-watch movies because we could be consuming something new. No matter how many lifetimes you’re granted, you won’t be able to read or watch it all.

So should you come across something you love, study it. Immerse in it. See that book’s family tree: What authors did the author read that informed it?

It doesn’t matter what it is, but reclaiming that child-like zeal for a piece of art might be the key to greater enjoyment instead of trying to stay on an ever-quickening treadmill.

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The Evolution of Hard Work

I’m obsessed with what means to work hard. It’s a big reason why I ask so many people about how they define it, and another big reason I use athletics as the perfect was to illustrate and measure hard work.

For example, if you’re a competent high school baseball player, maybe doing 100 swings a day on a tee in your basement is hard work. That will separate you from most other high school players and you will likely succeed if you have some talent too.

But what happens when you start playing college ball? Well, now you’re in a mix of all the best high school players who put in those 100 swings a day. So now you might have to do 200 a day to create separation. You need to level up to keep pace and succeed.

And should you be lucky enough to graduate to the next level? Guess what? You need to put in more reps. It gets that much harder and the fine line between good and great gets that much narrower, so you need to keep putting in more reps.

So what might have been hard work a few years ago, might not cut it anymore.

I’ll leave it up to you to measure what hard work means, but the fact is if you want to level up, you have to put in more reps.

This is how we create separation and rise to the top. Because you have to work harder now even with a better set of skills, doesn’t mean you’ve somehow regressed. It means you’re leveling up. It means you get to keep playing the game. What worked five years ago worked five years ago. You need to step up now. You know you can do it. Don’t be scared. Put in the reps.

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Define Success

By Brendan O’Meara

After taking Alexandra DiPalma’s great podcasting course on Creative Live and having her on CNF, one of her fundamental questions for any novice podcaster is: How will you define success?

Is it downloads?

Is it listeners?

Is it reach?

Is it money? (A bad one, admittedly, but that’s a metric for some people).

Point being if we define our success in realistic terms, approachable terms, then maybe some of the bitterness and resentment won’t glom on. Maybe you’ll have fun again.

But if you have some nebulous idea of what success is, or an atomically unrealistic metric, then you will grow bitter and angry.

Define what it would mean to feel successful and fulfilled. And go after it. If you hit that mark. Celebrate, then recalibrate, reengage, and get after it again.

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Do Not Hurry; Do Not Rest

By Brendan O’Meara

That’s a quote from Goethe. I found it in Annie Dillard’s The Writing Life.

It speaks so strongly getting a lot of work done, if you think about it.

Tortoise and hare.

Don’t rush. Plug along. Drip by drip. Don’t stop.

Go faster by slowing down.

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Episode 150: Ian Frisch—A Good Idea Knows No Age

Ian Frisch, author of Magic is Dead, hopped on the show.

By Brendan O’Meara

Quotables by Ian Frisch (@IanFrisch and @Ian_Frisch)

“That’s what makes a great story is having character, and setting, and narrative moments and dynamic change.”

“I’m not really just there for the information. I want to be able to understand a character and their motivations and their experience on a deeper level.”

“A good idea knows no experiences level or age.”

Well, here are CNFers, this is CNF, the creative nonfiction podcast where I speak to badass artists about the craft of telling true stories.

Ian Frisch, a master a freelancer and author of Magic is Dead, joins me this glorious CNFriday.

There’s so much great freelancer wisdom in this episode. I know your’e gonna dig it.

Ian mentions how great Patrick Radden Keefe’s Say Nothing and David Grann’s The White Darkness are. Not to mention Bill Buford’s great New Yorker piece on chocolate.

Ian is a prolific writer and his work can be seen here, so I hope you’ll check out his work. It’s an impressive collection.

Be sure to keep the conversation going on Twitter @BrendanOMeara and @CNFPod. You can always follow along on Instagram @cnfpod and on Facebook on the podcast’s page.

Enjoy the show!

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Improve in Public

Bill Watterson’s brilliant and iconic comic, Calvin and Hobbes, is one of the most beautifully drawn and painted comics of all time.

But if you look to the very, very beginning of the comic Watterson’s drawings are raw, they’re minor league compared to where he ends up.

So by showing up, day after day after day, drawing that boy and that tiger and all the other characters that appear in comic over its entire run, they get sharper, cleaner, better.

You see this over and over again. The Far Side, Garfield, Doonesbury, Get Fuzzy. These artists are not fully formed, yet they still did the work and improved in real time in plain sight.

The work will never be perfect and you will never be ready and never be fully formed.

So work, work in plain sight and then notice how you improve. Don’t be stifled by perfection. Work and improve in public.

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Build a Wall Around Social Media

By Brendan O’Meara

Maybe we’ve all been fooled that we even need social media, but if you do think you need it—and I think I’m one of those people—I’d love to share a new practice that I think is working…for me…and maybe it’ll work for you.

I’m allotting thirty minutes before noon and thirty minutes after noon for any and all social media.

This way there is purpose. In that time I schedule the tweets, post quote cards and audiograms to Facebook and Instagram, and maybe scroll a little bit to see what my writer pals are up to.

Then I shut it down until later in the day.

After reading Jenny Odell’s How to Do Nothing, it’s made me think about the use of social media. Putting parameters on it gives me a better sense of control when you know those for-profit social networks are algorithmically designed to control you.

Like Seth Godin says, if the product is free, you are the product.

Set a timer. Thirty minutes. Go.

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The To-Do List as Butterfly Net

By Brendan O’Meara

If you’re anything like me, you have a tendency to get easily overwhelmed.

Tasks pop into your head as fast as they leave. This is where the time-tested to-do list can act out another great function: a butterfly net.

Ideas can be like butterflies, all flittering around in aimless directions. You always say that you’ll remember that idea that popped into your head. Or you think you can keep it all straight.

Odds are you can’t.

So with your to-do list next to you at all times, use it like a butterfly net. When an idea or task pops into your head, immediately write it down on the list. This has a weirdly cathartic effect, like you actually captured the idea or task.

I find this relieves a lot of anxiety, especially since I work from home these days. My mind bounces from having to make new hummingbird water, to preparing for a podcast, to doing the dishes, to writing a column on deadline and so on.

Snatching ideas and tasks into my to-do list notebook secures them so I can act on them when I can.

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The Aliveness of Silence

By Brendan O’Meara

After watching the brilliant documentary Won’t You Be My Neighbor, I was especially struck by how silence is anything but quiet.

Silence is an ally.

As an interviewer, it helps coax more from people.

As a human, it makes you a better listener.

And a minute—60 seconds—is a long time. It is. And it can be a gift. I can recalibrate your mind. Temper anxiety.

I’m going to give you one minute of silence. You may use it however you want. You can breathe deeply for one minute, or maybe think about somebody special to you.

Here: Have a minute on me.

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Yeah, But What’s In It for THEM?

By Brendan O’Meara

I’m a newsletter junkie and the best ones are the ones that have the reader in mind. And even something as simple as phrasing goes a long way.

What works for me, and I hope you keep this in mind for your readers, is when the author frames his or her suggestions in terms of what she thinks the end user will most benefit from. Austin Kleon does this perfectly.

Others, and I won’t single anyone out because I’m not about that noise anymore, will say things like: Song I’m listening to. Quote I’m pondering. Article I’m reading.

I. Don’t. Care.

That’s implicit in the recommendation and saying you’re pondering a quote is superfluous and downright egotistical.

I guest this is a rant of sorts, but when I see that I see someone who thinks he’s Moses coming down with the tablets.

But there is a lesson here that if we get by the stifling nature of always thinking about the audience, that keeping that in mind is a way to be of greater service, because all art must be in service of an audience. That audience, of course, is up to you.

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